23.03.2013 Views

A CRITICAL BIOGRAPHY OF EDWIN JAMES BRADY - Mallacoota ...

A CRITICAL BIOGRAPHY OF EDWIN JAMES BRADY - Mallacoota ...

A CRITICAL BIOGRAPHY OF EDWIN JAMES BRADY - Mallacoota ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

179<br />

After a night in the pub at Genoa, Brady’s two sturdy lads brought a launch<br />

puttering alongside the little jetty at the head of <strong>Mallacoota</strong> Lakes. I was<br />

afraid of being dumped in the lake, but Mr. McAllister assured me the<br />

youngsters were used to handling boats almost as soon as they could walk.<br />

Such a dream of liveliness it was, gliding through those three wide lakes,<br />

shining silverly in the early sunshine, with the densely timbered shores, misty<br />

on either shore. Not a habitation in sight anywhere – until we came to the<br />

rising ground on which Brady’s camp stood, in sight of the ocean. Norma was<br />

there to greet me, with her youngest child at foot. She was tall and handsome,<br />

a Junoesque figure. I liked her immediately, recognising the simple dignity of<br />

her bearing…<br />

What was called ‘the camp’ was planned with a large room, roofed and floorboarded,<br />

and smaller tents on the other side of an open court-yard, overgrown<br />

with wild creepers. A shack of corrugated iron at one end served as a kitchen.<br />

Here Norma had lived and brought up her children, often alone for months<br />

when Brady’s literary interests took him again to the city. 1<br />

After a most enjoyable visit, Miss Prichard had to return by coach to Eden, and while<br />

McAllister tried to catch a young colt, she drove the coach, only to have the horses<br />

start with fright when the runaway colt suddenly appeared in front of them:<br />

Then my pair bolted, and away they went, helter-skelter, along the track down<br />

hill. I heard McAllister shout “Jump!” But I hung on to the reins until I<br />

managed to steady the horses, and McAllister running behind, scrambled into<br />

the back of the buggy. He looked ghastly and when he could speak, said, ‘If<br />

anything were known of this I would lose my job.’<br />

Yet in this wild country Brady had the vision to foresee a railway, highways and close<br />

settlement. He campaigned for all of these, for was not his family motto “Vincit<br />

Pericula Virtus”? And did he not love the Croajingolong district with all his heart?<br />

Even though Miss Prichard was farther left in her politics than Brady himself would<br />

go, he always had a tender feeling for her. “Comrade Katharine, gentle, cultured and<br />

sincere is fearlessly Communistic, a militant worker and member of groups.” Writing<br />

in 1931, he saw her novels presenting “a picture of Australian working class reality<br />

which in the somewhat crowded walls of our native production hang conspicuously in<br />

a frame of red.” He also admired her pamphlets on socialism, agreeing with her that<br />

this doctrine stood for “light, honesty, reason, justice and love”, with unionism as the<br />

only legitimate weapon left to the worker to fight what were regarded as the evils of<br />

capitalism. But once Brady, on the basis of long friendship, advised her against a toofervid<br />

utterance of her views, having visions of her being imprisoned, or worse. The<br />

“withering scorn” with which she greeted this piece of brotherly advice was still a<br />

vivid memory for Brady many years later.<br />

Brady’s friendships tended to be long ones, and like so many of his other visitors to<br />

<strong>Mallacoota</strong> and to Melbourne, Louis Esson and his wife, Hilda, enjoyed the Brady<br />

company, discussion and confidences. Roderic Quinn, in 1906, jokingly asked Brady<br />

to bring Louis Esson back with him from a visit to Melbourne, as both writers had<br />

been impressed with the verse which Esson had had published in the journals,<br />

especially The Bulletin. Upon discussing his achievements, Brady and Quinn decided<br />

that Esson had what Daley called the “thirrough” (also spelled “thirra”) – that subtle<br />

quality of inspiration, which separated true poetry from, rhymed verse.<br />

1 The Manuscript was undated, but had been newly written (1969) and was entitled “Brady”.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!