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SECTION 1 - via - School of Visual Arts

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teaching and learning standards in art education (national and state), current art education<br />

issues, information about and strategies for teaching students (K-12) with special needs, writing<br />

and implementing curriculum, teaching strategies and techniques, including multiculturalism<br />

within the curriculum, student learning styles, classroom environment and management,<br />

developing teaching aids, art materials and ordering supplies, safety issues, evaluating art<br />

outcomes, displaying artworks, careers in art, applying for art education positions, and field<br />

experience observations. Individual institutions will <strong>of</strong> course have some other topics added to<br />

the list, but a quality art education program will at least include these components.<br />

There is a great deal <strong>of</strong> information that needs to be covered in teaching future art teachers. In<br />

the past, most institutions have done a fairly good job in teaching the above information<br />

including child development in art, safety issues, and ordering art materials; but now<br />

institutions must try to include teaching the four disciplines <strong>of</strong> art as well. Thankfully art<br />

education programs can rely on the studio and art history faculty to teach the content in two <strong>of</strong><br />

the four disciplines. The art educator must, however, teach future teachers strategies for<br />

teaching the content covered in these courses to the appropriate grade levels. Teaching the<br />

content and strategies for teaching the content in the areas <strong>of</strong> aesthetics and art criticism are<br />

usually left up to the art education faculty. Large enough art education programs sometimes are<br />

fortunate enough to support an entire course to teaching these two disciplines, smaller<br />

programs are <strong>of</strong>ten not so fortunate.<br />

For a better understanding <strong>of</strong> what is actually involved in including Disciplined Based Art<br />

Education in an art education program the following is <strong>of</strong>fered. DBAE is a theoretical approach<br />

rather than a curriculum. It can be configured in a variety <strong>of</strong> ways to meet the instructors goals<br />

and resources. In 1992 The Getty Center for Education in the <strong>Arts</strong> published The DBAE<br />

Handbook: An Overview <strong>of</strong> Disciplined-Based Art Education by Stephen Mark Dobbs. This text<br />

includes chapters on definitions, features <strong>of</strong> DBAE, curriculum, teaching, evaluation,<br />

implementation, and resources. The definition given in this text states that “Disciplined-based<br />

art education is an approach to instruction and learning in art that derives content from four<br />

foundational disciplines that contribute to the creation, understanding, and appreciation <strong>of</strong><br />

art.” (p. 9) Because DBAE is an approach and not a specific curriculum, it exists in a variety <strong>of</strong><br />

forms. However, all versions <strong>of</strong> DBAE have the following features in common:<br />

Art is taught as a subject within general education with a written and sequentially organized<br />

curriculum consisting <strong>of</strong> lessons containing content drawn from four foundational art<br />

disciplines. The lessons build a body <strong>of</strong> cumulative knowledge, understanding, and skills in art<br />

that can be appropriately evaluated.<br />

Students’ abilities are developed to make art (art production); analyze, interpret, and evaluate<br />

qualities <strong>of</strong> visual form (art criticism); know and understand art’s role in society (art history);<br />

and understand the unique nature and qualities <strong>of</strong> art and how people make judgments about it<br />

and justify those judgments (aesthetics). (p.10)<br />

Using a DBAE approach to curriculum, students must learn how to write lesson plans<br />

appropriate for each grade level and coordinated with other grades. The curriculum needs to be<br />

sequentially organized and reflect learning simple concepts before complex ones so that<br />

students may build their knowledge, skills, and understanding in a logical fashion. Works <strong>of</strong> art<br />

by adult artists from many cultures are central to the organization <strong>of</strong> the curriculum. Mature<br />

18

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