alpbacher architekturgespräche 2003 - ATP
alpbacher architekturgespräche 2003 - ATP
alpbacher architekturgespräche 2003 - ATP
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THE ALPBACH - LECTURE <strong>2003</strong><br />
102<br />
Peter Eisenman<br />
Eisenman Architects, New York<br />
I am a little dislocated in time and space<br />
tonight, not only because of jetlag but<br />
also because there’s this strange blackout<br />
in New York. My family is without<br />
water, electricity and air-conditioning and<br />
is stranded at the top of a 21-storey<br />
New York high-rise without elevator<br />
while I am stranded on the top of a<br />
mountain in Austria, and I find this parallel<br />
very interesting. Why do I think of<br />
myself as stranded? Because I get nervous<br />
in mountains. I am even nervous<br />
about heights and cannot go out on my<br />
balcony without great difficulty. Perhaps<br />
this is why all of my projects are like<br />
earthworks. Being in the city is for me<br />
like being in the country for you. I have<br />
no fear at all of being in cities.<br />
Looking at the conference title, "Continuity<br />
and Discontinuity,” I understand<br />
that I am to represent discontinuity –<br />
but I object to representing anything at<br />
all. I even object to representing myself<br />
because I am myself so I do not represent<br />
anything. I object to such categorization<br />
as "you are Mr. Continuity and<br />
someone else is Mr. Discontinuity”<br />
because the notion of these oppositions<br />
is something that my whole work<br />
struggles against.Whether we are conscious<br />
of it or not, we in the Western<br />
world especially those of us in archi-<br />
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