Frogpond 34.3 • Autumn 2011 (pdf) - Haiku Society of America

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Museum of Haiku Literature Award $100 for the best previously unpublished work appearing in the last issue of Frogpond as selected by vote of the HSA Executive Committee From Issue 34:2 how some things end— onion fl akes in the market sack William M. Ramsey Florence, South Carolina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Haiku Society of America
folded inside a paper crane— tsunami news Haiku & Senryu Wendy Conway, East Chatham, New York left behind in the poison ivy my travel itch Noel Sloboda, York, Pennsylvania kedge anchor anniversary flowers two days late Michael Blaine, Seaford, Delaware day lilies brevity mentioned at his funeral Peg McAulay Byrd, Madison, New Jersey the way his eyes light up just so pair of aces John Hawk, Columbus, Ohio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Frogpond 34:3 5
Page 1 and 2: frogpond The Journal of the Haiku S
Page 3: Submissions Policy 1. Submissions f
Page 7 and 8: tree stumps father never needed poe
Page 9 and 10: indian summer— ghee pools in the
Page 11 and 12: humpty-dumpty this fractured life o
Page 13 and 14: Finally looking at a peony— speec
Page 15 and 16: march morning the holocaust of drea
Page 17 and 18: middle of the night until I find it
Page 19 and 20: after the argument separating light
Page 21 and 22: on one spindle the heron waits pati
Page 23 and 24: the couch we sink into each other w
Page 25 and 26: Breezes of the night left behind, t
Page 27 and 28: fescue roaming the prairie npk 10-8
Page 29 and 30: wild rhubarb that sudden yearning f
Page 31 and 32: heat wave the shade of a glacial er
Page 33 and 34: water strider— I still don’t be
Page 35 and 36: f(r)oghorn alon e wh at‘s a wi sh
Page 37 and 38: Over the ringing in my ears, an edg
Page 39 and 40: crete for readers to grasp. Those t
Page 41 and 42: Juxtaposing the religious significa
Page 43 and 44: fireflies one by one the half-tame
Page 45 and 46: After its first and only submission
Page 47 and 48: shot Press, 2006). “Yom Kippur,
Page 49 and 50: Haiku Sequence Scent of the Sea by
Page 51 and 52: The Kiss by Adelaide B. Shaw, Millb
Page 53 and 54: Touchdown by Diana Webb, Leatherhea
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At Red Willow Canyon by Mark F. Har
Page 57 and 58:
Question and Answer by Cara Holman,
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Release Me by Wende Skidmore DuFlon
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Pick-Your-Own by Diane Mayr, Salem,
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Essays At the Heart of The Heart of
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Do you feel that the current versio
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eing bound by it, how to use haiku
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perceived. Through this transparent
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meeting is completely itself, part
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4. To emphasise a single word on a
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A three-line haiku often segments t
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after the crash the doll’s eyes j
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darkness against possible light, th
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The Lost Weekend: An editor’s bri
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Reviewed Nigel Jenkins, Ken Jones,
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Very occasionally, form and poetic
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acknowledgments and introduction, a
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Notes 1. Stryk, Lucien and Takashi
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drifts so gently from the sky that
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Richard Zimler. Love’s Voice, 72
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Ito Isao (trans.& ed.). 100 Selecte
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Isao claims that an “ardent spiri
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2. Modern Haiku Association (ed.).
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ook is sure to catch the attention
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monastery in Aylmer, Quebec. After
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descriptive eventually become appre
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Of 34:1 Merrill Ann Gonzales, Dayvi
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Significance & Meaning Is the writi
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has been removed and the reader’s
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of a one-line haiku: another exampl
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Judged by Merrill Ann Gonzales, Day
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Comments by Merrill Ann Gonzales an
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HSA Patrons Friends (Gifts Of More
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Hryciuk, Marshall, 102-103 Hugget,
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HSA Officers & Regional Coordinator
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Frogpond 34.3 • Autumn 2011 (pdf) - Haiku Society of America

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