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the PDF of her book - National Aphasia Association

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22 Ruth Codier Resch Without Utterance:<br />

I am dazed, a stranger in my own apartment. I stand for a time, search<br />

for <strong>the</strong> ordinary familiarity <strong>of</strong> <strong>the</strong> place. Jake and my daughter fuss around<br />

me, to welcome me, help me settle. My skin is irritable. My eyes and my skin<br />

draw into <strong>the</strong>mselves against <strong>the</strong> bright largeness. I wish I were wrapped<br />

once more in <strong>the</strong> cocoon. I retreat to my room, <strong>the</strong> polished teak desk, <strong>the</strong><br />

lea<strong>the</strong>r chairs. The light is dim and restful. I put my body gingerly onto <strong>the</strong><br />

bed. I’m happy to be <strong>her</strong>e, but my brain is battered, clanging with all <strong>the</strong><br />

sensations <strong>of</strong> coming home.<br />

The telephone rings and rings, too much sound, too much sensation.<br />

My jumbled brain boils over <strong>the</strong> top and turns painful. I feel no rest in my<br />

prone body. I beg Jake and my daughter, “Please, please … I can’t … can’t<br />

talk … to anyone…. too much.” I want to see and talk to friends, but I’m raw.<br />

My body <strong>her</strong>e at home is out <strong>of</strong> time, out <strong>of</strong> place. I am not normal; I have to<br />

begin living in this skin.<br />

The next day I crave to be outside. I walk with one <strong>of</strong> my friends <strong>the</strong> short<br />

blocks down Pierrepont to <strong>the</strong> Promenade overlooking Manhattan, leisurely<br />

and slowly. I am content in my neighborhood, thirsty for its sights.<br />

My eyes stroll <strong>the</strong> nineteenth-century details <strong>of</strong> <strong>the</strong> Greek revival<br />

townhouses, <strong>the</strong> curling celery leaves fashioned inside scrolls <strong>of</strong> stone. Some<br />

are reddish brownstone, o<strong>the</strong>rs white limestone. Their variety decorates my<br />

walk, and my eyes follow <strong>the</strong> lines <strong>of</strong> black wrought iron railings individually<br />

cast for each house a century ago.<br />

It is high summer and window boxes bloom with color, cared for by<br />

people behind tall windows. I cannot express to my keeper how deeply good<br />

it is to be out in <strong>the</strong> world again, <strong>the</strong> grace <strong>of</strong> my ordinary neighborhood. I<br />

gulp in visual detail with <strong>the</strong> tenderness <strong>of</strong> loss and return.<br />

My breath heaves in my chest, and I’m compelled to stop. I have been<br />

walking only <strong>the</strong> short halls <strong>of</strong> medical wards. As we approach <strong>the</strong> Promenade,<br />

<strong>the</strong> towering buildings <strong>of</strong> Manhattan across <strong>the</strong> East River are too vast, too<br />

overwhelming. I shrink from <strong>the</strong> magnificent walk I wanted. Instead we stop<br />

in <strong>the</strong> little toddler playground next to <strong>the</strong> Promenade. Trees and bushes<br />

circle it. I’m enclosed in green.

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