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Divadelná Nitra 2019 Catalogue

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kríži a jeho zmŕtvychvstaním. Toto bola<br />

línia, ktorú sme sa snažili sledovať.”<br />

Júlia Rázusová<br />

Rastislav Ballek (1971) vyštudoval filozofiu<br />

a sociológiu na Filozofickej fakulte Univerzity<br />

Komenského v Bratislave, neskôr<br />

absolvoval odbor divadelná réžia na Vysokej<br />

škole múzických umení v Bratislave. Pôsobil<br />

ako režisér vo viacerých významných<br />

divadlách na Slovensku i v Českej republike.<br />

V Mestskom divadle Žilina zastával v rokoch<br />

2003 − 2008 post umeleckého šéfa.<br />

V Divadle Aréna vytvoril kultovú autorskú<br />

inscenáciu Tiso (<strong>Divadelná</strong> <strong>Nitra</strong> 2005)<br />

a režíroval inscenácie Kukura (<strong>Divadelná</strong><br />

<strong>Nitra</strong> 2012), Holokaust (<strong>Divadelná</strong> <strong>Nitra</strong><br />

2013) či Rosmersholm (2013). V Opere<br />

Slovenského národného divadla režíroval vo<br />

svetovej premiére komornú operu Martina<br />

Burlasa Kóma (2007). Inscenácie a divadelné<br />

projekty Rastislava Balleka pravidelne<br />

hosťujú na domácich a zahraničných medzinárodných<br />

festivaloch (Divadlo v Plzni,<br />

Sterijino pozorje v srbskom Novom sade,<br />

Nová dráma Bratislava, <strong>Divadelná</strong> <strong>Nitra</strong>,<br />

festival Eurokaz v Záhrebe, Expo 2000<br />

v Hannoveri). Ballek bol dvakrát nominovaný<br />

na cenu za najlepšiu réžiu v ankete<br />

Dosky. Cenu Dosky za najlepšiu inscenáciu<br />

sezóny 2004/2005 získala inscenácia Tiso,<br />

ktorú uviedlo divadlo Aréna podľa scenára<br />

a v réžii R. Balleka. V roku 2017 získal Cenu<br />

Stana Radiča za Objav roka na festivale<br />

Kremnické gagy za inscenáciu Ekonómia<br />

dobra a zla a jeho inscenácia Princípy<br />

newspeaku získala Cenu Počin [Poučn]<br />

na festivale KioSK 2017 za svetelný dizajn.<br />

as a believer and regular church attendee<br />

– then he will have to find his own name<br />

for the format. Though it is a reading, essentially<br />

a play in terms of stage time, we<br />

needed a dramatic arc. And Holy Scripture,<br />

the Old Testament and the New Testament,<br />

contains a dramatic arc of sorts, beginning<br />

with creation, continuing through<br />

God’s promises to his chosen people and<br />

ending, for us Christians, with the sacrifice<br />

of Jesus on the Cross and his resurrection.<br />

This was the storyline we tried to follow.”<br />

Júlia Rázusová<br />

Rastislav Ballek (1971) studied philosophy<br />

and sociology at the Faculty of Arts<br />

of the Comenius University in Bratislava,<br />

later also graduated in theatre directing<br />

from the Academy of Performing Arts in<br />

Bratislava. He has directed at several acclaimed<br />

theatres in Slovakia and the Czech<br />

Republic. In 2003 − 2008, he was artistic<br />

director at the Žilina City Theatre. He authored<br />

the cult original production Tiso at<br />

Aréna Theatre (<strong>Divadelná</strong> <strong>Nitra</strong> 2015) and<br />

directed Kukura (<strong>Divadelná</strong> <strong>Nitra</strong> 2012),<br />

The Holocaust (<strong>Divadelná</strong> <strong>Nitra</strong> 2013) or<br />

Rosmersholm (2013). At the Opera of the<br />

Slovak National Theatre, he directed the<br />

world premiere of Martin Burlas’ chamber<br />

opera Coma (2007). Ballek’s productions<br />

and theatrical projects regularly appear<br />

at local and international theatre festivals<br />

(Plzeň Theatre, Sterijino pozorje in Novy<br />

sad, Serbia, New Drama Bratislava, <strong>Divadelná</strong><br />

<strong>Nitra</strong>, Eurokaz Festival in Zagreb,<br />

Expo 2000 in Hannover). Ballek is twice‐<br />

‐nominee for Best Direction in the Dosky<br />

annual critics survey. He earned Dosky for<br />

Best Production of the Season 2004/2005<br />

with Tiso, written for and directed at Aréna<br />

Theatre. In 2017, he received the Stano<br />

Radič Prize for Discovery of the Year at the<br />

festival Kremnické GAGY for The Economy<br />

of Good and Evil, and his production The<br />

Principles of Newspeak earned the title<br />

‘Počin [Poučn]’ at KioSK Festival 2017 for<br />

lighting design.<br />

43

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