the PDF of her book - National Aphasia Association
the PDF of her book - National Aphasia Association
the PDF of her book - National Aphasia Association
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78 Ruth Codier Resch Without Utterance:<br />
The two Douglas firs cloister <strong>the</strong> front <strong>of</strong> my house. A<br />
branch <strong>of</strong> one brushes my head, no matter how I prune it back, as<br />
I walk across <strong>the</strong> little stone path in <strong>the</strong> grass to my door. As I set<br />
aside <strong>the</strong> verbal and allow myself to sense into <strong>the</strong> sensory world<br />
around me, <strong>the</strong> crow and now <strong>the</strong> trees seem to make relationship<br />
with me. I step across <strong>the</strong> stones to my door this dusky evening and<br />
sweep <strong>the</strong> s<strong>of</strong>t fir needles from my hair. I can think whatever I want<br />
about this being only in my imagination, but <strong>the</strong> sensation in my<br />
body is <strong>of</strong> receiving. It is like having <strong>the</strong> attention <strong>of</strong> a wise elder<br />
that I haven’t asked for but none<strong>the</strong>less get. When my body, not my<br />
mind, responds with “Yes, thank you!” to <strong>the</strong> fir, <strong>the</strong>re is pleasure,<br />
some new delight received. I have no mind logic for this.<br />
One <strong>of</strong> <strong>the</strong> firs drops all <strong>of</strong> <strong>her</strong> limbs in a terrible ice storm. Many<br />
hundreds <strong>of</strong> trees in my neighborhood have simply toppled over with <strong>the</strong><br />
great weight <strong>of</strong> ice. But this one does not fall on my house, which is so near<br />
it, but ra<strong>the</strong>r drops all <strong>of</strong> <strong>her</strong> branches, leaving a naked pole. I am relieved,<br />
but also touched by this. I know in my cognitive mind that <strong>the</strong> fir did not act<br />
with intention, but still, so many trees have simply fallen, on cars, telephone<br />
lines, houses.<br />
In <strong>the</strong> night I set out little candles around <strong>her</strong>, make snow caves for<br />
<strong>the</strong>m against <strong>the</strong> wind. They blow out, and I light <strong>the</strong>m again and again. I<br />
wonder what <strong>the</strong> neighbors think, but I am unaccountably sad. My house<br />
feels naked without <strong>her</strong> presence.<br />
A week later I sit in meditation with my drum, quietly sounding. As I<br />
painted my way though <strong>the</strong> verbal intensity <strong>of</strong> many Robert Bly conferences,<br />
I also learned a bit <strong>of</strong> drumming. It is now my private way <strong>of</strong> bringing in <strong>the</strong><br />
New Year, to drum from ten to one or two, until sleep comes and falls into<br />
my bones. At nine I call Jake in New York, and she holds <strong>the</strong> phone out <strong>her</strong><br />
window for me to hear <strong>the</strong> harbor boats come alive <strong>the</strong>re with <strong>the</strong>ir midnight<br />
voices <strong>of</strong> jubilation.<br />
The New Year is coming. Deep into <strong>the</strong> drum, I feel into <strong>the</strong> turning <strong>of</strong>