A CRITICAL BIOGRAPHY OF EDWIN JAMES BRADY - Mallacoota ...
A CRITICAL BIOGRAPHY OF EDWIN JAMES BRADY - Mallacoota ...
A CRITICAL BIOGRAPHY OF EDWIN JAMES BRADY - Mallacoota ...
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But it is not be thought from this view of Brady’s mental strivings in verse that his<br />
themes were always serious and grave. Knowing of the light heartedness of the man,<br />
his ready wit and abundant vitality, humorous verse should naturally be expected, and<br />
in fact is found in considerable measure, ranging from accounts of the tall tales so<br />
beloved of countrymen to the whimsical and childlike personification of animals and<br />
the creation of strange new creatures akin to those found under Hugh McCrae’s<br />
editorship in The New Triad. 1 “The Coachman’s Yarn” is a good example of the<br />
embodiment of the tall tales which have come to form part of the folk-lore of the<br />
Australian bush. This particular coachman tells of the cold in “Nimitybell” in 1883 –<br />
so cold was it that “It froze the blankets, it froze the fleas, / It froze the sap in the<br />
blinkin’ trees”. A curlew in this winter had nit beak frozen to his feet. Even the<br />
sounds of the bush froze, for when a log was dragged to the fire and burnt, the sounds<br />
of the cross-cut saw could be distinctly heard as it thawed! Even the flaming wick of<br />
a candle froze and burned down a house when it finally thawed out! 2<br />
Much of the earlier humorous verse, written for the Bird-O’-Freedom and The Arrow<br />
contains broad, obvious wit, atrocious puns and schoolboy witticisms (such as the<br />
name of a ship – the “Ellen Blazes”) but there are many occasions when his sense of<br />
fun finds a higher plane, is whimsical, artistic and attractive. In good Australian style<br />
he is interested in the effects of drink, some of the lighter poems making reference to<br />
intoxication in an adolescent manner, to its delights and stupidities. He would take a<br />
newspaper item, comment upon it jocularly, weaving into it unusual features until the<br />
result is pure fun. So when an item commented upon two rams which had strayed<br />
into a householder’s yard, Brady compares them with monsters he has seen in his<br />
cups:<br />
They’d saucer eyes and horns ten feet<br />
In length, and when the bleat,<br />
Their mouths in order to complete<br />
Our terror,<br />
Were opened up until we saw<br />
Their livers large and red and raw.<br />
We’ll swear this fact is free from flaw<br />
Or error ………… 3<br />
There are countless examples of this kind of levity in The Arrow, some better and<br />
many worse!<br />
Another aspect of his technique with humour consisted of his custom of taking<br />
something reasonably important to most people and poking fun at it in a goodhumoured<br />
manner; so doctors, lawyers, dentists, clergymen, even editors are jocularly<br />
“sent up”:<br />
The devil felt poorly, and strange, sirs, to tell<br />
The devil he shivered, although it was hell;<br />
In Tophet there shivered damn quacks b y the score.<br />
And doctors and surgeons were there in galore,<br />
But not one could cure him, though all were agreed,<br />
The Monarch of Darkness was sickly indeed. 4<br />
1 Editor (with E Watt) from August 1927 – July 1928. The Chouse, Cark, Blurb and other mythical<br />
animals appeared in illustrated poems. See J. Webb, Hugh McCrae, O.B.E., unpublished M.A. thesis,<br />
Sydney University.<br />
2 The Bulletin, 20.4.1922<br />
3 “He-Ha-Ha!” Bird-O’-Freedom, 4.2.1893<br />
4 “Monte Carlo”, Bird-O’-Freedom, i7.1.1893<br />
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