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Cymbeline - eTheses Repository - University of Birmingham

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as to make mo feel that they entered into<br />

ray conception <strong>of</strong> her beautiful nature, as<br />

I have here /the letter on Kermione7<br />

endeavoured TO present it...22 ""<br />

33.<br />

Her explanation for the emotive power <strong>of</strong> her performance<br />

<strong>of</strong> the statue scene constitutes a more explicit declaration<br />

<strong>of</strong> her relationship with the "ideal women" whom she portrayed:<br />

In Edinburgh, upon one occasion, I have been<br />

told by a friend who was present that, as I<br />

descended from the pedestal and advanced towards<br />

leontes, the audience simultaneously<br />

rose from their seats, as if drawn out <strong>of</strong> them<br />

by surprise arid reverential awe at the presence<br />

<strong>of</strong> one who bore more <strong>of</strong> heaven than <strong>of</strong> earth<br />

about her. I can only account for this by<br />

supposing that the soul <strong>of</strong> Hermione had for the<br />

time entered into mine, and "so divinely v.Tou0ht<br />

that one might almost say," with the old poet,<br />

my "body thought". Of course 1 did not observe<br />

this movement <strong>of</strong> the audience, for my imagination<br />

was too full <strong>of</strong> what I thought was then in<br />

Hermione's heart, to leave me eyes for any but<br />

Leontes.<br />

This letter was addressed to Tennyson, and it ends with this<br />

and further intimations that Mss Faucit knew as much about<br />

inspiration as any poet: but the same mixture <strong>of</strong> transcendental<br />

flummery and simple vanity informs the whole <strong>of</strong> the<br />

book. If Miss Paucit praises the gentle, womanly, ideal<br />

virtue <strong>of</strong> a character she has performed, the reader is never<br />

allowed to forget that Helen Faucit was able to perform it.<br />

Her Desdemona dies in agonised reflections on what her husband<br />

will go through when he discovers his hideous mistake, and<br />

Miss Faucit adds in a footnote to the description <strong>of</strong> Desdemona<br />

f s death Carlyle's praise <strong>of</strong> her acting -<br />

It was a great pleasure to me, when, talking<br />

with ttr. uarlyle in 1873 about Lr. Macready's<br />

revivals, which he spoke <strong>of</strong> very warmly, he<br />

referred in glowing terms to my Desdemona.<br />

Amid much else, he said he had never felt the<br />

play so deeply before. One phrase especially<br />

struck me - "It quite hurt me to see the fair,<br />

delicate creature so brutally used." Would

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