Bloomsbury Auctions
Bloomsbury Auctions
Bloomsbury Auctions
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
76<br />
373. Conrad (Joseph) co n r a d’s ma n i f e s t o pr e fa c e to a ca r e e r,<br />
one of 1000 copies, printed in red and black, portrait frontispiece<br />
by Leonard Baskin, plates, original marbled boards, slip-case, 4to,<br />
Northampton, Mass., Gehenna Press, 1966. £60 - £80<br />
BLOOMSBURY AUCTIONS<br />
Lot 374<br />
374. Day-Lewis (Cecil) th e ne w B o r n, bifolium, number 7 of 200<br />
copies, t h i s a s i g n e d p r e s e n tat i o n c o p y f r o m t h e a u t h o r, a few<br />
minor marks, 8vo, The Favil Press of Kensington, 1957.<br />
£120 - £180<br />
*** A scarce little ephemeral piece. The presentation inscription<br />
reads ‘Austen, with love from, Cecil & ?, 1.7.57’. Austen Williams<br />
was one time vicar of St. Martin-in-the-Fields.<br />
375. De La Mare (Walter) lo v e, Jo y c e gre n f e l l’s c o p y, w i t h<br />
h e r s i g n at u r e to e n d pa p e r, s i g n e d B y t h e a u t h o r w i t h m a n u s c r i p t<br />
p o e m in t h e a u t h o r’s h a n d to e n d pa p e r, A.L.s from Reggie Grenfell<br />
to Paul Scofield, illustrations, original boards, dust-jacket, spine<br />
faded, 1943; Memoirs of a Midget, number 84 of 210 copies, signed<br />
by the author, 1921; The Veil, number 59 of 250 copies, signed<br />
by the author, 1921; The Connoisseur, signed by the author, 1926<br />
§ Schnitzler (Arthur) Casanova’s Homecoming, 1 of 250 copies,<br />
1922, first e d i t i o n s, last 4 in original buckram-backed boards, 8vo<br />
(5) £100 - £150<br />
376. Durrell (Lawrence) Ju s t i n e, first e d i t i o n, original boards,<br />
dust-jacket, a little browned at spine, but otherwise very good, 8vo,<br />
1957. £300 - £400<br />
377. Eliot (T.S.) fo u r qu a rt e t s, first en g l i s h e d i t i o n, A.L.s. from<br />
Rupert Hart-Davis to Paul Scofield, thanking him for a recital<br />
of Eliot’s poetry, attractive modern morocco, spine gilt, [Gallup<br />
A43b], 8vo, 1944. £150 - £200<br />
378. Fighting Terms, gu n n (th o m) first e d i t i o n, s i g n e d<br />
p r e s e n tat i o n c o p y f r o m t h e a u t h o r, original cloth, lightly soiled,<br />
8vo, Oxford, 1954. £150 - £200<br />
*** The author’s first book. The charming inscription reads: “I<br />
am seizing this opportunity, and this empty fly leaf, to jot down<br />
a few words - or rather, a few thoughts if they can be so called....<br />
The young poet - or, properly speaking, the Young Poet - is, par<br />
excellence, a young writer - or, properly speaking, a Young Writer.<br />
Now, the Young Writer has to make both ends meet (these days),<br />
and how better to make them meet than by bringing them together.<br />
And how better to bring them together than by charging 8/6 for a<br />
book and then signing it: Dear Jane, I love you. Thom.”<br />
Lot 379<br />
379. Fleming (Ian) th e spy wh o lo v e d me, first e d i t i o n, original<br />
boards, dust-jacket, a n e x c e l l e n t c o p y, 8vo, 1962. £200 - £300<br />
Lot 380<br />
380. Fowles (John) th e co l l e c to r, first e d i t i o n o f t h e a u t h o r’s<br />
first B o o k, s i g n e d B y t h e a u t h o r to endpaper, original rustcoloured<br />
boards, dust-jacket, spine lightly rubbed at base with<br />
short tear to head, otherwise an excellent copy, 8vo, 1963.<br />
£350 - £450<br />
*** This issue was preceeded by the very scarce black boards<br />
issue, and possibly an even scarcer grey boards one before that. It<br />
is however still hard to find, especially in this condition.<br />
Lot 381<br />
381. Graves (Robert) fairies a n d fu s i l i e r s, first e d i t i o n, modern<br />
black morocco by Sangorski & Sutcliffe, with light and dark brown<br />
onlays depicting a view across no man’s land with trees and barbed<br />
wire, g.e., cloth slipcase, 8vo, 1917. £200 - £300<br />
*** An important collection of poetry that celebrates the author’s<br />
relationship with Siegfried Sassoon.