The Japanese Market for UK Films - BFI

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Fig 1-2-5 Multiplex; Booking Strategy Cinema Complex:Booking Complex Booking Strategy (1) Ordinary Months Japanese Movies 2 A-road 5 B-road 2 or 3 Art house cherry pick (2) Holiday Season Japanese Movies 2 A-road 7~8 ※Blockbuster Titles : 2~3 prints B-road 1 or 2 Art house cherry pick 24 7 3 ~5 9 ~10 2 ~4 10 ~12 11 ~14 24 July 2007
1-3 Art House Theatres in Tokyo In most cases, Art house theatres in Japan have a relatively small number of seats and are therefore known as "mini theatres". Mini theatres can be seen all across Tokyo Metropolitan area, including Ginza, Shibuya, and Shinjuku districts. In the recent years, however, they tend to be concentrated particularly in the Shibuya area where new theatres are continuously being built. Up to the 1990’s, most mini theatres showed mainly foreign movies such as French movies but this has changed recently. Korean movies were shown during the Korean boom years and in the last 2 to 3 years Japanese domestic movies have been shown in mini theatres as well. The majority of these theatres are run independently and do not belong to any of the major distributing companies such as Toho and Toei. A new method known as “Expanded Release” is developing around these mini theatres, in which distributing companies add multiplexes in urban areas to the mini theatres to secure a total of 50 to 200 screens. The reason behind this trend is the increase in the purchase price of foreign movies. That is, in order to recoup the high purchase price, companies invest in large advertising budgets to create secondary and tertiary usage through video packages and television. These usages are the source of their profits. 25
Page 1 and 2: The Japanese Market for UK Films No
Page 3 and 4: CONTENTS Executive Summary Part One
Page 5 and 6: of Japanese earnings.) The Japanese
Page 7 and 8: 2. UK FILM MARKETPLACE Records show
Page 9 and 10: Part One The Japanese Market 9
Page 11 and 12: Fig 1-1-2 Film releases - Japanese
Page 13 and 14: illion yen (around US$90m). There w
Page 15 and 16: Cinema admission fees Cinema admiss
Page 17 and 18: more multiplexes have opened but to
Page 19 and 20: this date is usually agreed through
Page 21 and 22: Once a movie is given the green lig
Page 23: (6) Multiplex booking pattern 1) Or
Page 27 and 28: Table 1-4-1 List of Digital Cinema
Page 29 and 30: According to the web site of D-Cine
Page 31 and 32: - Management of Digital Cinema scre
Page 33 and 34: to have planned 10,000 mobile digit
Page 35 and 36: ecause they were too busy taking ca
Page 37 and 38: 1-6 The Current Print and Advertisi
Page 39 and 40: Independently owned theatres have b
Page 41 and 42: 1-7 Titles Released, by Country of
Page 43 and 44: (2) Foreign film releases in 2006 c
Page 45 and 46: 1-8 The Rise of Asian Markets and C
Page 47 and 48: U.S $(million) 1200 1000 800 600 40
Page 49 and 50: most popular stars including Bae Yo
Page 51 and 52: Both films became record-breaking h
Page 53 and 54: 2003 $30,979,000 +107% $13,893,000
Page 55 and 56: 1-9 TV, DVD, VOD and Other Media (1
Page 57 and 58: NHK is the public broadcaster in Ja
Page 59 and 60: 17 26,1% Spirited Away 2004・12・
Page 61 and 62: Other BS Channels (Sister Channels
Page 63 and 64: Network Japanese imported Sum. Tabl
Page 65 and 66: Table1-9-5 List of major cinema cha
Page 67 and 68: (5) Cable Television Japanese cable
Page 69 and 70: Discovery Channel & Discovery Chann
Page 71 and 72: NTT GROUP NTT group has 3 IP multic
Page 73 and 74: Fig 1-9-3 Broadband Content (Genre
Page 75 and 76:
Broadband Market Size From the char
Page 77 and 78:
65% 20% Fig 1-9-6 DVD PURCHASE 6% 3
Page 79 and 80:
Genre Lifestyle, Travel Play, Comed
Page 81 and 82:
Source: Japan Video Software Associ
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43% Fig 1-9-9 DVD RENTAL Expenditur
Page 85 and 86:
In 2006 a number portability system
Page 87 and 88:
Part Two The UK Film Marketplace in
Page 89 and 90:
Table 2-1- 2 UK films released in J
Page 91 and 92:
Table 2-1- 4 UK films released in J
Page 93 and 94:
Fig.2-2-1 The Number of films distr
Page 95 and 96:
In term of efficiency (average BOR
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(Company) Fig.2-2-4 The Number of U
Page 99 and 100:
Fig.2-2-6 Number of DVD titles by d
Page 101 and 102:
2-3 Institutional regulation and An
Page 103 and 104:
The rating of films is conducted by
Page 105 and 106:
Table 2-3-1 Revised offer by the Ja
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culture of co-production with forei
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2-4 The Market for UK Independents
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Fig 2-4-2 UK film market share in B
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Fig 2-4-5 UK film market share in D
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*Drama(1) 24 HEURES DE LA VIE D'UNE
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*Adventure *SF ALEXANDER AROUND THE
Page 119 and 120:
(6) Titles based on well known orig
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(3) Details of proposals a) UK Film
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market was expanding more rapidly,
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Table 2-9-1 The perception of the U
Page 127 and 128:
Table 2-9-2 TV Programme Imports in
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Appendix 129
Page 131 and 132:
Association List 2-5 Japan Film Mak
Page 133 and 134:
Association List 4-5 Japan Audio-Vi
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A-2 Distributors List Distributor L
Page 137 and 138:
Distributor List 3-8 Desperado Inc.
Page 139 and 140:
Distributor List 5-8 Nikkatsu Corpo
Page 141 and 142:
Distributor List 7-8 SYNERGY 3rd Fl
Page 143:
A-3 Exhibitors List TOHO cinemas Wa
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The Japanese Market for UK Films - BFI

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