the PDF of her book - National Aphasia Association
the PDF of her book - National Aphasia Association
the PDF of her book - National Aphasia Association
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72 Ruth Codier Resch Without Utterance:<br />
to streamline my life as Dr. Sarno taught me in <strong>the</strong> beginning. Choosing<br />
mindfully is essential even now, ten years after <strong>the</strong> stroke. Overwrought<br />
fatigue is still a hazard, and <strong>the</strong>re are days lost to it.<br />
I make remodels to this house, tear plaster to studs. The bathroom<br />
is deep brown marble. I try to imagine it as a mossy cave, a stone bathing<br />
grotto, but <strong>the</strong> old stains invade my sensibility. Instead I make a white tile<br />
bathroom with white linen shower curtains, and very much want to ask my<br />
friends to tea <strong>the</strong>re.<br />
The kitchen has two closely adjacent doorways. One used to be an<br />
entrance from <strong>the</strong> back porch and now opens to <strong>the</strong> short hallway to my<br />
studio added to <strong>the</strong> back <strong>of</strong> <strong>the</strong> house. The o<strong>the</strong>r is from <strong>the</strong> kitchen into<br />
<strong>the</strong> dining space. The doorways, side by side, are archaic; <strong>the</strong> caprice <strong>of</strong> <strong>the</strong><br />
layout undermines any small order I so lately have in a kitchen. I consult a<br />
New York colleague who lives <strong>her</strong> spare time in <strong>her</strong> kitchen.<br />
“Tell me how to think about designing a kitchen! I can’t believe <strong>the</strong><br />
glitz <strong>of</strong> <strong>the</strong> mags.”<br />
She draws out three activity maps for me, showing me how <strong>the</strong>y work<br />
functionally. I choose one that fits my disordered mind and <strong>the</strong> actual space I<br />
have. Tearing plaster to studs again, I put in track lighting, white counters, a<br />
new stove, open shelves for dishes and cookware I can see, a standing cabinet<br />
for hiding groceries. I put down oak flooring in <strong>the</strong> kitchen and into <strong>the</strong> dining<br />
area to match <strong>the</strong> living room. I still have appalling trouble following a recipe<br />
and sequencing <strong>the</strong> whole plan from shopping to making, but my body is<br />
at ease in this new kitchen. I can see things I need around me. This kitchen<br />
helps me move from one activity to ano<strong>the</strong>r more smoothly. It frees my mind<br />
from its struggle for organization.<br />
I delight in discovering <strong>the</strong> archeology <strong>of</strong> this house as I make changes. I<br />
find an old front doorsill in an odd place, across <strong>the</strong> house. T<strong>her</strong>e are paneled<br />
walls beneath <strong>the</strong> plaster <strong>of</strong> <strong>the</strong> bathroom, next to <strong>the</strong> old doorsill. I guess that<br />
<strong>the</strong> paneled walls were <strong>the</strong> original entryway, maybe a mudroom. I find a long<br />
boarded-up window in <strong>the</strong> kitchen. I imagine <strong>the</strong> original face <strong>of</strong> <strong>the</strong> house<br />
when it looked from <strong>the</strong> side in a different direction across fields. The back