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MARKO TADIÆ:
Stories from the Unknown
“Although playfulness is an important characteristic of Marko Tadić and his works, the recognizable
visual medley of colours almost always radiates a certain kind of awkwardness. It
transpires from the sensibility for carnival aspects: a tendency towards revealing shallow representations
and processes of peeping behind porous facades, analysing the media pollution,
creating portraits of the everyday life based on the contrast between consumerism and poverty,
a passion of transforming things and turning them upside down” (Ana Dević)
Today’s art is a successful manipulation of signs,
which unmistakably includes the context in which
it takes part. When we talk about contemporary
art, it is important to point out that it is starting to
find its way out of the pure world of traditional art that
has become slightly too narrow, and is starting to deal
with, among other things, an articulation of modern social
issues. A painting is no longer merely an object that
Written by: Nataša Bodrožić
is hung up on the wall. The story of Marko Tadić, one of
the most present and most successful younger artists
we have to offer, is a story about the creation of a specific
art language that is walking a fine line between
the art of painting, graffiti art, ambient installations,
and that creates new hybrid forms and a recognizable
style, which can originally look slightly like a drawing
from a child. Twisted meanings, language puzzles, pri-
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