Cymbeline - eTheses Repository - University of Birmingham

More documents

Recommendations

Info

Sunday Monitor Jan 26 1823. 275. Sunday Times Jan 26 1823, Nov 4 1849, May 21 1837, Apr 7 1872, Sep 30 1838, Dec 8 1878, Aug 29 1847, Sep 27 1896. Tallis's Dramatic Magazine May 1851 The Theatre Oct 1896. Theatrical Sxaminer May 11 1826. Theatrical Journal Oct 19 1864, Nov 23 1864. Theatrical Observer May 1823. Theatrical Times Aug 28 1847, Mar 17 1849. Times Sep 29 1802, Jan 30 1803, Sep 22 1807, Jun 2 1817, I-Iar 17 1817, Oct 19 1820, Jun 25 1822, Jan 23 1823, Sep 27 1838, Aug 25 1847, Oct 20 1864, Apr 2 1872, Sep 23 1B96. Truth Aug 16 1877. The World Sep 30 1896, Oct 7 1896. C. Other Secondary Material. Archer, William, "Ophelia and Portia: A Fable for Critics" in The Theatre, n.s. VI (July 1, 1885) 17-27. __——— The Theatrical "World" of 1896 (1897). Armstrong, William A., "Bernard Shaw and Forbes-Robertson's
276. Haslet" in Shakespeare Quarterly XV. 1 (1964) 27-31. Babcock, R.V., "William Richardson's Criticism of Shakespeare" in J.E.G.P.XXVIII (Jan.1929) 117-136. ————— The genesis of Shakespeare Idolatry (New York 1964: first published 1931). Bablet, Denis, Edward Gordon Crais;. translated by Daphne Woodward (1966). Baker, Kerschel, John Philip Kernble. the Actor in his Theatre Cambridge, Maos. 1942). Barnes, Eric Wollencott, Anna Cora, the life and Theatre of Anna Cora Howatt (1954). /Beckford, William/, Modern Novel-Writing, or The Elegant Enthusiast; and Interesting Emotions of ...Arabella BlopiBYiile. A Rhapsodical Romance; interspersed with Poetry... by the right hon. Lady Harriet Marlov (2 vols 1796). Beerbohm, Max, More Theatres, with an Introduction by Rupert Hart-Davis (1969). Bell, John (editor and publisher) Bell's edition of Shake3UPares Plays, as they are now performed at the Theatres Royal in London ... with Motes Critical and Illustrative by the Author of the Dramatic Censor (8 vols 1774). /CymbelineT in Volume II, pp.231-311^.7 Blanchard, B.L., The Life and .Reminiscences of E.L. Blanchard. edited by Clement Scott and Cecil Howard (2 vols 1891). Boaden, James, Memoirs of the Life of John Philip Kemble.esq. including a History of the Stage from the Time of Grarrick to the Present Period (2 vols 1825). Bond, u Warwick, "Cymbeline at the Lyceum" in The Fortnightly Review, n.s. number 359 (tfov.1896) pp.635-647. Booth, Charles, Charles Booth's London, edited by Albert i;'ried and Richard Elman, with a Foreword by Raymond ''"illiatns (Harmondsworth 1971). jirereton, Austin, The Lyceum and Henry Irving (1903). jrockbank, J.P., "uistory and Histrionics in Cymbeline" in Shakespeare Survey 11 (Cambridge 1958) pp.42-48.
Page 1 and 2:
"CYMBELINE" IN THE fllii^SLHi TI CE
Page 3 and 4:
SYNOPSIS This thesis consists of an
Page 5 and 6:
C 0 N T E N T 3 Pag« No. INTRODUCT
Page 7 and 8:
i. Introduction. Theatrical critici
Page 9 and 10:
they too were bound by devotion to
Page 11 and 12:
century than they had been in the f
Page 13 and 14:
vii. it is not always easy to ascer
Page 15 and 16:
CHAPTER ONE; CYMBELIKB 1 FROM HAZLI
Page 17 and 18:
artless of Shakespeare's heroines.-
Page 19 and 20:
Imogen: A Literary Fantasy". Wilson
Page 21 and 22:
and still return to gaze even more.
Page 23 and 24:
2 volumes, 1805). From Miss More, t
Page 25 and 26:
Lady-Members of the Clifton Shakesp
Page 27 and 28:
and the fool diet;, having been fir
Page 29 and 30:
15, resignation, with spiritual for
Page 31 and 32:
17 their condition in society, and
Page 33 and 34:
19, ... tie folly of Cloten is not
Page 35 and 36:
in their several varieties". Oo^dPn
Page 37 and 38:
23. ohip ethicr: in Homeric and ']-
Page 39 and 40:
CHAPTER TWO: H^L'K• FAJCIT'.: LET
Page 41 and 42:
much the actor can be allowed. The
Page 43 and 44:
29. Cymbeline'a harshness, he is an
Page 45 and 46:
31. after expressing many apprehens
Page 47 and 48:
as to make mo feel that they entere
Page 49 and 50:
35. the characters (Fosthuums is un
Page 51 and 52:
37. PART TWO TF:< Lorjpoi STAGE,
Page 53 and 54:
her own sex." 2 Mrs. Siddons achiev
Page 55 and 56:
devoted most of its space to the sc
Page 57 and 58:
4?. Feb. 12 £235.11.6 14 4,174.11.
Page 59 and 60:
although the fibres for appearances
Page 61 and 62:
the audience. Then at M ... the mad
Page 63 and 64:
anything mad unless it "be a melanc
Page 65 and 66:
£412.18.6. Kemble appeared four mo
Page 67 and 68:
ii Luelus Junius Booth as Poethumua
Page 69 and 70:
55. CHAPTER FOUR; VARIOUS PEiiFORHL
Page 71 and 72:
Young, in short, was well suited to
Page 73 and 74:
y a pensive, thoughtful cast, extre
Page 75 and 76:
61. ii] on the auditor. Although th
Page 77 and 78:
a new dress or two for the principl
Page 79 and 80:
who were allowed to sell a specifie
Page 81 and 82:
severity if we stated our real opin
Page 83 and 84:
69. CHAPTER FIVE: W.C. MACREADY AS
Page 85 and 86:
exceedingly generous: lachimo, a ch
Page 87 and 88:
It is almost superfluous to observe
Page 89 and 90:
Mr. Editor, - Your yesterday's rema
Page 91 and 92:
" - he had belied a lady, The princ
Page 93 and 94:
79. On the occasion of her benefit
Page 95 and 96:
Garden Theatre In the British Museu
Page 97 and 98:
"failed to come across"; the perfor
Page 99 and 100:
Imogen Is the most remarkable part
Page 101 and 102:
87. the Queen. The character would
Page 103 and 104:
annoyed him: 89. Though there was n
Page 105 and 106:
moderately attended. In the course
Page 107 and 108:
tale of her husband's infidelity. T
Page 109 and 110:
95. praises Macready's lachimo, but
Page 111 and 112:
her coming at Milford Haven ... was
Page 113 and 114:
99. considerable, BO great that sev
Page 115 and 116:
CHAPTER SEVEN i "CYKBEL1ME" AT SADL
Page 117 and 118:
The tank has been abolished; but th
Page 119 and 120:
105. a lack of acquaintance with an
Page 121 and 122:
107. subordinated to the Inspiratio
Page 123 and 124:
She has a good conception of the pa
Page 125 and 126:
conception of the part, "beautiful
Page 127 and 128:
a huskiness of voice, which was a.
Page 129 and 130:
We should not say that it is a play
Page 131 and 132:
an arrangement favouring the serai-
Page 133 and 134:
119. Imogen crosses to R., and at "
Page 135 and 136:
is continued until with M 'Tis mine
Page 137 and 138:
Be henceforth treacherous! Damn'd P
Page 139 and 140:
125. first enter the cave together,
Page 141 and 142:
exquisite proportions of this most
Page 143 and 144:
129. (as performed) save the rarity
Page 145 and 146:
131. great, and Mrs. Warner was obl
Page 147 and 148:
133. expressed satisfaction. The At
Page 149 and 150:
135. performance was unsatisfactory
Page 151 and 152:
137. Between 1847 and 1864, Creswic
Page 153 and 154:
139. the rival any parts at all, re
Page 155 and 156:
141. at Drury Lane were regarded as
Page 157 and 158:
There is something so inimitably pi
Page 159 and 160:
145. The art displayed is so exquis
Page 161 and 162:
Of course, some of the audience mig
Page 163 and 164:
lachirao kneels to present his lett
Page 165 and 166:
151. your pardon") (24). When she g
Page 167 and 168:
153. he does not so manage his voic
Page 169 and 170:
155. of the bell, and included in C
Page 171 and 172:
CHAPTER TEN; "CYMBELINE" AT THE QUE
Page 173 and 174:
159. in burlesque." Miss Hodson did
Page 175 and 176:
161. In his account of h«r perform
Page 177 and 178:
165. So natural is he in his fiendi
Page 179 and 180:
165. simple competence or lack ther
Page 181 and 182:
dignity, assuming instead the sembl
Page 183 and 184:
It was in the y«ar 1853 that this
Page 185 and 186:
171. audience demanded an encore of
Page 187 and 188:
173. appeared in forty-five rolea,
Page 189 and 190:
175. Farquharson wondered whether I
Page 191 and 192:
177. Roman standard, a helmet, a sw
Page 193 and 194:
179. Richard III. James ^ave a desc
Page 195 and 196:
181. Archer is demanding a more con
Page 197 and 198:
183. Ellen Terry had given at the L
Page 199 and 200:
185. In the "Guide" Shaw also gave
Page 201 and 202:
187 to be etill verm ("What do you
Page 203 and 204:
In the cop?/ sent to Shaw, Ellen Te
Page 205 and 206:
191. (vertically) Very Quiet, then
Page 207 and 208:
193. After ar. exchange of letters
Page 209 and 210:
195. was in the notorious position
Page 211 and 212:
197. dramatist Shakespeare, it "bec
Page 213 and 214:
199. Shaw means, at least in the ca
Page 215 and 216:
201. Henry James found Imogen's you
Page 217 and 218:
203. Sporting and Dramatic Neva tha
Page 219 and 220:
Now whatever the Lyceum productions
Page 221 and 222:
APPENDICES
Page 223 and 224:
1785 1786 1787 1792 1793 1794 1795
Page 225 and 226:
£ ' # •x * * * * X * 1825 1826 1
Page 227 and 228:
212. Nov 6. 1854 Sep 4. Sadler'a We
Page 229 and 230:
ZC;;A.;G:B oy CAS^/ 214. 2 * Cooper
Page 231 and 232:
216. Cyabeline A. Payner Cloten Lac
Page 233 and 234:
218. that might have suited the Cou
Page 235 and 236:
220. obvious mannerism. The rest of
Page 237 and 238:
222. being the only exception ... /
Page 239 and 240:
224. cruelty than against himself):
Page 241 and 242: 26. Wales, the triclinium of Philar
Page 243 and 244: 228. CHARLES KFJLiJ'S "CYM;V^LIK" 3
Page 245 and 246: 230. 323a, 324b-325 and 330-332a. M
Page 247 and 248: Notas to Introductioni 231. 1. Will
Page 249 and 250: 233. 5. T.J.B. Spencer has observed
Page 251 and 252: of Victorian Sexuality, The Worm in
Page 253 and 254: 237. It la a Euphuism of imaginatio
Page 255 and 256: 239. 7. Her misgivings with regard
Page 257 and 258: 241. nature of the incident and the
Page 259 and 260: 243. I look back down the vista of
Page 261 and 262: 245. brought forth again. But nothi
Page 263 and 264: 247. and France (New Haven, 1968),
Page 265 and 266: 249. Alan S. Downer, The Eminent Tr
Page 267 and 268: 251. - this is the arrangement in p
Page 269 and 270: 253. large number of which are in t
Page 271 and 272: 255. Mowatt, Autobiography of an Ac
Page 273 and 274: Notes to Chapter Ten. 257. Suppleme
Page 275 and 276: 259. 11. M.G. Day and J.C. Trewin,
Page 277 and 278: person & you*11 find yr heart beati
Page 279 and 280: 263. recently by nothing more than
Page 281 and 282: 265. 22. On Shaw's involvement with
Page 283 and 284: 267. Before a phrase or a word Irvi
Page 285 and 286: V, 2. 2. The Field of Battle 3. 3.
Page 287 and 288: OG KAa.1! Y
Page 289 and 290: the Enthoven Collection, Victoria a
Page 291: The ivan in the Ho on Mov 1847. 274
Page 295 and 296: 278. Crosse, Gordon, Shakespearian
Page 297 and 298: 280. Hatton, Joseph, Reminiscences
Page 299 and 300: 282. Merchant, W. Meolwyn, Shakespe
Page 301 and 302: 284. Scott, Clement, The Drama of Y
Page 303: 286. Vardac, A. Nicholas, Prom Stag
show all

Cymbeline - eTheses Repository - University of Birmingham

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?