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the PDF of her book - National Aphasia Association

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112 Ruth Codier Resch Without Utterance:<br />

<strong>her</strong>, “We will get training toge<strong>the</strong>r so that you will have ways to tell me what<br />

you know. I will find someone to help us teach you to be a service dog for<br />

me… I adore you, and it’s time to get you all <strong>the</strong> way well!”<br />

We’re downstairs toge<strong>the</strong>r for <strong>the</strong> day and she sleeps <strong>the</strong>re for <strong>the</strong> night.<br />

I come down <strong>the</strong> next morning, waiting for <strong>her</strong> little noises <strong>of</strong> getting up and<br />

moving to greet me with <strong>her</strong> eager face. The house feels empty; I don’t hear<br />

<strong>her</strong>. “Sahaya!” I call. T<strong>her</strong>e is barren silence. I run out to <strong>the</strong> garden, expecting<br />

to find <strong>her</strong> <strong>the</strong>re, but <strong>the</strong>re is only stillness. My eyes scan <strong>the</strong> yard until I see<br />

<strong>her</strong> white back serenely stretched out on <strong>the</strong> ground near <strong>the</strong> porch. I call<br />

out, “Sahaya!” but she doesn’t move. She lies facing an old door I found in<br />

<strong>the</strong> rafters <strong>of</strong> <strong>the</strong> garage. I attached it to <strong>the</strong> fence, and called it The Door to<br />

O<strong>the</strong>r Worlds. She is cold when I lay my head on <strong>her</strong> body. She has gone<br />

through The Door and left me.<br />

Ruth’s husband comes, helps me carry <strong>her</strong> heavy body into <strong>the</strong> house,<br />

lays <strong>her</strong> on a s<strong>of</strong>t yellow blanket on my painting table. I’m in a daze. First I<br />

clean <strong>her</strong> carefully. I act without plan or consciousness, find cloth and crow<br />

fea<strong>the</strong>rs around my studio, make streamers from <strong>the</strong> cloth. I tie <strong>the</strong> red cloth<br />

strips and black fea<strong>the</strong>rs gently on each <strong>of</strong> <strong>her</strong> paws, murmuring <strong>the</strong> little<br />

achings <strong>of</strong> my heart for <strong>her</strong> to hear. I find a rope <strong>of</strong> cowry shells, put <strong>the</strong>m<br />

around <strong>her</strong> neck and add a red string <strong>of</strong> little bells. I want <strong>her</strong> beautiful when<br />

we take <strong>her</strong> for cremation.<br />

Grief floods everything, and my daughter comes to take care <strong>of</strong> me. As<br />

we come home with <strong>the</strong> little white box <strong>of</strong> ashes in my lap, she s<strong>of</strong>tly sings<br />

a niggun, a wordless, melancholy, sweet tune, in <strong>the</strong> darkened car. I caress<br />

<strong>the</strong> little white box as though petting a big dog in my lap.<br />

Sahaya lived <strong>her</strong> name. In Sanskrit <strong>her</strong> name means beautiful, golden<br />

companion. In our time toge<strong>the</strong>r we radically changed one ano<strong>the</strong>r. She filled<br />

my haven with <strong>her</strong> articulate silence, yet she was not silent. She spoke to me<br />

with sounds, attitude, movement, and intention. She came to understand<br />

<strong>the</strong> languages <strong>of</strong> my mouth and my energy, and I understood <strong>her</strong> ways <strong>of</strong><br />

language. She blossomed into a dog beyond dog. Seeing that, I take courage

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