Frogpond 34.3 • Autumn 2011 (pdf) - Haiku Society of America

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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114 Haiku Society of America
Judged by Merrill Ann Gonzales, Dayville, Connecticut Paul Miller, Bristol, Rhode Island First Prize Twelfth Night—A Nijuin Renku by Diana Webb, Leatherhead, England Frank Williams, London, England 1. twelfth night glitter returned to the frosted trees Diana 2. from the torn refuse bag remains of a goose Frank 3. nursery rhyme tunes again and again weave through his work Diana 4. ringing through the pub ‘one hundred and eighty’ Frank 5. full moon circle dance half the way round and then the other Diana 6. Bernard Lionel Einbond Renku Competition 2011 clusters of toadstools line the low bank Frank 7. halloween, phantom boats glide down the stream Diana 8. in the chamber of horrors you propose we live in sin Frank . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Frogpond 34:3 115
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frogpond The Journal of the Haiku S
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Submissions Policy 1. Submissions f
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folded inside a paper crane— tsun
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tree stumps father never needed poe
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indian summer— ghee pools in the
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humpty-dumpty this fractured life o
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Finally looking at a peony— speec
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march morning the holocaust of drea
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middle of the night until I find it
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after the argument separating light
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on one spindle the heron waits pati
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the couch we sink into each other w
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Breezes of the night left behind, t
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fescue roaming the prairie npk 10-8
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wild rhubarb that sudden yearning f
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heat wave the shade of a glacial er
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water strider— I still don’t be
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f(r)oghorn alon e wh at‘s a wi sh
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Over the ringing in my ears, an edg
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crete for readers to grasp. Those t
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Juxtaposing the religious significa
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fireflies one by one the half-tame
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After its first and only submission
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shot Press, 2006). “Yom Kippur,
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Haiku Sequence Scent of the Sea by
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The Kiss by Adelaide B. Shaw, Millb
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Touchdown by Diana Webb, Leatherhea
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At Red Willow Canyon by Mark F. Har
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Question and Answer by Cara Holman,
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Release Me by Wende Skidmore DuFlon
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Pick-Your-Own by Diane Mayr, Salem,
Page 63 and 64: Essays At the Heart of The Heart of
Page 65 and 66: Do you feel that the current versio
Page 67 and 68: eing bound by it, how to use haiku
Page 69 and 70: perceived. Through this transparent
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Page 73 and 74: 4. To emphasise a single word on a
Page 75 and 76: A three-line haiku often segments t
Page 77 and 78: after the crash the doll’s eyes j
Page 79 and 80: darkness against possible light, th
Page 81 and 82: The Lost Weekend: An editor’s bri
Page 83 and 84: Reviewed Nigel Jenkins, Ken Jones,
Page 85 and 86: Very occasionally, form and poetic
Page 87 and 88: acknowledgments and introduction, a
Page 89 and 90: Notes 1. Stryk, Lucien and Takashi
Page 91 and 92: drifts so gently from the sky that
Page 93 and 94: Richard Zimler. Love’s Voice, 72
Page 95 and 96: Ito Isao (trans.& ed.). 100 Selecte
Page 97 and 98: Isao claims that an “ardent spiri
Page 99 and 100: 2. Modern Haiku Association (ed.).
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Page 107 and 108: Of 34:1 Merrill Ann Gonzales, Dayvi
Page 109 and 110: Significance & Meaning Is the writi
Page 111 and 112: has been removed and the reader’s
Page 113: of a one-line haiku: another exampl
Page 117 and 118: Comments by Merrill Ann Gonzales an
Page 119 and 120: HSA Patrons Friends (Gifts Of More
Page 121 and 122: Hryciuk, Marshall, 102-103 Hugget,
Page 123 and 124: HSA Officers & Regional Coordinator
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Frogpond 34.3 • Autumn 2011 (pdf) - Haiku Society of America

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