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Queen Mary and Westfield College London University PhD Thesis ...

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sympathy for 'those under such Dismal Circumstances' as the mad 244 . Rather than ostracising<br />

the insane, Swift had initially suggested to Fownes 'a spot in a close place almost in the heart of<br />

the Citty', as a site for the hospital, <strong>and</strong> ordained in his will that it be either near Dr. Steven's<br />

hospital, or...somewhere in or near the City of Dublin' 245. It was the moral reformers of the<br />

late eighteenth <strong>and</strong> nineteenth centuries who hid the insane away from the pub ic eye in country<br />

retreats, in the interests not only of health <strong>and</strong> tranquility, but also of decorum.<br />

It is going too far to 'assume', as does Professor Moore, that the rule governing St. Patrick's<br />

hospital from its very foundation banning 'access to the patients except in the presence of the<br />

Governors or by order of the state physician or surgeon general', was 'inspired by Swift's dismay<br />

at Bedlam's parade of human suffering' 246 . The hospital was not opened until 1757, twelve<br />

years after Swift's death, six years after St. Luke's had taken the first institutional st<strong>and</strong> on<br />

this issue, <strong>and</strong> when a considerable shift in attitudes had already occurred since earlier tolerance<br />

for the spectacle of insanity. Swift <strong>and</strong> his contemporaries, themselves, visited Bethlem in the<br />

first decades of the eighteenth century with few overt signs of disapproval. Yet, visiting the<br />

insane, like social visiting, was conceived of as a 'poor Amusement' by the Augustan literati247.<br />

Swift plainly regarded 'three Pence...shew[s]' (or, more specifically, the anatomising of executed<br />

felons) as barbarous, let alone the penny show of Bethlem248.<br />

Nor did Augustans absolutely repudiate the existence of 'Virtues' in madness. While refus-<br />

ing to accept madness as an excuse or an exculpation for 'Enormities' of conduct, Swift seems to<br />

have concurred with the verdict of 'the Curators of Bedlam' 'that Madness...operates by inflam-<br />

ing <strong>and</strong> enlarging [either] the good or evil Dispositions of the Mind' 249 . Whie Swift regularly<br />

assumed the identity of the madman in his writings, Pope, too, despite calling his enemies 'mad'<br />

<strong>and</strong> verbally incarcerating Dennis <strong>and</strong> others in Bedlam, identified with Lee <strong>and</strong> Budgell when<br />

attacked himself, <strong>and</strong> vowed indignantly, whatever his fate:<br />

244 Swift, Correspondence, vol. iv, hr dated 9 September 1732, 65-70.<br />

245 Ibid, 67; Will, 150.<br />

246 Moore, in Tercentenarp Tribute, 141-2.<br />

247 See Swift's Hints towards an Essay on Conversa gion, in Prose Works, vol. 4, 94.<br />

248 See ,dem, A Vindication of his Excellency (John) Lord (CartereJt (<strong>London</strong>, 1730), in Prose Work,, vol. 12,<br />

157-8.<br />

249 Thid, 158. See, also, idem, A Defence of English Commod,f lea... (Dublin, 1720), in frisk Tracts & Sermon,,<br />

1720-U (ed), Laws Londa (Oxford, Basil Blackwell, 1948), 271-2, re. 'Madness as a Virtue'.<br />

59

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