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206, he ever would to the realization o f his vision <strong>of</strong> collaboration with both irring and Terry, and helped to create an Imogen very different fro:, the bishop's TJiie <strong>of</strong> midcentury im;er ;vr>e uationa.
APPENDICES
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"CYMBELINE" IN THE fllii^SLHi TI CE
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SYNOPSIS This thesis consists of an
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C 0 N T E N T 3 Pag« No. INTRODUCT
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i. Introduction. Theatrical critici
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they too were bound by devotion to
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century than they had been in the f
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vii. it is not always easy to ascer
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CHAPTER ONE; CYMBELIKB 1 FROM HAZLI
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artless of Shakespeare's heroines.-
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Imogen: A Literary Fantasy". Wilson
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and still return to gaze even more.
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2 volumes, 1805). From Miss More, t
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Lady-Members of the Clifton Shakesp
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and the fool diet;, having been fir
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15, resignation, with spiritual for
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17 their condition in society, and
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19, ... tie folly of Cloten is not
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in their several varieties". Oo^dPn
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23. ohip ethicr: in Homeric and ']-
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CHAPTER TWO: H^L'K• FAJCIT'.: LET
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much the actor can be allowed. The
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29. Cymbeline'a harshness, he is an
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31. after expressing many apprehens
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as to make mo feel that they entere
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35. the characters (Fosthuums is un
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37. PART TWO TF:< Lorjpoi STAGE,
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her own sex." 2 Mrs. Siddons achiev
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devoted most of its space to the sc
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4?. Feb. 12 £235.11.6 14 4,174.11.
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although the fibres for appearances
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the audience. Then at M ... the mad
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anything mad unless it "be a melanc
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£412.18.6. Kemble appeared four mo
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ii Luelus Junius Booth as Poethumua
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55. CHAPTER FOUR; VARIOUS PEiiFORHL
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Young, in short, was well suited to
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y a pensive, thoughtful cast, extre
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61. ii] on the auditor. Although th
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a new dress or two for the principl
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who were allowed to sell a specifie
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severity if we stated our real opin
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69. CHAPTER FIVE: W.C. MACREADY AS
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exceedingly generous: lachimo, a ch
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It is almost superfluous to observe
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Mr. Editor, - Your yesterday's rema
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" - he had belied a lady, The princ
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79. On the occasion of her benefit
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Garden Theatre In the British Museu
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"failed to come across"; the perfor
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Imogen Is the most remarkable part
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87. the Queen. The character would
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annoyed him: 89. Though there was n
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moderately attended. In the course
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tale of her husband's infidelity. T
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95. praises Macready's lachimo, but
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her coming at Milford Haven ... was
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99. considerable, BO great that sev
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CHAPTER SEVEN i "CYKBEL1ME" AT SADL
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The tank has been abolished; but th
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105. a lack of acquaintance with an
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107. subordinated to the Inspiratio
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She has a good conception of the pa
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conception of the part, "beautiful
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a huskiness of voice, which was a.
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We should not say that it is a play
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an arrangement favouring the serai-
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119. Imogen crosses to R., and at "
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is continued until with M 'Tis mine
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Be henceforth treacherous! Damn'd P
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125. first enter the cave together,
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exquisite proportions of this most
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129. (as performed) save the rarity
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131. great, and Mrs. Warner was obl
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133. expressed satisfaction. The At
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135. performance was unsatisfactory
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137. Between 1847 and 1864, Creswic
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139. the rival any parts at all, re
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141. at Drury Lane were regarded as
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There is something so inimitably pi
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145. The art displayed is so exquis
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Of course, some of the audience mig
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lachirao kneels to present his lett
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151. your pardon") (24). When she g
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153. he does not so manage his voic
Page 169 and 170: 155. of the bell, and included in C
Page 171 and 172: CHAPTER TEN; "CYMBELINE" AT THE QUE
Page 173 and 174: 159. in burlesque." Miss Hodson did
Page 175 and 176: 161. In his account of h«r perform
Page 177 and 178: 165. So natural is he in his fiendi
Page 179 and 180: 165. simple competence or lack ther
Page 181 and 182: dignity, assuming instead the sembl
Page 183 and 184: It was in the y«ar 1853 that this
Page 185 and 186: 171. audience demanded an encore of
Page 187 and 188: 173. appeared in forty-five rolea,
Page 189 and 190: 175. Farquharson wondered whether I
Page 191 and 192: 177. Roman standard, a helmet, a sw
Page 193 and 194: 179. Richard III. James ^ave a desc
Page 195 and 196: 181. Archer is demanding a more con
Page 197 and 198: 183. Ellen Terry had given at the L
Page 199 and 200: 185. In the "Guide" Shaw also gave
Page 201 and 202: 187 to be etill verm ("What do you
Page 203 and 204: In the cop?/ sent to Shaw, Ellen Te
Page 205 and 206: 191. (vertically) Very Quiet, then
Page 207 and 208: 193. After ar. exchange of letters
Page 209 and 210: 195. was in the notorious position
Page 211 and 212: 197. dramatist Shakespeare, it "bec
Page 213 and 214: 199. Shaw means, at least in the ca
Page 215 and 216: 201. Henry James found Imogen's you
Page 217 and 218: 203. Sporting and Dramatic Neva tha
Page 219: Now whatever the Lyceum productions
Page 223 and 224: 1785 1786 1787 1792 1793 1794 1795
Page 225 and 226: £ ' # •x * * * * X * 1825 1826 1
Page 227 and 228: 212. Nov 6. 1854 Sep 4. Sadler'a We
Page 229 and 230: ZC;;A.;G:B oy CAS^/ 214. 2 * Cooper
Page 231 and 232: 216. Cyabeline A. Payner Cloten Lac
Page 233 and 234: 218. that might have suited the Cou
Page 235 and 236: 220. obvious mannerism. The rest of
Page 237 and 238: 222. being the only exception ... /
Page 239 and 240: 224. cruelty than against himself):
Page 241 and 242: 26. Wales, the triclinium of Philar
Page 243 and 244: 228. CHARLES KFJLiJ'S "CYM;V^LIK" 3
Page 245 and 246: 230. 323a, 324b-325 and 330-332a. M
Page 247 and 248: Notas to Introductioni 231. 1. Will
Page 249 and 250: 233. 5. T.J.B. Spencer has observed
Page 251 and 252: of Victorian Sexuality, The Worm in
Page 253 and 254: 237. It la a Euphuism of imaginatio
Page 255 and 256: 239. 7. Her misgivings with regard
Page 257 and 258: 241. nature of the incident and the
Page 259 and 260: 243. I look back down the vista of
Page 261 and 262: 245. brought forth again. But nothi
Page 263 and 264: 247. and France (New Haven, 1968),
Page 265 and 266: 249. Alan S. Downer, The Eminent Tr
Page 267 and 268: 251. - this is the arrangement in p
Page 269 and 270: 253. large number of which are in t
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255. Mowatt, Autobiography of an Ac
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Notes to Chapter Ten. 257. Suppleme
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259. 11. M.G. Day and J.C. Trewin,
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person & you*11 find yr heart beati
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263. recently by nothing more than
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265. 22. On Shaw's involvement with
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267. Before a phrase or a word Irvi
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V, 2. 2. The Field of Battle 3. 3.
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OG KAa.1! Y
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the Enthoven Collection, Victoria a
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The ivan in the Ho on Mov 1847. 274
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276. Haslet" in Shakespeare Quarter
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278. Crosse, Gordon, Shakespearian
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280. Hatton, Joseph, Reminiscences
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282. Merchant, W. Meolwyn, Shakespe
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284. Scott, Clement, The Drama of Y
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286. Vardac, A. Nicholas, Prom Stag
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