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Cymbeline - eTheses Repository - University of Birmingham

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250.<br />

In her first exclamations we trace, besides<br />

astonishment and anguish, and the acute sense<br />

<strong>of</strong> the injustice inflicted on her, a flash <strong>of</strong><br />

indignant spirit, which we did not find in<br />

Desdemona or Hermione ... /i.e. "False to his<br />

bed!" etc../... This is followed by that affecting<br />

lamentation over the falsehood and injustice <strong>of</strong><br />

her husband, in which she betrays no atom <strong>of</strong><br />

Jealousy or wounded self-love, but observes, in<br />

the extremity <strong>of</strong> her anguish, that after his lapse<br />

from truth "all good seeming would be discredited,"<br />

and then she resigns herself to his will with the<br />

most entire submission.<br />

(Shakespeare's Heroines (1879), p.226f.)<br />

15. Fletcher, pp.104f.<br />

16. Fletcher, pp.107f.<br />

17. For example, The Spectator (January 38 1843) and The<br />

Morning; Post (see Appendix B): The Athenaeum (January<br />

28) commented on "some needless omissions <strong>of</strong> dialogue".<br />

18. Helen Faucit's book is described by Shattuok as<br />

"probably used for touring in the 1840s and 50s" (p.84) -<br />

it contains cues and notes for entrances, but gives<br />

little indication <strong>of</strong> "business" - except for the<br />

difference in texts, it tells us no more than Macready's<br />

book about what went on on stage. Miss Faucit'3 version<br />

<strong>of</strong> the "awakening" speech differs from Macready's (she<br />

allows herself more lines) and though both books omit<br />

the "madded Hecuba" lines, in her commentary on the<br />

play Miss Faucit prints a version <strong>of</strong> the end <strong>of</strong> the<br />

speech which includes the a (see Part I, Chapter 2,<br />

note 19) - a version similar to that adopted by Phelps.<br />

The organisation <strong>of</strong> the first two acts can be compared<br />

in ilaeready's and Helen Faucit's version, and that <strong>of</strong><br />

Ke.able -<br />

Macready.<br />

Act I includes I, 1-5.<br />

Act II I, 6 and 7; Ii, 1.<br />

Act III. II, 2-4 (5 omitted); III, 1-5<br />

(departure <strong>of</strong> Lucius omitted)<br />

Act IV. Ill, 6 (7 omitted); IV, 1 and 2<br />

(3 omitted).<br />

Act V, IV, 4; V, 1-3 (4 omitted), 5.<br />

Faucit.<br />

Act I includes I, 1-7 (omitting 3).<br />

Act II II, 1-4 (omitting 5).<br />

Act III III, 1-3 - scene added "from<br />

Cumberland"-4. /i.e. a sequence<br />

<strong>of</strong> III, 5 (1-65), 4 then 5 (70-161)

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