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Frogpond 34.3 • Autumn 2011 (pdf) - Haiku Society of America

Frogpond 34.3 • Autumn 2011 (pdf) - Haiku Society of America

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Comments by Merrill Ann Gonzales and Paul Miller<br />

Judging renku is different from judging other kinds <strong>of</strong> poetry.<br />

The judges must take into consideration not only the poetic<br />

value <strong>of</strong> each link, but also, and <strong>of</strong>ten more importantly,<br />

how the members <strong>of</strong> the group interact with each other across<br />

links, in addition to how they do or don’t (usually with good<br />

reason) follow the format’s many traditions and rules. This<br />

year’s submissions were interesting and exciting in all those<br />

ways, and included both traditional and contemporary formats<br />

that included many delightful links. We would like to thank all<br />

the participants for the opportunity to read their work. While<br />

the winning renku is a fairly traditional Nijuin, that was not<br />

the reason we chose it. We felt a strong, playful rapport between<br />

the poets, started nicely in the hokku and wakiku, and<br />

then carried throughout the remainder <strong>of</strong> the verses. There<br />

were a good variety <strong>of</strong> voices and tones, some nice seasonal<br />

runs, and a pleasant expanse <strong>of</strong> topics. After careful examination<br />

and discussion <strong>of</strong> all the submissions we have decided to<br />

award the First Prize to Twelfth Night by Frank Williams and<br />

Diana Webb. Our congratulations to the winners!<br />

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />

<strong>Frogpond</strong> 34:3 117

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