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the PDF of her book - National Aphasia Association

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126 Ruth Codier Resch Without Utterance:<br />

A dream wakes me up suddenly in <strong>the</strong> middle <strong>of</strong> <strong>the</strong> night.<br />

In it I am doing a computer search in <strong>the</strong> university library, and it<br />

gives me a title, “Rocks, Fossils, and Flying.” Still half-dreaming,<br />

I pull <strong>the</strong> white comforter over my shoulders, dog still lightly<br />

snoring at my feet. I muse for a few minutes, intending sleep,<br />

but <strong>the</strong> words nag my consciousness and don’t let me. So I get<br />

up. Satsima gets up with me and follows me into <strong>the</strong> studio and<br />

lies down on his blue fleece mat beside me. I sit at my computer,<br />

thinking and writing.<br />

Rocks and fossils are evidences <strong>of</strong> a living past. Visions come to me <strong>of</strong><br />

layers <strong>of</strong> silt and stone season upon season in ancient streambeds lying far<br />

under <strong>the</strong> surface <strong>of</strong> today. In my dreamy awake mind I see ancient glaciers<br />

scouring <strong>the</strong> land to bedrock in crushing movements, pushing boulders at<br />

<strong>the</strong>ir forward edges to distant places. I see <strong>the</strong> crashing as continental plates<br />

collide, <strong>the</strong>ir shelves lifting to form mountain chains.<br />

So it is with my life, I think. The scouring <strong>of</strong> <strong>the</strong> stroke sheered my<br />

edges, polished <strong>the</strong>m brightly, and cleaned out <strong>the</strong> graveled layers <strong>of</strong> speech.<br />

Sensory materials, <strong>the</strong>ir very physicality, form <strong>the</strong> geologic layering <strong>of</strong> my<br />

life. Layers <strong>of</strong> my experience are all <strong>the</strong>re under <strong>the</strong> surface. The geology <strong>of</strong><br />

me sits <strong>her</strong>e with me this dark morning.<br />

Fossils are like little novellas, telling stories <strong>of</strong> <strong>the</strong> immense varieties<br />

<strong>of</strong> plant, animal, and fish that have lived on this planet before this time.<br />

T<strong>her</strong>e are striking correspondences in body structure and behavior in<br />

vastly different species across eons <strong>of</strong> time. In older human oral cultures,<br />

people located <strong>the</strong>mselves deeply in <strong>the</strong> sensory experience <strong>of</strong> <strong>the</strong> intimate<br />

relationships <strong>of</strong> <strong>the</strong> world around <strong>the</strong>m—trees, mountains, animals, birds,<br />

<strong>the</strong>ir community.<br />

With <strong>the</strong> loss <strong>of</strong> speech, I lost <strong>the</strong> narrative <strong>of</strong> verbal planning. Life was<br />

much harder in <strong>the</strong> beginning because <strong>the</strong> planning, orienting part <strong>of</strong> language<br />

I depended on was a fur<strong>the</strong>r loss. These two losses eclipsed <strong>the</strong> primacy <strong>of</strong><br />

my verbal mind and moved me into a larger narrative. I listen to stories and

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