Frogpond 34.3 • Autumn 2011 (pdf) - Haiku Society of America
Frogpond 34.3 • Autumn 2011 (pdf) - Haiku Society of America
Frogpond 34.3 • Autumn 2011 (pdf) - Haiku Society of America
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
3. What BR reported: The editors’ comments are low key and<br />
a bit airy… and <strong>of</strong>fers as an example an edited closing paragraph<br />
to one commentary: This is haibun writing at its best…<br />
the way it has been crafted and edited by its author… is one <strong>of</strong><br />
delight, empathy and insight.<br />
The editor wrote: Commentary in full: I know I am in the hands<br />
<strong>of</strong> a competent and confident writer while reading this haibun.<br />
Its construction is considered, the dramatic development rewarding,<br />
and the three haiku have been thoughtfully placed to<br />
create moments <strong>of</strong> contemplation and shifts <strong>of</strong> scene and time.<br />
“The Sea in Their Blood” is less than 300 words long which<br />
is astonishing given that it is the story <strong>of</strong> several generations,<br />
from the unnamed “ancestors,” to the narrator’s great-grandfather<br />
and grand-mother, to their son, her grandfather, and to<br />
ultimately herself. The haibun does not feel at all rushed or<br />
compressed because <strong>of</strong> the careful attention to detail and to<br />
the pace: each word feels deliberately chosen and the syntax<br />
is varied. The best words in their best order, Coleridge said,<br />
speaking <strong>of</strong> poetry, and some parts <strong>of</strong> the prose have the quality<br />
<strong>of</strong> poetry about them. Take a look at the parallelism <strong>of</strong> the<br />
opening sentence:<br />
There is no famous poet buried in the tiny churchyard <strong>of</strong> Sagard [/]<br />
the inscriptions on the ancient gravestones are in no way remarkable<br />
and the precision <strong>of</strong> certain images:<br />
A flock <strong>of</strong> seagulls pounces down on the newly seeded fields.<br />
What I also like very much about this haibun is the sense <strong>of</strong><br />
multiple voices: Yeats’ words in the epigraph, the narrator’s<br />
voice, the gulls’, the godfather’s, the death certificate, with<br />
each voice fleshing out the story a little bit more until I am<br />
convinced by its authenticity and its authority.<br />
This is haibun writing at its best. Not because I feel that autobiography<br />
is the better choice <strong>of</strong> content, but in the way it has<br />
been crafted and edited by its author, until all the hard work<br />
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />
110 <strong>Haiku</strong> <strong>Society</strong> <strong>of</strong> <strong>America</strong>