A CRITICAL BIOGRAPHY OF EDWIN JAMES BRADY - Mallacoota ...
A CRITICAL BIOGRAPHY OF EDWIN JAMES BRADY - Mallacoota ...
A CRITICAL BIOGRAPHY OF EDWIN JAMES BRADY - Mallacoota ...
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40<br />
Finally he begged and borrowed enough money to pay to most pressing bills and<br />
resolved to make a new start in life after a trial which would have broken a lesser<br />
man. He confessed to a son: “It is not pleasant being broke at 68 and having to make<br />
a new start, but it will be done now, regardless of aught else.” 1<br />
The inner resources which had kept Brady going – his faith in human nature, in the<br />
basic goodness of life – were never more evident than at this time. He had for years<br />
treasured and stored manuscripts, letters and early editions of Australian writers,<br />
meaning always to sort and catalogue them when time was found. He was a real<br />
bower-bird when it came to this type of accumulation and had many boxes and cases<br />
filled with this valuable material. Now he sold this – solid and tangible evidence of<br />
past friendships and achievements – for very low prices, mainly through J.K. Moir, in<br />
Melbourne but also through others who approached him, including Harry Chaplin and<br />
Tyrrell. Early Lawson, Daley, Quinn, Brennan and early paintings and drawings were<br />
disposed of cheaply, only a small part thus far reaching public libraries. He expressed<br />
his bitterness often to his correspondents, especially Moir, Mendelsohn and Holburn.<br />
He condemned the slowness of returns for literary effort, calling Australia “The Land<br />
of Lots of Time” 2 and decrying once again the preoccupation of the country’s<br />
inhabitants with “sport and social vanities” and warning that “we haven’t ever<br />
developed national serious-mindedness for which in the end we must pay” 3 – a theme<br />
still being sung, as in Donald Horne’s The Lucky Country. As if to highlight this<br />
point he received at this time a letter from the publishers of Burke’s Landed Gentry<br />
requesting details of his family for inclusion (at a fee, of course). He spoke<br />
disparagingly of “Sir Barnard’s Stud Book”.<br />
In a rational and strong-willed manner Brady sat down to take stock of himself and<br />
determine the reasons for his failure. Always of a scientific bent and fairly well-read<br />
in psychology, he now attempted to use this knowledge to advantage. His suggested<br />
lines of treatment make interesting reading. He determined to concern himself in the<br />
future with certain areas of personal achievement:<br />
1. Cultivation of will-power.<br />
2. Complete abstention from alcohol.<br />
3. Physical Health.<br />
4. Mental clarity and correct reasoning.<br />
5. Sex-control.<br />
6. Toleration – belief in good.<br />
7. Constant occupation.<br />
8. Sublimation in service and artistic and cultural effort.<br />
9. Effort, patient effort, to co-ordinate ideas and express them.<br />
10. The Right Books.<br />
11. The elimination of all ideas of Violence, Retribution or Revenge upon individuals<br />
or Society.<br />
12. Avoidance of morbid or despairing thoughts – the Clean Slate – Hope, Courage,<br />
Faith and a new beginning.<br />
These with God’s Blessing and every adventitious aid possible will lead to<br />
complete regeneration, happiness, tranquillity, harmony and possibly a literary<br />
success.<br />
‘Father, forgive them, for they know not what they do’. ‘Let him that is without<br />
sin cast the first stone’. 4<br />
1 Brady to his son Hugh, 20.4.1937, in National Library.<br />
2 Brady to J.K. Moir, 26.11.1937, in La Trobe Library.<br />
3 Brady to J.K. Moir, 26.11.1938, in La Trobe Library<br />
4 Untitled notes, dated only 1937, among microfilmed letters of Brady’s in Mitchell Library.