Frogpond 34.3 • Autumn 2011 (pdf) - Haiku Society of America

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wild surf the lost camera grants me this peace Billie Dee, San Diego, California the sound of coat snaps dissolves into raindrops Ida M. Freilinger, Bellevue, Washington coming to grips with all the loose threads autumn wind whirlpool near the river’s edge— tracing a rumor winging silent across the field, five crows leading my thoughts Andrew C. Eller Jr., Benton, Kentucky . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 Haiku Society of America
f(r)oghorn alon e wh at‘s a wi shin g we ll b ut a hole LeRoy Gorman, Napanee, Ontario . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Frogpond 34:3 35
Page 1 and 2: frogpond The Journal of the Haiku S
Page 3 and 4: Submissions Policy 1. Submissions f
Page 5 and 6: folded inside a paper crane— tsun
Page 7 and 8: tree stumps father never needed poe
Page 9 and 10: indian summer— ghee pools in the
Page 11 and 12: humpty-dumpty this fractured life o
Page 13 and 14: Finally looking at a peony— speec
Page 15 and 16: march morning the holocaust of drea
Page 17 and 18: middle of the night until I find it
Page 19 and 20: after the argument separating light
Page 21 and 22: on one spindle the heron waits pati
Page 23 and 24: the couch we sink into each other w
Page 25 and 26: Breezes of the night left behind, t
Page 27 and 28: fescue roaming the prairie npk 10-8
Page 29 and 30: wild rhubarb that sudden yearning f
Page 31 and 32: heat wave the shade of a glacial er
Page 33: water strider— I still don’t be
Page 37 and 38: Over the ringing in my ears, an edg
Page 39 and 40: crete for readers to grasp. Those t
Page 41 and 42: Juxtaposing the religious significa
Page 43 and 44: fireflies one by one the half-tame
Page 45 and 46: After its first and only submission
Page 47 and 48: shot Press, 2006). “Yom Kippur,
Page 49 and 50: Haiku Sequence Scent of the Sea by
Page 51 and 52: The Kiss by Adelaide B. Shaw, Millb
Page 53 and 54: Touchdown by Diana Webb, Leatherhea
Page 55 and 56: At Red Willow Canyon by Mark F. Har
Page 57 and 58: Question and Answer by Cara Holman,
Page 59 and 60: Release Me by Wende Skidmore DuFlon
Page 61 and 62: Pick-Your-Own by Diane Mayr, Salem,
Page 63 and 64: Essays At the Heart of The Heart of
Page 65 and 66: Do you feel that the current versio
Page 67 and 68: eing bound by it, how to use haiku
Page 69 and 70: perceived. Through this transparent
Page 71 and 72: meeting is completely itself, part
Page 73 and 74: 4. To emphasise a single word on a
Page 75 and 76: A three-line haiku often segments t
Page 77 and 78: after the crash the doll’s eyes j
Page 79 and 80: darkness against possible light, th
Page 81 and 82: The Lost Weekend: An editor’s bri
Page 83 and 84: Reviewed Nigel Jenkins, Ken Jones,
Page 85 and 86:
Very occasionally, form and poetic
Page 87 and 88:
acknowledgments and introduction, a
Page 89 and 90:
Notes 1. Stryk, Lucien and Takashi
Page 91 and 92:
drifts so gently from the sky that
Page 93 and 94:
Richard Zimler. Love’s Voice, 72
Page 95 and 96:
Ito Isao (trans.& ed.). 100 Selecte
Page 97 and 98:
Isao claims that an “ardent spiri
Page 99 and 100:
2. Modern Haiku Association (ed.).
Page 101 and 102:
ook is sure to catch the attention
Page 103 and 104:
monastery in Aylmer, Quebec. After
Page 105 and 106:
descriptive eventually become appre
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Of 34:1 Merrill Ann Gonzales, Dayvi
Page 109 and 110:
Significance & Meaning Is the writi
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has been removed and the reader’s
Page 113 and 114:
of a one-line haiku: another exampl
Page 115 and 116:
Judged by Merrill Ann Gonzales, Day
Page 117 and 118:
Comments by Merrill Ann Gonzales an
Page 119 and 120:
HSA Patrons Friends (Gifts Of More
Page 121 and 122:
Hryciuk, Marshall, 102-103 Hugget,
Page 123 and 124:
HSA Officers & Regional Coordinator
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Frogpond 34.3 • Autumn 2011 (pdf) - Haiku Society of America

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