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A CRITICAL BIOGRAPHY OF EDWIN JAMES BRADY - Mallacoota ...

A CRITICAL BIOGRAPHY OF EDWIN JAMES BRADY - Mallacoota ...

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They fell about her slimy deck: they clung to what they could;<br />

Amid the crack of falling spars, the wrack of riven wood,<br />

They crowded like rats – that would not drown for one-and-six a day –<br />

They died to swell a bank account that night of Table Bay.<br />

Aye, twenty things of bloated shape that sought a resting place,<br />

And three shipowners shaking hands by God’s own holy grace:<br />

Aye, twenty things of clammy kind that, very shortly, stank,<br />

And three well-scented Englishmen with money in the bank. 1<br />

The sad tale of the conditions of seamen and stevedores is told in many a poem in<br />

hard-hitting language and in the dialect of the mariners who “yakker, yakker, yakker<br />

/ For the drop o’ beer and bacca”. 2 Nor will any great change come about until there<br />

is less hypocrisy on the part of the owners (hypocrisy as blatant as in “The Hiram<br />

Brown” 3 ) or those who appeal to the workers’ patriotism alone and expect them to<br />

slave because of it alone: “It’s a re-a-ri-a-rally an’ another tier of bales / For the glory<br />

of the Empire, an’ the good of News South Wales”. 4 Nor will improvement come<br />

without a change in the callousness of the ruling classes towards accidents, which are<br />

regarded as expensive interruptions to work, as in “The Winch”, 5 and towards<br />

inadequate machinery or inefficient safety and work routines.<br />

If the city workers, the stevedores and seamen, the factory hands and clerks have their<br />

difficulties in maintaining their dignity as men, so do also the workers in the country.<br />

The shearers, the settlers in isolated places, they who “face the raging summer and<br />

pray the cooling change”, 6 the migrants settling in a new country against great<br />

hardships, 7 the small-town dwellers and farmers have penury of soul as well as of<br />

body to contend with. But the country has distinct compensations. As in “Clancy of<br />

the Overflow”, the country could by a mere escape from the city on occasion, but<br />

others loved it for what it was. The contrasting characteristics of the two<br />

environments are brought out in “Knights of Chance”, which opens:<br />

Men do not live in cities. Between the narrow ways<br />

They walk as meek-faced merchants, dissembling all their days.<br />

Ours are the open places; ours are the Plain and Sky;<br />

The clean, deep-hearted Ranges, the Hills – which cannot lie. 8<br />

But wherever he lived and worked, the Australian workingman had a strong advocate<br />

in Brady. The assumption is usually made that he is economically depressed (which<br />

was more often than not true) and that he and all his colleagues put forth their total<br />

energies to fulfil the demands of an unreasonable and harsh employer, which was not<br />

doubt less true. Although there was much wrong to be remedied, the most pressing<br />

need was seen as more money to meet many commitments, rather than more money as<br />

an end in itself, which “Give Us Gold” practically suggests. 9<br />

1 “A Tale of Twenty Men”, The House of the Winds.<br />

2 “Laying on the Screw”. The Ways of Many Waters<br />

3 “The Hiram Brown”, ibid.<br />

4 “Laying on the Screw”.<br />

5 “The Winch”, The Bulletin, 23.4.1925<br />

6 “Outposts”, Bells and Hobbles.<br />

7 “The Blackball Line”, The Bulletin, 23.4.1925<br />

8 “Knights of Chance”, The Earthen Floor.<br />

9 “Give Us Gold”, Truth, 1.10.1893<br />

87

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