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Cymbeline - eTheses Repository - University of Birmingham

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128.<br />

<strong>Cymbeline</strong> was performed only five times, in a season which<br />

included Love's Labour'8 Lost (as Princess <strong>of</strong> Prance, Mrs.<br />

Young "looked and spoke like a lady"), Hamlet. The Fatal<br />

Dowry and As You Like It - "for the purpose <strong>of</strong> introducing<br />

Mrs. Charles Young in a second and more prominent<br />

Shakespearean character, viz. aosalind." ? 4 Of her Rosalind,<br />

The Athenaeum complained:<br />

It is not by always speaking in a high key that<br />

the sayings <strong>of</strong> Rosalind can be made emphatic;<br />

there is in such a style o£ elocution the danger<br />

<strong>of</strong> monotony to be avoided. ^<br />

Mrs. Charles Young herself wrote to Clement Scott in<br />

later years a letter which he reprinted in The Drama <strong>of</strong><br />

Yesterday and rJ?oday (London, 1899):<br />

I made my first appearance in England at Sadler's<br />

Wells in 1857 .*. I was there during the seasons<br />

<strong>of</strong> 1tJ57-8 and '53-9, and also '60-1, when ilr.<br />

Phelps became sole lessee and manager ... ¥y<br />

first season commenced on September 13th, and I<br />

made my first appearance on the 15th as Julia in<br />

The Hunchback, and during that season <strong>of</strong> a little<br />

over six months I played no less than twenty-one<br />

characters. Between September 26th and October<br />

21st, I acted for the first tirip Imogen in<br />

<strong>Cymbeline</strong>, the Princess in Love's Labour's Lost<br />

and ^osalind in AH You Like It. and had to find<br />

and arrange all my costumes. 1iThat a difference<br />

nowadays I<br />

(1, 197-ii).<br />

The later revivals <strong>of</strong> Oytabeline at Sadler's Wells <strong>of</strong>fer<br />

little <strong>of</strong> interest beyond the inadequacy <strong>of</strong> the Imogens,<br />

the play being "repeated, with the admirable scenery and<br />

accessories with which it was originally illustrated,"<br />

O /T<br />

with "everything well done, and not overdone"." The<br />

Musical Transcript had regarded the 1854 revival as "merely<br />

preparatory to some future display" and had regretted<br />

being able to find no "attractive quality about the play

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