- Page 1 and 2: "CYMBELINE" IN THE fllii^SLHi TI CE
- Page 3 and 4: SYNOPSIS This thesis consists of an
- Page 5 and 6: C 0 N T E N T 3 Pag« No. INTRODUCT
- Page 7 and 8: i. Introduction. Theatrical critici
- Page 9 and 10: they too were bound by devotion to
- Page 11 and 12: century than they had been in the f
- Page 13 and 14: vii. it is not always easy to ascer
- Page 15 and 16: CHAPTER ONE; CYMBELIKB 1 FROM HAZLI
- Page 17 and 18: artless of Shakespeare's heroines.-
- Page 19 and 20: Imogen: A Literary Fantasy". Wilson
- Page 21 and 22: and still return to gaze even more.
- Page 23 and 24: 2 volumes, 1805). From Miss More, t
- Page 25 and 26: Lady-Members of the Clifton Shakesp
- Page 27: and the fool diet;, having been fir
- Page 31 and 32: 17 their condition in society, and
- Page 33 and 34: 19, ... tie folly of Cloten is not
- Page 35 and 36: in their several varieties". Oo^dPn
- Page 37 and 38: 23. ohip ethicr: in Homeric and ']-
- Page 39 and 40: CHAPTER TWO: H^L'K• FAJCIT'.: LET
- Page 41 and 42: much the actor can be allowed. The
- Page 43 and 44: 29. Cymbeline'a harshness, he is an
- Page 45 and 46: 31. after expressing many apprehens
- Page 47 and 48: as to make mo feel that they entere
- Page 49 and 50: 35. the characters (Fosthuums is un
- Page 51 and 52: 37. PART TWO TF:< Lorjpoi STAGE,
- Page 53 and 54: her own sex." 2 Mrs. Siddons achiev
- Page 55 and 56: devoted most of its space to the sc
- Page 57 and 58: 4?. Feb. 12 £235.11.6 14 4,174.11.
- Page 59 and 60: although the fibres for appearances
- Page 61 and 62: the audience. Then at M ... the mad
- Page 63 and 64: anything mad unless it "be a melanc
- Page 65 and 66: £412.18.6. Kemble appeared four mo
- Page 67 and 68: ii Luelus Junius Booth as Poethumua
- Page 69 and 70: 55. CHAPTER FOUR; VARIOUS PEiiFORHL
- Page 71 and 72: Young, in short, was well suited to
- Page 73 and 74: y a pensive, thoughtful cast, extre
- Page 75 and 76: 61. ii] on the auditor. Although th
- Page 77 and 78: a new dress or two for the principl
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who were allowed to sell a specifie
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severity if we stated our real opin
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69. CHAPTER FIVE: W.C. MACREADY AS
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exceedingly generous: lachimo, a ch
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It is almost superfluous to observe
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Mr. Editor, - Your yesterday's rema
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" - he had belied a lady, The princ
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79. On the occasion of her benefit
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Garden Theatre In the British Museu
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"failed to come across"; the perfor
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Imogen Is the most remarkable part
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87. the Queen. The character would
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annoyed him: 89. Though there was n
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moderately attended. In the course
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tale of her husband's infidelity. T
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95. praises Macready's lachimo, but
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her coming at Milford Haven ... was
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99. considerable, BO great that sev
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CHAPTER SEVEN i "CYKBEL1ME" AT SADL
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The tank has been abolished; but th
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105. a lack of acquaintance with an
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107. subordinated to the Inspiratio
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She has a good conception of the pa
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conception of the part, "beautiful
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a huskiness of voice, which was a.
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We should not say that it is a play
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an arrangement favouring the serai-
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119. Imogen crosses to R., and at "
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is continued until with M 'Tis mine
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Be henceforth treacherous! Damn'd P
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125. first enter the cave together,
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exquisite proportions of this most
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129. (as performed) save the rarity
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131. great, and Mrs. Warner was obl
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133. expressed satisfaction. The At
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135. performance was unsatisfactory
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137. Between 1847 and 1864, Creswic
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139. the rival any parts at all, re
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141. at Drury Lane were regarded as
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There is something so inimitably pi
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145. The art displayed is so exquis
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Of course, some of the audience mig
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lachirao kneels to present his lett
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151. your pardon") (24). When she g
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153. he does not so manage his voic
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155. of the bell, and included in C
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CHAPTER TEN; "CYMBELINE" AT THE QUE
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159. in burlesque." Miss Hodson did
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161. In his account of h«r perform
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165. So natural is he in his fiendi
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165. simple competence or lack ther
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dignity, assuming instead the sembl
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It was in the y«ar 1853 that this
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171. audience demanded an encore of
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173. appeared in forty-five rolea,
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175. Farquharson wondered whether I
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177. Roman standard, a helmet, a sw
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179. Richard III. James ^ave a desc
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181. Archer is demanding a more con
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183. Ellen Terry had given at the L
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185. In the "Guide" Shaw also gave
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187 to be etill verm ("What do you
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In the cop?/ sent to Shaw, Ellen Te
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191. (vertically) Very Quiet, then
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193. After ar. exchange of letters
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195. was in the notorious position
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197. dramatist Shakespeare, it "bec
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199. Shaw means, at least in the ca
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201. Henry James found Imogen's you
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203. Sporting and Dramatic Neva tha
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Now whatever the Lyceum productions
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APPENDICES
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1785 1786 1787 1792 1793 1794 1795
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£ ' # •x * * * * X * 1825 1826 1
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212. Nov 6. 1854 Sep 4. Sadler'a We
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ZC;;A.;G:B oy CAS^/ 214. 2 * Cooper
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216. Cyabeline A. Payner Cloten Lac
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218. that might have suited the Cou
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220. obvious mannerism. The rest of
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222. being the only exception ... /
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224. cruelty than against himself):
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26. Wales, the triclinium of Philar
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228. CHARLES KFJLiJ'S "CYM;V^LIK" 3
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230. 323a, 324b-325 and 330-332a. M
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Notas to Introductioni 231. 1. Will
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233. 5. T.J.B. Spencer has observed
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of Victorian Sexuality, The Worm in
- Page 253 and 254:
237. It la a Euphuism of imaginatio
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239. 7. Her misgivings with regard
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241. nature of the incident and the
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243. I look back down the vista of
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245. brought forth again. But nothi
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247. and France (New Haven, 1968),
- Page 265 and 266:
249. Alan S. Downer, The Eminent Tr
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251. - this is the arrangement in p
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253. large number of which are in t
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255. Mowatt, Autobiography of an Ac
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Notes to Chapter Ten. 257. Suppleme
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259. 11. M.G. Day and J.C. Trewin,
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person & you*11 find yr heart beati
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263. recently by nothing more than
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265. 22. On Shaw's involvement with
- Page 283 and 284:
267. Before a phrase or a word Irvi
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V, 2. 2. The Field of Battle 3. 3.
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OG KAa.1! Y
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the Enthoven Collection, Victoria a
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The ivan in the Ho on Mov 1847. 274
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276. Haslet" in Shakespeare Quarter
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278. Crosse, Gordon, Shakespearian
- Page 297 and 298:
280. Hatton, Joseph, Reminiscences
- Page 299 and 300:
282. Merchant, W. Meolwyn, Shakespe
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284. Scott, Clement, The Drama of Y
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286. Vardac, A. Nicholas, Prom Stag