Frogpond 34.3 • Autumn 2011 (pdf) - Haiku Society of America

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scales on the fisherman’s wharf gilded light Tom Painting, Atlanta, Georgia thinking of you minnows dart to-and-fro in my bait bucket Craig W. Steele, Cambridge Springs, Pennsylvania failed bank waving from its flagpole gossamer John J. Dunphy, Alton, Illinois middle of the night until I find it there late winter moon the geese land on their honks… trembling pond Kala Ramesh, Pune, India . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Haiku Society of America
tree stumps father never needed poetry Glenn Coats, Prospect, Virginia your thoughts curling smoke from your pipe after the storm the chainsaw keens Bernard Gieske, Bowling Green, Kentucky train journey… immersing into the smell of borrowed books Ramona Linke, Beesenstedt, Germany Brad Bennett, Arlington, Massachusetts your absence— the empty smell of the house R.P. Carter, North Bay, Ontario . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Frogpond 34:3 7
Page 1 and 2: frogpond The Journal of the Haiku S
Page 3 and 4: Submissions Policy 1. Submissions f
Page 5: folded inside a paper crane— tsun
Page 9 and 10: indian summer— ghee pools in the
Page 11 and 12: humpty-dumpty this fractured life o
Page 13 and 14: Finally looking at a peony— speec
Page 15 and 16: march morning the holocaust of drea
Page 17 and 18: middle of the night until I find it
Page 19 and 20: after the argument separating light
Page 21 and 22: on one spindle the heron waits pati
Page 23 and 24: the couch we sink into each other w
Page 25 and 26: Breezes of the night left behind, t
Page 27 and 28: fescue roaming the prairie npk 10-8
Page 29 and 30: wild rhubarb that sudden yearning f
Page 31 and 32: heat wave the shade of a glacial er
Page 33 and 34: water strider— I still don’t be
Page 35 and 36: f(r)oghorn alon e wh at‘s a wi sh
Page 37 and 38: Over the ringing in my ears, an edg
Page 39 and 40: crete for readers to grasp. Those t
Page 41 and 42: Juxtaposing the religious significa
Page 43 and 44: fireflies one by one the half-tame
Page 45 and 46: After its first and only submission
Page 47 and 48: shot Press, 2006). “Yom Kippur,
Page 49 and 50: Haiku Sequence Scent of the Sea by
Page 51 and 52: The Kiss by Adelaide B. Shaw, Millb
Page 53 and 54: Touchdown by Diana Webb, Leatherhea
Page 55 and 56: At Red Willow Canyon by Mark F. Har
Page 57 and 58:
Question and Answer by Cara Holman,
Page 59 and 60:
Release Me by Wende Skidmore DuFlon
Page 61 and 62:
Pick-Your-Own by Diane Mayr, Salem,
Page 63 and 64:
Essays At the Heart of The Heart of
Page 65 and 66:
Do you feel that the current versio
Page 67 and 68:
eing bound by it, how to use haiku
Page 69 and 70:
perceived. Through this transparent
Page 71 and 72:
meeting is completely itself, part
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4. To emphasise a single word on a
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A three-line haiku often segments t
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after the crash the doll’s eyes j
Page 79 and 80:
darkness against possible light, th
Page 81 and 82:
The Lost Weekend: An editor’s bri
Page 83 and 84:
Reviewed Nigel Jenkins, Ken Jones,
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Very occasionally, form and poetic
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acknowledgments and introduction, a
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Notes 1. Stryk, Lucien and Takashi
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drifts so gently from the sky that
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Richard Zimler. Love’s Voice, 72
Page 95 and 96:
Ito Isao (trans.& ed.). 100 Selecte
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Isao claims that an “ardent spiri
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2. Modern Haiku Association (ed.).
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ook is sure to catch the attention
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monastery in Aylmer, Quebec. After
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descriptive eventually become appre
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Of 34:1 Merrill Ann Gonzales, Dayvi
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Significance & Meaning Is the writi
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has been removed and the reader’s
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of a one-line haiku: another exampl
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Judged by Merrill Ann Gonzales, Day
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Comments by Merrill Ann Gonzales an
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HSA Patrons Friends (Gifts Of More
Page 121 and 122:
Hryciuk, Marshall, 102-103 Hugget,
Page 123 and 124:
HSA Officers & Regional Coordinator
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Frogpond 34.3 • Autumn 2011 (pdf) - Haiku Society of America

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