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A CRITICAL BIOGRAPHY OF EDWIN JAMES BRADY - Mallacoota ...

A CRITICAL BIOGRAPHY OF EDWIN JAMES BRADY - Mallacoota ...

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189<br />

In spite of this disenchantment, there is no evidence to suggest that the ideals of social<br />

aims of the man underwent any great change. The idealism innate in him was<br />

channelled into political and literary forms by the cataclysmic events of 1890n and<br />

later diverged into more general and commercial fields before reverting to the avenues<br />

of political journalism in the 1930’s. His vision however, underwent little change.<br />

He saw the need for the development of a workable, practical Christianity which<br />

could be applied to social reform to improve the lot of the worker and which would<br />

replace the pseudo-Christianity of the orthodox churches which he saw being guilty of<br />

preaching without practice. He wanted to see the creation of a society where every<br />

man had sufficient leisure to devote to cultural activities. Only by these means could<br />

one ensure the breadth of mind and vitality of spirit which would act as a<br />

countercheck to the dreadful monotony of employment in a society becoming<br />

increasingly industrialised, dehumanised and impersonal.<br />

This achievement of a better society through the application of the real Christian<br />

principles embedded in the doctrine of socialism, with its fairer sharing of the fruits of<br />

labour, could be hastened by the activities of the writers in the community. The<br />

function of the creative artist, especially the writer, was to serve as a social<br />

conscience, advocating the adoption of Christian ideals, informing the public of<br />

democratic principles and acting as guardian of public cultural norms; his superior<br />

sensitivities allowed him to perform this task better than could his fellows. He was<br />

also to serve as a rational and humanistic example of enlightened living to those<br />

whose constitution or present environment prevented their immediate enjoyment of<br />

the higher things of life. With its unique position, civilised background, considerable<br />

resources and independent populace, Australia could emerge from the decadence<br />

which affected much of the Western world to set an example of enlightened living,<br />

cultural progress and regard for the rights of the individual which would give her a<br />

predominant place in the contemporary world and restore a golden age to this planet.<br />

As a southern bastion of democracy, Australia could provide intellectual and cultural<br />

leadership; the uniqueness of its position and the quality of its people made the<br />

utopian society quite feasible.<br />

This eminently commendable, humane programme of action required the achievement<br />

of personal goals by Brady. The initial plan of political involvement of a direct nature<br />

failed with his withdrawal from the Socialist League and his failure to gain Labor<br />

preselection, but was continued strongly through political journalism, unionism and<br />

the influences of political friendships. Cultural enlightenment for the masses meant<br />

dissemination of the doctrine of socialism and reform and many kinds of writing<br />

resulted, from revolutionary verse, political jingle, newsy columns and political<br />

editorials through to geographical and historical prose and lyrical poetry. To achieve<br />

influence and serve as an effective example of the good life, economic independence<br />

was necessary, but in spite of great efforts this always eluded Brady.<br />

The personality of the man partly accounted for his failure to achieve greater success<br />

in these personal and social goals. Events revealed in him a certain pettiness of mind<br />

which belied the grandeur of his vision, a weakness seen in his court cases and in<br />

wranglings with associates. The same impulsiveness which led to his resignation<br />

from Dalgety’s in 1890 and which was criticised by Vance Palmer (who stated that<br />

lives are not determined by impulses of dramatic moment 1 ), was also responsible for<br />

1 Vance Palmer, “A Note on E.J. Brady”, Meanjin, Spring 1952, pp.290-292.

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