Frogpond 34.3 • Autumn 2011 (pdf) - Haiku Society of America
Frogpond 34.3 • Autumn 2011 (pdf) - Haiku Society of America
Frogpond 34.3 • Autumn 2011 (pdf) - Haiku Society of America
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Thirdly, there is only one haiku that is remotely like his definition<br />
<strong>of</strong> how haiku works and what most readers <strong>of</strong> the form<br />
would consider haiku:<br />
God flutters onto<br />
my finger and bats his eyes—<br />
silver butterfly.<br />
The rest <strong>of</strong> the “haiku” are really spiritual jokes or insights in<br />
relation to Kabbalah:<br />
Deduce the presence A guide who’s hoped to<br />
<strong>of</strong> the infinite from His meet you for eight hundred years<br />
prints on your fingers. waits in the Zohar.<br />
These two are typical. Others are more obscure:<br />
Abulafia Climbing twenty-two<br />
opened God’s door with a key steps to the pyramid’s point,<br />
shaped like an alef. and unite.<br />
Kabbalist Abraham Abulafia (1240- after1291) based a number<br />
<strong>of</strong> meditations on the 22 letters <strong>of</strong> the Hebrew alphabet,<br />
which begins with alef.<br />
Some <strong>of</strong> these “haiku” have the “flavor” <strong>of</strong> mysticism. In the<br />
Zohar “masters <strong>of</strong> attributes” are those who understand the<br />
sefira. Is Zimler one <strong>of</strong> these? That is up to the reader to decide.<br />
For sure, he has great humor that would be <strong>of</strong> interest to<br />
those who are interested in Kabbalah, not unlike those jokes<br />
about frogs in haiku circles.<br />
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />
94 <strong>Haiku</strong> <strong>Society</strong> <strong>of</strong> <strong>America</strong>