Bloomsbury Auctions
Bloomsbury Auctions
Bloomsbury Auctions
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68<br />
322. Tennyson & Palgrave.- Palgrave Tennyson (Alfred, Lord,<br />
1809-92) Br e a k, Br e a k, Br e a k, a u t o g r a p h p o e m s i g n e d a n d d at e d,<br />
tipped-in to a copy of The Golden Treasury and with subsequent<br />
presentation inscription from Palgrave to his wife, Cecil Greville<br />
Milnes Gaskell and with a further inscription after his death to his<br />
daughter, “Given to my dearest Gwenny who does all she can for<br />
me (Xmas 1842”, original red limp morocco, 1862, 15th June 1860<br />
[&] Palgrave (Francis Turner, anthologist and art critic, devotee<br />
of Tennyson, 1824-97) the gol d e n tre a s u ry o f t h e Bes t son g s<br />
a n d ly r i c a l po e m s in t h e en g l i s h la n g u a g e, first e d i t i o n, em i ly<br />
go r d o n cra i g’s c o p y with her indistinct pencil inscription on<br />
front free endpaper, another ink inscription on front free endpaper,<br />
original cloth, gilt, corners bumped, spine dulled, edges uncut,<br />
Cambridge and London, 1861; and c. 40 others, (28 relating to<br />
members of Palgrave’s family & 13 relating to the Gordon Craigs),<br />
including: sh a k e s p e a r e wor k s w i t h a p r e s e n tat i o n inscription<br />
f r o m pa l g r av e to h i s d a u g h t e r ma r g a r e t, (with cut out pictures of<br />
cats pasted down on fly-leaf), & a p r e s e n tat i o n c o p y o f te n n y s o n’s<br />
wo r k s f r o m pal g r av e to h i s d a u g h t e r ann o ta, a fine copy of<br />
Palgrave’s “The Five Days Entertainments at Wentworth Grange”,<br />
lacks preliminaries, ?proof copy, 1868, and others, some signed<br />
E.T. “Ellen Terry”, various bindings, v.s., v.d. 1861-1912 (c. 40).<br />
£1,500 - £2,000<br />
*** “In London in 1849 Palgrave had... been introduced to<br />
Tennyson, who had not yet achieved the fame that In Memoriam<br />
(1850) would bring. His time as Tennyson’s disciple was one of the<br />
highlights of his life, but Tennyson’s need for admiring followers<br />
was eventually overcome by his dislike of being harried by the<br />
devoted Palgrave. On a walking tour of Cornwall in 1860, for<br />
example, while hunting for Arthurian sites for the Idylls of the<br />
King, Tennyson complained to William Holman Hunt that: ‘all day<br />
long I am trying to get a quiet moment for reflection... but before<br />
I have finished a couplet I hear Palgrave’s voice like a bee in a<br />
bottle, making the neighbourhood resound with my name, and I<br />
have to give myself up to escape the consequences.’ (Hunt, 2.213).<br />
It was, therefore, little wonder that Tennyson ‘dismissed’ Palgrave<br />
in 1868, though Palgrave continued to regard himself as a lifelong<br />
friend.” - Oxford DNB.<br />
323. Trollope (Anthony) an ed i t o r’s ta l e s, pp. 171-182 soiled,<br />
ownership stamp to endpaper, original cloth, rebacked with<br />
original backstrip laid-down, spine faded, 1870; The Golden Lion<br />
of Granpere, bookplate to endpaper, contemporary morocco, spine<br />
gilt, corners scuffed, 1872, first e d i t i o n s, 8vo (2) £250 - £350<br />
324. Dickens (Charles) wo r k s, 30 vol., Illustrated Library<br />
Edition, plates, 1 plate torn and repaired without loss, occasional<br />
light foxing to plates, contemporary half morocco, spines richly gilt<br />
in compartments, covers lightly rubbed, 8vo, 1874-76.<br />
£750 - £1,000<br />
*** An attractive set.<br />
BLOOMSBURY AUCTIONS<br />
Lot 324<br />
Lot 322<br />
325. Wilde (Oscar) lo r d art h u r sav i l l e’s cr i m e, & o t h e r s t o r i e s,<br />
first e d i t i o n, [o n e o f 1500 c o p i e s f o r d o m e s t i c c i r c u l at i o n],<br />
spotting to endpapers, otherwise internally very good, original<br />
salmon boards with lettering, devices and price printed in brown,<br />
slightly rubbed and darkened at spine, rubbing and surface<br />
marking, [Mason 345], 1891 § Sherard (Robert Harborough) Oscar<br />
Wilde, first e d i t i o n, p r i vat e ly p r i n t e d, illustrations and facsimile<br />
letters, original parchment backed green cloth sides, slightly<br />
soiled, The Hermes Press, 1902; The Real Oscar Wilde, first<br />
e d i t i o n, illustrations, original parchment backed boards, rubbed,<br />
n.d. § [Wilde (Oscar)] Theatre handbill, announcement of the<br />
new play by Oscar Wilde: A Woman of No Importance, at Theatre<br />
Royal, Haymarket, [1893] § Houseman (Laurence) Echo de Paris,<br />
i n s c r i B e d B y ho u s e m a n on half-title, correction by author on p. 9,<br />
original cloth, slightly rubbed, New York, 1924 § Ross (Robert)<br />
Aubrey Beardsley, first e d i t i o n, blind stamped ‘review copy’ on<br />
title, illustrations, original cloth, spine faded, slightly worn, 1909;<br />
and 10 others similar on Oscar Wilde etc. v.s. (16). £300 - £400