GigaStudio 3 Installation and Use: QuickStart Guide - 4.37 - Tascam

Meet QuickEdit ÿ page 17
Although this is a QuickStart and not a course on synthesis, if
you’re into synthesizers and are familiar with typical synthesizer
modules, feel free to play around. Envelope 1 controls the
amplitude, Envelope 2 controls the fi lter. If you’re clueless about
synthesizers, select Lowpass as the Filter Type, and vary the
fi lter’s Cut(off) Freq(uency) and Res(onance) parameters as you
play. You’ll hear the timbre change. Now add some Attack time
with Envelope 1; the piano note swell up to volume rather than
have a percussive attack, and you’ll probably see the attack curve
superimposed on the waveform. Similarly, Envelope 2’s Attack
control changes the fi lter’s cutoff frequency.
And how about a piano with vibrato? Sure, why not — go to
the LFO section and increase the Pitch Int Depth parameter value
to about 40.
This gives you only the slightest idea of the power of
QuickEdit. While it defaults to editing all samples used in an
instrument, it’s also possible to edit each sample that makes up
the instrument individually. For example, if your instrument is a
drum hit, each drum can have its own fi ltering, envelopes, etc.
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