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Cymbeline - eTheses Repository - University of Birmingham

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lachirao kneels to present his letters to Imogen (19)<br />

and kisses her hand, which he also does at her "... and<br />

shall find it so" (20). His "Thanks, fairest lady" is<br />

partly aside, and the rest <strong>of</strong> his speech, "What, axe men<br />

mad?..." is aside, ending as conclusive with<br />

The cloyed will<br />

That satiate, yet unsatisfy'd desire,<br />

itavening first<br />

The lamb, longs after for the garbage.<br />

149.<br />

On this Pisanio<br />

advances left. At Imogen's "Continues well ray lord?",<br />

lachimo ol.ows an expression <strong>of</strong> unwillingness to speak, and<br />

in unfolding the story <strong>of</strong> Posthumue 1 infidelity he sighs<br />

at "But heavens know" (21) and answers Imogen's "Not he -<br />

I hope" with a look <strong>of</strong> pity and half assent. Then, with<br />

the words "juut yet heaven's bounty" lachimo looks at her<br />

ardently; on "tv-c creatures, heartily" he looks away, but<br />

only to turn suddenly and gaae on her at the question<br />

Am I one, sir?<br />

You look on me ,<br />

But when he reaches "Not mine to speak ori't" (22) he goes<br />

towards L/eftJ as if to end the conversation upon this<br />

subject, and thus she must call him back to discover why<br />

he hesitates.<br />

Now lachimo approaches, "Had I this cheek", and by the next<br />

line is about to take her hand - "this hand, whose touch".<br />

He is nearer at "join gripes with hands", close to her at<br />

"And himself, not i..." He is so close that to avoid him<br />

Imogen moves left<br />

Let me hear no more,<br />

and he follows her.<br />

lachimo's ''Be reveng'ci" (23) comes as if suddenly struck<br />

with the idea, though vc caru:ot tell rL ether he really has<br />

juot thought <strong>of</strong> a taotic, or he is pretending to have just<br />

thought up a plan for Imogen's use. i-ie supports her

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