the PDF of her book - National Aphasia Association
the PDF of her book - National Aphasia Association
the PDF of her book - National Aphasia Association
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64 Ruth Codier Resch Without Utterance:<br />
I’m in a culture shock I don’t expect. My body is<br />
conditioned to hunker down to urban sensations: tight spaces,<br />
canyons <strong>of</strong> buildings, and stimulating streets. Here in <strong>the</strong> Pacific<br />
Northwest my body is assailed by <strong>the</strong> expansiveness <strong>of</strong> <strong>the</strong> space:<br />
broad valleys, chains <strong>of</strong> mountains, wide skies, and quieter towns.<br />
My body feels small, unbalanced in this scale.<br />
Rhododendrons grow lush and rampant, unlike <strong>the</strong> delicate laurel, its<br />
relative in <strong>the</strong> East. Fir trees soar hig<strong>her</strong> than I’ve ever seen. The mystical<br />
and <strong>the</strong> magical seem alive in this landscape: rocks, trees, birds flying across<br />
<strong>the</strong> sky. Its palpable magic whispers to me <strong>of</strong> <strong>the</strong> older indigenous culture<br />
suffusing <strong>the</strong> air and earth.<br />
The place feels like Greece, w<strong>her</strong>e my daughter and I traveled to<br />
celebrate <strong>her</strong> graduation from college. T<strong>her</strong>e <strong>the</strong> land and <strong>the</strong> sky seemed<br />
stark and portentous, mythic in scope. We walked in <strong>the</strong> cave <strong>of</strong> <strong>the</strong> god Zeus,<br />
saw ruins <strong>of</strong> temples in ordinary backyards. I stood on a stone rampart one<br />
afternoon and felt like Odysseus reading portents in <strong>the</strong> hawk silhouette that<br />
rode high into <strong>the</strong> pallid sky. I noticed a bird skating <strong>of</strong>f a ledge below me,<br />
and it felt fraught with meaning.<br />
Now <strong>her</strong>e in <strong>the</strong> Pacific Northwest <strong>the</strong> land speaks in s<strong>of</strong>ter tones, more<br />
nuanced voices than Greece. But as <strong>the</strong>re, I listen and watch.<br />
I’ve found an apartment in a little harbor town on Puget Sound. I can<br />
see a brilliant slice <strong>of</strong> <strong>the</strong> glacial top <strong>of</strong> Mt. Rainier from its balcony. Down <strong>the</strong><br />
hill three blocks, I sit after work with my feet up on a wooden porch railing<br />
behind a restaurant and watch <strong>the</strong> harbor traffic. Sailboats, working boats,<br />
rowboats ply from one side to <strong>the</strong> o<strong>the</strong>r, in and out <strong>of</strong> <strong>the</strong> harbor, reminding<br />
me <strong>of</strong> summer vacations in Maine. T<strong>her</strong>e as <strong>her</strong>e, I glimpse <strong>the</strong> social mores <strong>of</strong><br />
small town life. It is high summer, late afternoon, and <strong>the</strong> slanting, glistening<br />
light brings everything into sharp relief. I am not on vacation.<br />
I turn a bedroom into my first art studio <strong>her</strong>e in this apartment—unheard