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HEIKI MÄTLIK - Eesti Muusika- ja Teatriakadeemia

HEIKI MÄTLIK - Eesti Muusika- ja Teatriakadeemia

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Schulze, Hans-Joachim 1966. Wer intavolierte Johann Sebastian Bachslautenkompositionen?. – Die Musikforschung. Vol XIX, S 32–39.Schulze, Hans-Joachim 1983. “Monsieur Schouster” – ein vergessener ZeitgenosseJohann Sebastian Bachs. – Bachiana et alia musicologica. Koostanud WolfgangRehm. Kassel: Bärenreiter Verlag, S 243–250.Schulze1975b = Schulze, Hans-Joachim 1975. J. S. Bach, Das Leben und Werk inDokumenten. Kassel: Bärenreiter Verlag.Sicca, Mario 1985. Articulation in the Lute Music of J. S. Bach. – Guitar Rewiew.Fall, pp 26–31.Tappert, Wilhelm 1901. Sebastian Bachs Kompositionen für die Laute. – Dieredenden Künste. Vol 36–40. S 2–11.Traube, Caroline; D’Alessandro, Nicolas 2005. Vocal Synthesis and GraphicalRepresentation of the Phonetic Gestures Underlying Guitar Timbre Description.Ettekanne VIII Digital audio efektide konverentsil Madridis 20–22.09.2005.http://en.scientificcommons.org/43314466 (26.09.2011)Tyler, James; Spraks, Paul 2002. The Guitar and Its Music. New York: OxfordUniversity Press Inc.Tyler, John 1978. Tone Production on the Classical Guitar. London: Musical NewsServices Ltd.Veilhan, Jean-Claude 1979. The Rules of Musical Interpretation in the Baroque Era.Paris: Alphonse Leduc.Wade, Graham 1985. The Guitarist Guide to Bach. Cork: Wise Owl Music.Wade, Graham 2001. A Concise History of the Classic Guitar. Pacific: Mel BayPublications, Inc.74

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