saša šekoranja interijeri za zaljubljene - DalCasa
saša šekoranja interijeri za zaljubljene - DalCasa
saša šekoranja interijeri za zaljubljene - DalCasa
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my opinion, provide a comment of society, because<br />
I feel that we are lost. As each day goes by, I am becoming<br />
more and more bitter towards society and<br />
people. I like to keep my art intimate, instead of sensationalist.<br />
Art should speak about something beautiful,<br />
while today’s art tries too hard to provide a commentary<br />
on society. Voicing your opinion is good, but<br />
“It may sound contradictory, but I am against design,<br />
against commercialisation that imposes various<br />
trends upon us. You either like something or you<br />
don’t, and the only trend for me is the floral season”<br />
this is too much. Andy Warhol voiced his opinion and<br />
he was excellent. The people today are too preoccupied<br />
with money, which makes them lost.<br />
You used to host and produce a TV show called “Life<br />
with Flowers”, in which you tried to show the public<br />
how to create various arrangements by themselves<br />
with little money and a lot of imagination. What<br />
were the reactions to that show and why was it cancelled?<br />
There were various topics in the show, from how to<br />
put only one flower into a vase to more glamorous<br />
things. Reactions were really good, but there were<br />
also plenty of criticism in the papers, and I don’t really<br />
know how to deal with that properly. Of course, I<br />
like to hear some constructive criticism, but the other<br />
type of criticism just doesn’t make any sense to me.<br />
But people really loved the show and I was constantly<br />
approached on the street, by both grannies from the<br />
market and intellectuals. I stopped doing the show<br />
because I simply didn’t feel like it anymore, and it<br />
was taking up too much of my time.<br />
Along with flowers, you’re also active in the fields of<br />
design, scenography, you work as an art director<br />
and photographer for the “Lifestyle” section of one of<br />
our weekly national papers. You truly epitomize the<br />
interdisciplinary approach that dominates our time.<br />
Do you have any other interests?<br />
Sometimes I lose track of my criteria and I start working<br />
on just about anything, but I choose what I like.<br />
Simply put, I go where the water takes me. I don’t<br />
really have ambitions to achieve grand things, as I<br />
spend most of my time playing around. Every now<br />
and then, I even refuse some major offers because<br />
I don’t feel like working on something artificial. I like<br />
to work on scenography because that is very creative<br />
in the sense of interpreting the text. I haven’t really<br />
read that much in my life and I am not much<br />
of a reader, but when I work on scenography, I really<br />
have to be focused while reading the text. That<br />
makes me realize the true richness of that text. You<br />
must work with your heart and be honest, and that is<br />
not easy to do these days.<br />
What are your plans for the future?<br />
I’ll go where the water takes me. I truly don’t know.<br />
Instalacija crteži po lišću, izlog <strong>za</strong> maskenbal 2007. / Installation<br />
“Drawings on the Leaves”, window shop for carnival 2007<br />
Instalacija s ružama i papirom, izlog 2007. /<br />
Installation with roses and paper, window shop 2007<br />
Kula od karata, instalacija 5, izlog 2007. /A castle made<br />
of cards, installation 5, window shop 2007<br />
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