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A CRITICAL BIOGRAPHY OF EDWIN JAMES BRADY - Mallacoota ...

A CRITICAL BIOGRAPHY OF EDWIN JAMES BRADY - Mallacoota ...

A CRITICAL BIOGRAPHY OF EDWIN JAMES BRADY - Mallacoota ...

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The old restlessness, which had captivated Brady on so many previous occasions,<br />

began to make its presence felt again. Soon the paper carried the announcement that<br />

the partnership between Brady and Susan Penrose was dissolved, owing to the<br />

pressing nature of his city business, and after selling his interest to his partner for 220<br />

pounds, he left Grafton. He had gained valuable experience, had increase his<br />

confidence in his own abilities, but had again demonstrated that perseverance was not<br />

his strongest personal trait. Deciding to turn his journalistic experience to good use,<br />

along with his wide-ranging commercial, political and literary contacts, he set up the<br />

Commonwealth Press Agency in Elizabeth Street, Sydney to sell advertising space in<br />

city and country newspapers and to provide a Sydney Letter of current metropolitan<br />

news to those country papers which would accept it in return for advertising space. 1<br />

In this capacity, Brady supplied publicity for political parties, for advertising<br />

campaigns (such as for surplus dried fruit) and advertised sporting and social events.<br />

Although this activity kept him very busy, he was still always on the look out for<br />

other avenues of finance. He proposed publishing an Australian Annual Sporting<br />

Review and Calendar to collect records and sporting results, but this project bore no<br />

fruit. Eustace Tracey stated in friendship that if all Brady’s schemes had born fruit, he<br />

would have been an extremely wealthy man instead of the indigent he usually was. 2<br />

But even so, it is true to say that these years were some of the best for Brady, as he<br />

recalls:<br />

The office of the C.P.A. (E.J. Brady sole proprietor) is in full swing. Poets,<br />

artists, canvassers journalists, politicians come and go. I wear a silk hat and<br />

a frock coat for business reasons. I have a pleasant home at Watson’s Bay, a<br />

host of good friends and a fair number of commercial supporters. Life is<br />

entirely interesting. I am building up! Making a fair average income, writing<br />

verses at the weekend, sea bathing on Sunday morning in a secluded rock pool<br />

just under the Hornby light with friendly fellows from the Bay and an<br />

occasional acquaintance from uptown. 3<br />

The Press Agency’s income was soon supplemented, furthermore, by six pounds<br />

weekly which Brady received as editor of the Labor paper The Worker, from August<br />

1904. There was a kind of poetic justice in this event for as Black had earlier<br />

succeeded Brady as editor of The Australian Workman, so now Brady followed him to<br />

The Worker. The appointment was made by Hector Lamond, Secretary of the Board<br />

of Control, and was terminable upon four weeks’ notice from either side. Perhaps<br />

remembering the previous experience with Bray, Lamond stated that no new<br />

departure from policy could be made without approval of the Board of Control or the<br />

Manager. 4<br />

1 The agency was registered 224.6.1903. It had been begun by a young man whom A.C. Rowlandson<br />

spoke of as “that brilliant but irresponsible young Australian, the late W.B. Melville, (who) left one<br />

fine morning to pursue elusive fortune in South Africa”. R. Wynn and others, The Late Alfred Cecil<br />

Rowlandson: Pioneer Publisher of Australian Novels (Sydney 1922), p. 15. Melville generously gave<br />

Brady a list of all his advertising contacts in city and country newspapers.<br />

2 During an interview with the writer, Melbourne, May 1969. Tracey worked with Brady for many<br />

years and later proved a very firm friend when conditions for Brady were difficult.<br />

3 Handwritten foreword to Sydney Harbour, 1937, in Mitchell Library<br />

4 Lamond to brady, 15.9.1904, in National Library<br />

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