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Cymbeline - eTheses Repository - University of Birmingham

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135.<br />

performance was unsatisfactory" and concluded:<br />

... we would counsel the management not again<br />

to attempt a revival <strong>of</strong> a drama <strong>of</strong> such<br />

importance without the necessary accessories.<br />

It was generally considered that the scenic "accessories"<br />

<strong>of</strong> Marylebone productions showed remarkable extravagance on<br />

the part <strong>of</strong> the proprietor (who was, after all, secretly<br />

using the funds <strong>of</strong> the Globe Insurance Company). Davenport<br />

had written to a friend comparing American laxity with<br />

British thoroughness:<br />

We can play Shakespeare almost without a<br />

rehearsal - not so here - the actors all<br />

know and feel their responsibility. I<br />

am speaking <strong>of</strong> the genteel theatres ...<br />

Stage appointments are all here more attended<br />

to - effects <strong>of</strong> scenery more studied -<br />

the artist being for a period the director<br />

for his own purposes - then the machinist<br />

and thf-n with good acting requested by a<br />

stage manager who knows the business - you<br />

see things done well, but remove any one g<br />

<strong>of</strong> the screws - it will lame the machine.<br />

To this lavishness and ensemble, the 1&49 <strong>Cymbeline</strong> seems<br />

to have been an exception.

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