Cymbeline - eTheses Repository - University of Birmingham

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Oot 7. 1812 Jun 3. 1816 1817 1818 Covent Garden. Covent Garden. Jun 9. Covent Garden. May Jun Jul Mar Mar Mar Mar Mar Apr Apr Hay Jun 29. 12. 9. 3. 15. 20. 22. 29- 7. 30. 30. 16. Jun 30. ^820 Oct 18. Covent Covent Covent Covent Covent Covent Covent Covent Covent Covent Covent Covent Garden Garden Garden Garden Garden * Garden., Garden Garden Garden Garden Garden Garden Covent Garden. Covent G-arden. Oct 24- Covent Garden. 1822 Jun 19. Covent Garden. Jun 24. Covent Garden. 1823 Jan 22, Jan 24. Jan 29. Apr 23- Drury Lane. Iirury .-.ane. Drury Lane. Drury Lane. * . * 209. Kemble, Pope, Miss Norton. Kemble, Young, his a H. Johnston. Ke:nble, Young, Kiss H. Johnston. Kemble, Young, Hiss Stephens. Kemble, Young, rtlfss St^k^s. Kemble, Young, Miss Foote. Booth, Young,Miss Costello. Booth, Young,Miss Costello. Booth, Young, Miss Foote. Uooth, Young, Miss Foote. Booth, Young, Miss Foote. Booth, Young, Miss Poote. Booth, Young, Miss Foote. Kemble, Young, Tdss Poote. Miss Brunton. / Hacready, Young, hiss .booth. Ch.Ke\)i>le, Ilacready, :iss Foote. Ch.Kemule, Macready, Hiss I'oote. Macready, Young, i:iss M. Tree. Macready, Young, Hiss M. Tree. Kean, Young,A Young, Lady...// K e an, Young, *. Youn^ Lady... Kean, Young, r.rs. W. West. Kean, Young, Mrs. W. "est. June 16, 181b. Parley's Benefit - a composite performance including the second act of i;yjiibel.ine. Jan ??, 24, 18?3. The Imogen identified as a Mins Williams by The Times (23.1.1823.) and Genest, (IX.185)
£ ' # •x * * * * X * 1825 1826 1627 1828 1829 1833 1837 1838 1843 Apr May May Jun Jun May Mov Nov May ,;4ay May Oct Oct May Jun Feb Feb Oct May Hay May Sep Jan Jan 28. 14. 28. 9. 2. 10. 16. 20. 10. 16, 21.- 3. 19. 23. 12. 9. 16. 17. 18. 23. 31. 26. 21. 28 Drury Lane. Drury Lane. Drury Lane. Drury Lane. Covent Garden. Drury Lane. Drury Lane. Drury Lane. Covent Garden. Covent Garden. Covent Garden. Covent Garden. Covant Garden. Drury Lane. Covent Garden. Drury Lane. Drury Lane. .Drury Lane. Covent Garden. Covent Garden. Covent Garden. Covent Garden. Drury Lane. Drury Lane. 210. Kean, Young, Mrs. ¥. West. Kean, Young, Mrs. W. West. Kean, Young, Mrs. W. West. Kean, Young, Mrs. W. Vest. Ch.Kenble, Young, Miss Foote. Macready, Wallack, Miss Foote. / Cooper, Bennett, Miss Ellen Tree. Cooper, Bennett, Miss Ellen Tree. Ch.Kemble, Young, Miss Jarman Ch.Kemble, Young, Miss Jarman Ch.Kemble, Young, Miss Jaraan Ch.Kerable, Young, i-jias Jarman Ch.Kemble, Young, Miss Jarman Macready, Cooper, Miss Foote. Ch.Kemble, Young, Miss Jarman Young, Cooper, Mas Phillips. Young, Cooper, Miss Phillips. Macready, Cooper, Miss Ellen Tree. ! ? acr eady , F'l ton , 1 i s s Helen Faueit. Kacready, I 1! ton, Miss Helen Faueit. Macready, El ton, Miss Helen Faueit. Phelps, Vandenhoff, Mss Helen Faueit. Anderson, Macready, Miss Helen Faueit. Anderson, Macready, Miss Helen Faueit. Thus bill in Birmingham Refr. Library. Genest, and bill in Shakespeare Centre give Bennett~as lachimo - Genest, IX, 334-
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"CYMBELINE" IN THE fllii^SLHi TI CE
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SYNOPSIS This thesis consists of an
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C 0 N T E N T 3 Pag« No. INTRODUCT
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i. Introduction. Theatrical critici
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they too were bound by devotion to
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century than they had been in the f
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vii. it is not always easy to ascer
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CHAPTER ONE; CYMBELIKB 1 FROM HAZLI
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artless of Shakespeare's heroines.-
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Imogen: A Literary Fantasy". Wilson
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and still return to gaze even more.
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2 volumes, 1805). From Miss More, t
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Lady-Members of the Clifton Shakesp
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and the fool diet;, having been fir
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15, resignation, with spiritual for
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17 their condition in society, and
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19, ... tie folly of Cloten is not
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in their several varieties". Oo^dPn
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23. ohip ethicr: in Homeric and ']-
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CHAPTER TWO: H^L'K• FAJCIT'.: LET
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much the actor can be allowed. The
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29. Cymbeline'a harshness, he is an
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31. after expressing many apprehens
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as to make mo feel that they entere
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35. the characters (Fosthuums is un
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37. PART TWO TF:< Lorjpoi STAGE,
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her own sex." 2 Mrs. Siddons achiev
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devoted most of its space to the sc
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4?. Feb. 12 £235.11.6 14 4,174.11.
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although the fibres for appearances
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the audience. Then at M ... the mad
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anything mad unless it "be a melanc
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£412.18.6. Kemble appeared four mo
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ii Luelus Junius Booth as Poethumua
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55. CHAPTER FOUR; VARIOUS PEiiFORHL
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Young, in short, was well suited to
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y a pensive, thoughtful cast, extre
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61. ii] on the auditor. Although th
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a new dress or two for the principl
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who were allowed to sell a specifie
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severity if we stated our real opin
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69. CHAPTER FIVE: W.C. MACREADY AS
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exceedingly generous: lachimo, a ch
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It is almost superfluous to observe
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Mr. Editor, - Your yesterday's rema
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" - he had belied a lady, The princ
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79. On the occasion of her benefit
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Garden Theatre In the British Museu
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"failed to come across"; the perfor
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Imogen Is the most remarkable part
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87. the Queen. The character would
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annoyed him: 89. Though there was n
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moderately attended. In the course
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tale of her husband's infidelity. T
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95. praises Macready's lachimo, but
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her coming at Milford Haven ... was
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99. considerable, BO great that sev
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CHAPTER SEVEN i "CYKBEL1ME" AT SADL
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The tank has been abolished; but th
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105. a lack of acquaintance with an
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107. subordinated to the Inspiratio
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She has a good conception of the pa
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conception of the part, "beautiful
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a huskiness of voice, which was a.
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We should not say that it is a play
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an arrangement favouring the serai-
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119. Imogen crosses to R., and at "
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is continued until with M 'Tis mine
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Be henceforth treacherous! Damn'd P
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125. first enter the cave together,
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exquisite proportions of this most
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129. (as performed) save the rarity
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131. great, and Mrs. Warner was obl
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133. expressed satisfaction. The At
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135. performance was unsatisfactory
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137. Between 1847 and 1864, Creswic
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139. the rival any parts at all, re
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141. at Drury Lane were regarded as
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There is something so inimitably pi
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145. The art displayed is so exquis
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Of course, some of the audience mig
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lachirao kneels to present his lett
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151. your pardon") (24). When she g
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153. he does not so manage his voic
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155. of the bell, and included in C
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CHAPTER TEN; "CYMBELINE" AT THE QUE
Page 173 and 174: 159. in burlesque." Miss Hodson did
Page 175 and 176: 161. In his account of h«r perform
Page 177 and 178: 165. So natural is he in his fiendi
Page 179 and 180: 165. simple competence or lack ther
Page 181 and 182: dignity, assuming instead the sembl
Page 183 and 184: It was in the y«ar 1853 that this
Page 185 and 186: 171. audience demanded an encore of
Page 187 and 188: 173. appeared in forty-five rolea,
Page 189 and 190: 175. Farquharson wondered whether I
Page 191 and 192: 177. Roman standard, a helmet, a sw
Page 193 and 194: 179. Richard III. James ^ave a desc
Page 195 and 196: 181. Archer is demanding a more con
Page 197 and 198: 183. Ellen Terry had given at the L
Page 199 and 200: 185. In the "Guide" Shaw also gave
Page 201 and 202: 187 to be etill verm ("What do you
Page 203 and 204: In the cop?/ sent to Shaw, Ellen Te
Page 205 and 206: 191. (vertically) Very Quiet, then
Page 207 and 208: 193. After ar. exchange of letters
Page 209 and 210: 195. was in the notorious position
Page 211 and 212: 197. dramatist Shakespeare, it "bec
Page 213 and 214: 199. Shaw means, at least in the ca
Page 215 and 216: 201. Henry James found Imogen's you
Page 217 and 218: 203. Sporting and Dramatic Neva tha
Page 219 and 220: Now whatever the Lyceum productions
Page 221 and 222: APPENDICES
Page 223: 1785 1786 1787 1792 1793 1794 1795
Page 227 and 228: 212. Nov 6. 1854 Sep 4. Sadler'a We
Page 229 and 230: ZC;;A.;G:B oy CAS^/ 214. 2 * Cooper
Page 231 and 232: 216. Cyabeline A. Payner Cloten Lac
Page 233 and 234: 218. that might have suited the Cou
Page 235 and 236: 220. obvious mannerism. The rest of
Page 237 and 238: 222. being the only exception ... /
Page 239 and 240: 224. cruelty than against himself):
Page 241 and 242: 26. Wales, the triclinium of Philar
Page 243 and 244: 228. CHARLES KFJLiJ'S "CYM;V^LIK" 3
Page 245 and 246: 230. 323a, 324b-325 and 330-332a. M
Page 247 and 248: Notas to Introductioni 231. 1. Will
Page 249 and 250: 233. 5. T.J.B. Spencer has observed
Page 251 and 252: of Victorian Sexuality, The Worm in
Page 253 and 254: 237. It la a Euphuism of imaginatio
Page 255 and 256: 239. 7. Her misgivings with regard
Page 257 and 258: 241. nature of the incident and the
Page 259 and 260: 243. I look back down the vista of
Page 261 and 262: 245. brought forth again. But nothi
Page 263 and 264: 247. and France (New Haven, 1968),
Page 265 and 266: 249. Alan S. Downer, The Eminent Tr
Page 267 and 268: 251. - this is the arrangement in p
Page 269 and 270: 253. large number of which are in t
Page 271 and 272: 255. Mowatt, Autobiography of an Ac
Page 273 and 274: Notes to Chapter Ten. 257. Suppleme
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259. 11. M.G. Day and J.C. Trewin,
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person & you*11 find yr heart beati
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263. recently by nothing more than
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265. 22. On Shaw's involvement with
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267. Before a phrase or a word Irvi
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V, 2. 2. The Field of Battle 3. 3.
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OG KAa.1! Y
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the Enthoven Collection, Victoria a
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The ivan in the Ho on Mov 1847. 274
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276. Haslet" in Shakespeare Quarter
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278. Crosse, Gordon, Shakespearian
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280. Hatton, Joseph, Reminiscences
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282. Merchant, W. Meolwyn, Shakespe
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284. Scott, Clement, The Drama of Y
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286. Vardac, A. Nicholas, Prom Stag
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