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Enamels and enamelling; an introduction to the preparation and ...

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ENAMELS FOR ARTISTIC PURPOSES. 179<br />

melted, <strong>the</strong> cycle of operations being repeated until a glass of<br />

perfectly uniform colour throughout<br />

finely powdered, <strong><strong>an</strong>d</strong> for use is ground<br />

is obtained. This is<br />

in lavender oil <strong><strong>an</strong>d</strong><br />

applied by <strong>the</strong> brush <strong>to</strong> a surface of pure white refrac<strong>to</strong>ry<br />

enamel. On <strong>the</strong> completion of <strong>the</strong> painting, <strong>the</strong> article is<br />

carefully fired in <strong>the</strong> muffle at a heat just sufficient <strong>to</strong> melt<br />

<strong>the</strong> coloured enamels, which object being effected <strong>the</strong> tempera-<br />

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A A<br />

FIG. 16.<br />

ture is at once reduced in order <strong>to</strong> prevent <strong>the</strong> colours running<br />

one in<strong>to</strong> <strong>an</strong>o<strong>the</strong>r.<br />

If <strong>an</strong>y part of <strong>the</strong> painting does not come up <strong>to</strong> expectation,<br />

it may be removed by .careful scraping with a very hard<br />

graver, <strong><strong>an</strong>d</strong> painted <strong>an</strong>ew : it is, however, difficult <strong>to</strong> perform<br />

this operation without damaging <strong>the</strong> appear<strong>an</strong>ce of <strong>the</strong><br />

painting.<br />

The fusible coloured enamels may be fired in <strong>the</strong> muffle<br />

shown in Fig. 13 or that represented in Fig. 16. This muffle

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