The Japanese Market for UK Films - BFI

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comprehensive evaluation of the process of DCI standard digital cinema from distribution through to theatrical release. For this reason, the trial involved screenings of both the 4K standard (4,096 x 2,160 pixel, 8 million pixel classification) which is the highest level in DCI specifications; and also the 2K standard which has 1/4 the number of pixels (2,048 x 1,080 pixel, 2 million pixel classification). The evaluation included the quality of the picture, management structure, security and the cost of network online distribution and theatrical management. It also included surveys from public viewings and examined the system’s practicality from the viewpoint of technology and management. During the initial phases of the experiment, Warner Bros. Entertainment Inc., Warner Entertainment Japan, NTT (Nippon Telegraph and Telephone Corporation), NTT West and TOHO were the only five companies participating in the trial, but Sony Pictures Entertainment (SPE), Warner Mycal, NTT East joined in May 2006. The trial was due to complete in September 2007. The roles of the trial participants are as follows: Warner Brothers and Warner Brothers Japan - Establishment of Control Centre and Operation Management - Supply of DCI Standard complying with high quality Digital Content NTT - Supplying high-speed fibre optic network between U.S. and Japan and from distribution centres in Japan to theatres in Tokyo. - Supplying distribution centre (Yokosuka Research and Development Centre) - Supplying Digital Cinema distribution system complying with DCI Standards NTT West - Supplying high speed fibre optic network in western Japan - Supplying distribution centre (Osaka Data Centre) - Supplying and development of Digital Cinema Equipment control console TOHO - Supply of theatres - Operation of theatres 30
- Management of Digital Cinema screening system operations SPE and SPEJ - Supplying DCI Standard complying with high quality Digital Content such as “Da Vinci Code”. Warner Mycal - Supply of theatres - Operation of theatres - Management of Digital Cinema screening system operations NTT East - Supplying high speed fibre optic network in eastern Japan - Establishment and management of distribution centre (Tokyo Data Centre) - Supplying and development of Digital Cinema Equipment control console jointly with NTT West As mentioned in the Executive Summary, there have been no official announcements or reports. Industry insiders in Japan appear to be watching what the Hollywood Studios decide. Moreover, from the digital cinema panel discussion at Showest in 2007, it emerged that Hollywood studios, exhibitors and manufactures/ systems companies have different opinions about the structure and system of virtual print fees. Japanese exhibitors and distributors think that it will take some time. However, NTT and other big companies involved in infrastructure are developing high speed fibre optic network systems not only for digital cinema but also for direct to consumer platforms such as IPTV. If Toho, one of the biggest exhibitors, starts the move into digital cinema, everything will change quickly, with other exhibitors following their lead. Besides feature films, Toho has shown an original programme of Toho Takarazuka musical on their sites which was very successful. (4) Digital Cinema in S.Korea and China 1) Korean Government and related organizations Korea founded the Digital Cinema Forum in August 2004 with the intention of 31
Page 1 and 2: The Japanese Market for UK Films No
Page 3 and 4: CONTENTS Executive Summary Part One
Page 5 and 6: of Japanese earnings.) The Japanese
Page 7 and 8: 2. UK FILM MARKETPLACE Records show
Page 9 and 10: Part One The Japanese Market 9
Page 11 and 12: Fig 1-1-2 Film releases - Japanese
Page 13 and 14: illion yen (around US$90m). There w
Page 15 and 16: Cinema admission fees Cinema admiss
Page 17 and 18: more multiplexes have opened but to
Page 19 and 20: this date is usually agreed through
Page 21 and 22: Once a movie is given the green lig
Page 23 and 24: (6) Multiplex booking pattern 1) Or
Page 25 and 26: 1-3 Art House Theatres in Tokyo In
Page 27 and 28: Table 1-4-1 List of Digital Cinema
Page 29: According to the web site of D-Cine
Page 33 and 34: to have planned 10,000 mobile digit
Page 35 and 36: ecause they were too busy taking ca
Page 37 and 38: 1-6 The Current Print and Advertisi
Page 39 and 40: Independently owned theatres have b
Page 41 and 42: 1-7 Titles Released, by Country of
Page 43 and 44: (2) Foreign film releases in 2006 c
Page 45 and 46: 1-8 The Rise of Asian Markets and C
Page 47 and 48: U.S $(million) 1200 1000 800 600 40
Page 49 and 50: most popular stars including Bae Yo
Page 51 and 52: Both films became record-breaking h
Page 53 and 54: 2003 $30,979,000 +107% $13,893,000
Page 55 and 56: 1-9 TV, DVD, VOD and Other Media (1
Page 57 and 58: NHK is the public broadcaster in Ja
Page 59 and 60: 17 26,1% Spirited Away 2004・12・
Page 61 and 62: Other BS Channels (Sister Channels
Page 63 and 64: Network Japanese imported Sum. Tabl
Page 65 and 66: Table1-9-5 List of major cinema cha
Page 67 and 68: (5) Cable Television Japanese cable
Page 69 and 70: Discovery Channel & Discovery Chann
Page 71 and 72: NTT GROUP NTT group has 3 IP multic
Page 73 and 74: Fig 1-9-3 Broadband Content (Genre
Page 75 and 76: Broadband Market Size From the char
Page 77 and 78: 65% 20% Fig 1-9-6 DVD PURCHASE 6% 3
Page 79 and 80: Genre Lifestyle, Travel Play, Comed
Page 81 and 82:
Source: Japan Video Software Associ
Page 83 and 84:
43% Fig 1-9-9 DVD RENTAL Expenditur
Page 85 and 86:
In 2006 a number portability system
Page 87 and 88:
Part Two The UK Film Marketplace in
Page 89 and 90:
Table 2-1- 2 UK films released in J
Page 91 and 92:
Table 2-1- 4 UK films released in J
Page 93 and 94:
Fig.2-2-1 The Number of films distr
Page 95 and 96:
In term of efficiency (average BOR
Page 97 and 98:
(Company) Fig.2-2-4 The Number of U
Page 99 and 100:
Fig.2-2-6 Number of DVD titles by d
Page 101 and 102:
2-3 Institutional regulation and An
Page 103 and 104:
The rating of films is conducted by
Page 105 and 106:
Table 2-3-1 Revised offer by the Ja
Page 107 and 108:
culture of co-production with forei
Page 109 and 110:
2-4 The Market for UK Independents
Page 111 and 112:
Fig 2-4-2 UK film market share in B
Page 113 and 114:
Fig 2-4-5 UK film market share in D
Page 115 and 116:
*Drama(1) 24 HEURES DE LA VIE D'UNE
Page 117 and 118:
*Adventure *SF ALEXANDER AROUND THE
Page 119 and 120:
(6) Titles based on well known orig
Page 121 and 122:
(3) Details of proposals a) UK Film
Page 123 and 124:
market was expanding more rapidly,
Page 125 and 126:
Table 2-9-1 The perception of the U
Page 127 and 128:
Table 2-9-2 TV Programme Imports in
Page 129 and 130:
Appendix 129
Page 131 and 132:
Association List 2-5 Japan Film Mak
Page 133 and 134:
Association List 4-5 Japan Audio-Vi
Page 135 and 136:
A-2 Distributors List Distributor L
Page 137 and 138:
Distributor List 3-8 Desperado Inc.
Page 139 and 140:
Distributor List 5-8 Nikkatsu Corpo
Page 141 and 142:
Distributor List 7-8 SYNERGY 3rd Fl
Page 143:
A-3 Exhibitors List TOHO cinemas Wa
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The Japanese Market for UK Films - BFI

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