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the PDF of her book - National Aphasia Association

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78 Ruth Codier Resch Without Utterance:<br />

The two Douglas firs cloister <strong>the</strong> front <strong>of</strong> my house. A<br />

branch <strong>of</strong> one brushes my head, no matter how I prune it back, as<br />

I walk across <strong>the</strong> little stone path in <strong>the</strong> grass to my door. As I set<br />

aside <strong>the</strong> verbal and allow myself to sense into <strong>the</strong> sensory world<br />

around me, <strong>the</strong> crow and now <strong>the</strong> trees seem to make relationship<br />

with me. I step across <strong>the</strong> stones to my door this dusky evening and<br />

sweep <strong>the</strong> s<strong>of</strong>t fir needles from my hair. I can think whatever I want<br />

about this being only in my imagination, but <strong>the</strong> sensation in my<br />

body is <strong>of</strong> receiving. It is like having <strong>the</strong> attention <strong>of</strong> a wise elder<br />

that I haven’t asked for but none<strong>the</strong>less get. When my body, not my<br />

mind, responds with “Yes, thank you!” to <strong>the</strong> fir, <strong>the</strong>re is pleasure,<br />

some new delight received. I have no mind logic for this.<br />

One <strong>of</strong> <strong>the</strong> firs drops all <strong>of</strong> <strong>her</strong> limbs in a terrible ice storm. Many<br />

hundreds <strong>of</strong> trees in my neighborhood have simply toppled over with <strong>the</strong><br />

great weight <strong>of</strong> ice. But this one does not fall on my house, which is so near<br />

it, but ra<strong>the</strong>r drops all <strong>of</strong> <strong>her</strong> branches, leaving a naked pole. I am relieved,<br />

but also touched by this. I know in my cognitive mind that <strong>the</strong> fir did not act<br />

with intention, but still, so many trees have simply fallen, on cars, telephone<br />

lines, houses.<br />

In <strong>the</strong> night I set out little candles around <strong>her</strong>, make snow caves for<br />

<strong>the</strong>m against <strong>the</strong> wind. They blow out, and I light <strong>the</strong>m again and again. I<br />

wonder what <strong>the</strong> neighbors think, but I am unaccountably sad. My house<br />

feels naked without <strong>her</strong> presence.<br />

A week later I sit in meditation with my drum, quietly sounding. As I<br />

painted my way though <strong>the</strong> verbal intensity <strong>of</strong> many Robert Bly conferences,<br />

I also learned a bit <strong>of</strong> drumming. It is now my private way <strong>of</strong> bringing in <strong>the</strong><br />

New Year, to drum from ten to one or two, until sleep comes and falls into<br />

my bones. At nine I call Jake in New York, and she holds <strong>the</strong> phone out <strong>her</strong><br />

window for me to hear <strong>the</strong> harbor boats come alive <strong>the</strong>re with <strong>the</strong>ir midnight<br />

voices <strong>of</strong> jubilation.<br />

The New Year is coming. Deep into <strong>the</strong> drum, I feel into <strong>the</strong> turning <strong>of</strong>

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