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Frogpond 34.3 • Autumn 2011 (pdf) - Haiku Society of America

Frogpond 34.3 • Autumn 2011 (pdf) - Haiku Society of America

Frogpond 34.3 • Autumn 2011 (pdf) - Haiku Society of America

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has been removed and the reader’s experience is one <strong>of</strong><br />

delight, empathy and insight.<br />

Many thanks for allowing me to set the record straight.<br />

Of 34:2<br />

Hortensia Anderson, New York, New York on the Editor’s<br />

Note on “deja-ku” by George Swede. [It] evoked the memory<br />

<strong>of</strong> a delightful email exchange I had with Christopher Herold<br />

in which I pointed out that a haiku <strong>of</strong> mine was remarkably<br />

similar to one <strong>of</strong> his. Mine, penned in 2006:<br />

foghorn—<br />

the heron dives<br />

into the sound<br />

has a startling resemblance to the one by Herold:<br />

foghorns<br />

we lower a kayak<br />

into the sound<br />

I knew Christopher had never read mine since I never published<br />

it. I also knew there was no mutual influence since<br />

mine came from an entry in my 1972 journal:<br />

“Just lazing around in my canoe, with the foghorn blasts, gulls<br />

diving in the sound.”<br />

In fact, my original was:<br />

foghorn –<br />

gulls diving in and out<br />

<strong>of</strong> the sound<br />

I emailed Christopher and we exchanged stories <strong>of</strong> how our<br />

haiku came into being. They were, as in L2, completely different.<br />

The similarity, <strong>of</strong> course, is in the play on the word<br />

“sound” with “foghorn(s).”<br />

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />

<strong>Frogpond</strong> 34:3 111

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