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ENGL 317 Dr. DeRitter<br />
Race in Anglo-American Culture, 3 credits<br />
1600-1860<br />
This course will examine Anglo-American portrayals<br />
<strong>of</strong> African- and Native American peoples<br />
in the early modern era. We will study works from<br />
both high culture (poems, plays, and novels) and<br />
low culture (Indian captivity narratives, frontier<br />
biographies, and slave autobiographies). <strong>The</strong> reading<br />
list will include writers such as Richard<br />
Hakluyt, Mary Rowlandson, John Dryden, Aphra<br />
Behn, James Fenimore Cooper, Herman Melville,<br />
Henry Wadsworth Longfellow, Catherine Maria<br />
Sedgwick and Harriet Beecher Stowe.<br />
ENGL 318 Dr. DeRitter<br />
Milton’s Paradise Lost 3 credits<br />
Intensive study <strong>of</strong> Milton’s masterpiece. In addition<br />
to our reading and discussion <strong>of</strong> the text itself,<br />
we will examine its biographical and historical<br />
context and explore a variety <strong>of</strong> critical approaches<br />
to the poem.<br />
ENGL 319 Dr. Casey<br />
<strong>The</strong> English Novel: 3 credits<br />
18th & 19th Centuries<br />
<strong>The</strong> history <strong>of</strong> the English novel from its origins in<br />
the early eighteenth century until the end <strong>of</strong> the<br />
nineteenth century. <strong>The</strong> course focuses on such<br />
major figures as Defoe, Richardson, Fielding,<br />
Austen, Dickens and Eliot.<br />
ENGL 320 Dr. Passon<br />
Introduction to Satire 3 credits<br />
An exploration <strong>of</strong> the historical, critical, and conceptual<br />
nature <strong>of</strong> satire, including established satirical<br />
conventions and techniques. Representative<br />
examples in fiction, drama and poetry, from a variety<br />
<strong>of</strong> literary periods, will be considered. Special<br />
emphasis will, however, be placed on British literature<br />
<strong>of</strong> the Restoration and eighteenth century, the<br />
Age <strong>of</strong> Satire. Though the course will focus on<br />
satirical literature, examples <strong>of</strong> satire from other<br />
media will be sampled.<br />
ENGL 321 Dr. Fraustino<br />
Macabre Masterpieces 3 credits<br />
This course studies works <strong>of</strong> horror – or Gothic –<br />
fiction in England and America that best exemplify<br />
this mode <strong>of</strong> writing as a serious art form in its<br />
exploration <strong>of</strong> the human mind, particularly abnormal<br />
psychology. Works we will read may include:<br />
Mary Shelley’s Frankenstein, Robert Louis<br />
Stevenson’s Dr. Jekyll and Mr. Hyde, Joseph<br />
Conrad’s Heart <strong>of</strong> Darkness, Bram Stoker’s<br />
Dracula, the works <strong>of</strong> Edgar Allan Poe, and others.<br />
ENGL 322 Pr<strong>of</strong>. Hill<br />
British Imperial Fiction 3 credits<br />
<strong>The</strong> myths and meaning <strong>of</strong> the Imperial experience<br />
in the nineteenth and twentieth centuries as represented<br />
in British fiction by Kipling, Conrad,<br />
Greene, Orwell and others.<br />
ENGL 323 Staff<br />
Renaissance Poetry and Prose (A) 3 credits<br />
Detailed study and discussion <strong>of</strong> several varieties<br />
<strong>of</strong> English literature written between the time <strong>of</strong><br />
Sir Thomas More and John Milton. Lyric and narrative<br />
poetry, fictional and non-fictional prose, and<br />
drama will be included in course readings, discussions,<br />
and assignments. Typical authors covered<br />
include More, Surrey, Lyly, Spenser, Sir Philip<br />
and Mary Sidney, Donne, Webster, Jonson,<br />
Marvell, and Milton.<br />
ENGL 324 Dr. Gougeon<br />
American Romanticism (D) 3 credits<br />
This course will deal with representative short<br />
works <strong>of</strong> America’s six major Romantic authors:<br />
Emerson, Thoreau, Whitman, Hawthorne, Melville<br />
and Poe.<br />
ENGL 325 Dr. Gougeon<br />
Major Works: 3 credits<br />
American Romantics (D)<br />
Cooper’s <strong>The</strong> Prairie, Emerson's Nature,<br />
Thoreau’s Walden, Melville’s Moby Dick, and others.<br />
Evaluation <strong>of</strong> the works in their historical context<br />
and the development <strong>of</strong> the American<br />
Romantic movement, 1820-65.<br />
ENGL 326 Fr. Joseph Quinn<br />
Transcendentalists (D) 3 credits<br />
Course transcends typical limits <strong>of</strong> this literary<br />
period to Emerson and Thoreau’s major works.<br />
Thus, Orestes Brownson, Margaret Fuller, Ellery<br />
Channing, <strong>The</strong>odore Parker are covered.<br />
ENGL 329 Pr<strong>of</strong>. Schaffer<br />
Introduction to Jewish Literature 3 credits<br />
<strong>The</strong> course provides a broad literary overview <strong>of</strong><br />
Jewish life from medieval times to the present,<br />
examining the poetry, fiction, memoirs and drama<br />
<strong>of</strong> Jewish writers from a variety <strong>of</strong> cultures.<br />
ENGL 330 Dr. Gougeon<br />
Masters <strong>of</strong> Darkness (D) 3 credits<br />
This course will survey a significant sampling <strong>of</strong><br />
the short works <strong>of</strong> three <strong>of</strong> America’s most famous<br />
“dark Romantic” writers: Melville, Hawthorne,<br />
and Poe. Consideration will be given to the historical<br />
milieu and the authors’ responses to the problems<br />
and promises <strong>of</strong> the American experience.<br />
ENGL 331 Fr. Joseph Quinn<br />
Major Works <strong>of</strong> Twain and James (F) 3 credits<br />
Works to be studied include Twain’s Adventures<br />
<strong>of</strong> Huckleberry Finn and A Connecticut Yankee in<br />
King Arthur’s Court; James’ <strong>The</strong> Portrait <strong>of</strong> a<br />
Lady and <strong>The</strong> Ambassadors. <strong>The</strong>se works will be<br />
examined both in terms <strong>of</strong> their historical context<br />
and by way <strong>of</strong> a comparative analysis <strong>of</strong> the two<br />
authors.<br />
ENGL 332 Fr. Joseph Quinn<br />
Major Works <strong>of</strong> 3 credits<br />
Hemingway and O’Hara (F)<br />
Works to be studied include Hemingway’s <strong>The</strong><br />
Sun Also Rises and For Whom the Bell Tolls;<br />
O’Hara's Appointment in Samarra and From the<br />
Terrace. <strong>The</strong>se will be examined both in terms <strong>of</strong><br />
their historical context and basic themes, and by<br />
way <strong>of</strong> a comparative analysis <strong>of</strong> the two authors.<br />
<strong>The</strong>re will also be some investigation as to how<br />
certain authors either become or do not become<br />
academically and critically acceptable.<br />
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