Frogpond 34.3 • Autumn 2011 (pdf) - Haiku Society of America
Frogpond 34.3 • Autumn 2011 (pdf) - Haiku Society of America
Frogpond 34.3 • Autumn 2011 (pdf) - Haiku Society of America
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Comments by Merrill Ann Gonzales and Paul Miller<br />
Judging renku is different from judging other kinds <strong>of</strong> poetry.<br />
The judges must take into consideration not only the poetic<br />
value <strong>of</strong> each link, but also, and <strong>of</strong>ten more importantly,<br />
how the members <strong>of</strong> the group interact with each other across<br />
links, in addition to how they do or don’t (usually with good<br />
reason) follow the format’s many traditions and rules. This<br />
year’s submissions were interesting and exciting in all those<br />
ways, and included both traditional and contemporary formats<br />
that included many delightful links. We would like to thank all<br />
the participants for the opportunity to read their work. While<br />
the winning renku is a fairly traditional Nijuin, that was not<br />
the reason we chose it. We felt a strong, playful rapport between<br />
the poets, started nicely in the hokku and wakiku, and<br />
then carried throughout the remainder <strong>of</strong> the verses. There<br />
were a good variety <strong>of</strong> voices and tones, some nice seasonal<br />
runs, and a pleasant expanse <strong>of</strong> topics. After careful examination<br />
and discussion <strong>of</strong> all the submissions we have decided to<br />
award the First Prize to Twelfth Night by Frank Williams and<br />
Diana Webb. Our congratulations to the winners!<br />
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />
<strong>Frogpond</strong> 34:3 117