A CRITICAL BIOGRAPHY OF EDWIN JAMES BRADY - Mallacoota ...
A CRITICAL BIOGRAPHY OF EDWIN JAMES BRADY - Mallacoota ...
A CRITICAL BIOGRAPHY OF EDWIN JAMES BRADY - Mallacoota ...
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
179<br />
After a night in the pub at Genoa, Brady’s two sturdy lads brought a launch<br />
puttering alongside the little jetty at the head of <strong>Mallacoota</strong> Lakes. I was<br />
afraid of being dumped in the lake, but Mr. McAllister assured me the<br />
youngsters were used to handling boats almost as soon as they could walk.<br />
Such a dream of liveliness it was, gliding through those three wide lakes,<br />
shining silverly in the early sunshine, with the densely timbered shores, misty<br />
on either shore. Not a habitation in sight anywhere – until we came to the<br />
rising ground on which Brady’s camp stood, in sight of the ocean. Norma was<br />
there to greet me, with her youngest child at foot. She was tall and handsome,<br />
a Junoesque figure. I liked her immediately, recognising the simple dignity of<br />
her bearing…<br />
What was called ‘the camp’ was planned with a large room, roofed and floorboarded,<br />
and smaller tents on the other side of an open court-yard, overgrown<br />
with wild creepers. A shack of corrugated iron at one end served as a kitchen.<br />
Here Norma had lived and brought up her children, often alone for months<br />
when Brady’s literary interests took him again to the city. 1<br />
After a most enjoyable visit, Miss Prichard had to return by coach to Eden, and while<br />
McAllister tried to catch a young colt, she drove the coach, only to have the horses<br />
start with fright when the runaway colt suddenly appeared in front of them:<br />
Then my pair bolted, and away they went, helter-skelter, along the track down<br />
hill. I heard McAllister shout “Jump!” But I hung on to the reins until I<br />
managed to steady the horses, and McAllister running behind, scrambled into<br />
the back of the buggy. He looked ghastly and when he could speak, said, ‘If<br />
anything were known of this I would lose my job.’<br />
Yet in this wild country Brady had the vision to foresee a railway, highways and close<br />
settlement. He campaigned for all of these, for was not his family motto “Vincit<br />
Pericula Virtus”? And did he not love the Croajingolong district with all his heart?<br />
Even though Miss Prichard was farther left in her politics than Brady himself would<br />
go, he always had a tender feeling for her. “Comrade Katharine, gentle, cultured and<br />
sincere is fearlessly Communistic, a militant worker and member of groups.” Writing<br />
in 1931, he saw her novels presenting “a picture of Australian working class reality<br />
which in the somewhat crowded walls of our native production hang conspicuously in<br />
a frame of red.” He also admired her pamphlets on socialism, agreeing with her that<br />
this doctrine stood for “light, honesty, reason, justice and love”, with unionism as the<br />
only legitimate weapon left to the worker to fight what were regarded as the evils of<br />
capitalism. But once Brady, on the basis of long friendship, advised her against a toofervid<br />
utterance of her views, having visions of her being imprisoned, or worse. The<br />
“withering scorn” with which she greeted this piece of brotherly advice was still a<br />
vivid memory for Brady many years later.<br />
Brady’s friendships tended to be long ones, and like so many of his other visitors to<br />
<strong>Mallacoota</strong> and to Melbourne, Louis Esson and his wife, Hilda, enjoyed the Brady<br />
company, discussion and confidences. Roderic Quinn, in 1906, jokingly asked Brady<br />
to bring Louis Esson back with him from a visit to Melbourne, as both writers had<br />
been impressed with the verse which Esson had had published in the journals,<br />
especially The Bulletin. Upon discussing his achievements, Brady and Quinn decided<br />
that Esson had what Daley called the “thirrough” (also spelled “thirra”) – that subtle<br />
quality of inspiration, which separated true poetry from, rhymed verse.<br />
1 The Manuscript was undated, but had been newly written (1969) and was entitled “Brady”.