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A CRITICAL BIOGRAPHY OF EDWIN JAMES BRADY - Mallacoota ...

A CRITICAL BIOGRAPHY OF EDWIN JAMES BRADY - Mallacoota ...

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But it is not be thought from this view of Brady’s mental strivings in verse that his<br />

themes were always serious and grave. Knowing of the light heartedness of the man,<br />

his ready wit and abundant vitality, humorous verse should naturally be expected, and<br />

in fact is found in considerable measure, ranging from accounts of the tall tales so<br />

beloved of countrymen to the whimsical and childlike personification of animals and<br />

the creation of strange new creatures akin to those found under Hugh McCrae’s<br />

editorship in The New Triad. 1 “The Coachman’s Yarn” is a good example of the<br />

embodiment of the tall tales which have come to form part of the folk-lore of the<br />

Australian bush. This particular coachman tells of the cold in “Nimitybell” in 1883 –<br />

so cold was it that “It froze the blankets, it froze the fleas, / It froze the sap in the<br />

blinkin’ trees”. A curlew in this winter had nit beak frozen to his feet. Even the<br />

sounds of the bush froze, for when a log was dragged to the fire and burnt, the sounds<br />

of the cross-cut saw could be distinctly heard as it thawed! Even the flaming wick of<br />

a candle froze and burned down a house when it finally thawed out! 2<br />

Much of the earlier humorous verse, written for the Bird-O’-Freedom and The Arrow<br />

contains broad, obvious wit, atrocious puns and schoolboy witticisms (such as the<br />

name of a ship – the “Ellen Blazes”) but there are many occasions when his sense of<br />

fun finds a higher plane, is whimsical, artistic and attractive. In good Australian style<br />

he is interested in the effects of drink, some of the lighter poems making reference to<br />

intoxication in an adolescent manner, to its delights and stupidities. He would take a<br />

newspaper item, comment upon it jocularly, weaving into it unusual features until the<br />

result is pure fun. So when an item commented upon two rams which had strayed<br />

into a householder’s yard, Brady compares them with monsters he has seen in his<br />

cups:<br />

They’d saucer eyes and horns ten feet<br />

In length, and when the bleat,<br />

Their mouths in order to complete<br />

Our terror,<br />

Were opened up until we saw<br />

Their livers large and red and raw.<br />

We’ll swear this fact is free from flaw<br />

Or error ………… 3<br />

There are countless examples of this kind of levity in The Arrow, some better and<br />

many worse!<br />

Another aspect of his technique with humour consisted of his custom of taking<br />

something reasonably important to most people and poking fun at it in a goodhumoured<br />

manner; so doctors, lawyers, dentists, clergymen, even editors are jocularly<br />

“sent up”:<br />

The devil felt poorly, and strange, sirs, to tell<br />

The devil he shivered, although it was hell;<br />

In Tophet there shivered damn quacks b y the score.<br />

And doctors and surgeons were there in galore,<br />

But not one could cure him, though all were agreed,<br />

The Monarch of Darkness was sickly indeed. 4<br />

1 Editor (with E Watt) from August 1927 – July 1928. The Chouse, Cark, Blurb and other mythical<br />

animals appeared in illustrated poems. See J. Webb, Hugh McCrae, O.B.E., unpublished M.A. thesis,<br />

Sydney University.<br />

2 The Bulletin, 20.4.1922<br />

3 “He-Ha-Ha!” Bird-O’-Freedom, 4.2.1893<br />

4 “Monte Carlo”, Bird-O’-Freedom, i7.1.1893<br />

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