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DEFIL - Diss - Ana Augusta Carneiro de Andrade Araujo - Ufop

DEFIL - Diss - Ana Augusta Carneiro de Andrade Araujo - Ufop

DEFIL - Diss - Ana Augusta Carneiro de Andrade Araujo - Ufop

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ABSTRACT<br />

This research aims at the question "what is art?" and its possible <strong>de</strong>velopments<br />

in the production of contemporary philosophical analytical profile. To elaborate on this<br />

theme, we chose to separate the text into five distinct and complementary moments.<br />

The first is to present the problem of <strong>de</strong>fining the nature of art, locating it<br />

historically and contextually, and linking it to our current art scene to facilitate its<br />

boundaries. The second phase aims to point out ways of i<strong>de</strong>ntifying the nature of things<br />

and in this sense, which one would be more fruitful to investigate something like the art<br />

- so controversial in nature and plural.<br />

The third argues that George Dickie's institutional theory suggests a fruitful way<br />

and proper i<strong>de</strong>ntification of what art is. His central thesis is that art can only be<br />

un<strong>de</strong>rstood if un<strong>de</strong>rstood within their own practice, always linked to a socio-cultural<br />

context. At this point, choose to work every aspect of this perspective in <strong>de</strong>tail,<br />

including their objections. The fourth period covers the same author and his position on<br />

the value of art. In this case, experiments in the art to produce a value within the culture,<br />

and how such experiences can be measured through the qualities and elements of art<br />

works.<br />

The fifth and final moment brings a conclusion where it <strong>de</strong>fines the extent to<br />

which Dickie perspective is relevant and where their vision is weak. In other words, our<br />

critique your perspective.

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