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NIGHT Old Furniture-cumbrous and mean! It is not, has not ever been Of use to me-why here? because 11y father's furniture it was! ~OId Roll; and here it still remains, !'t;ld soiled with smoke, its very stains •• fight count how many a year the light ~a.th, from this desk, through the dead night, urn'd in its sad lamp, nothing bright! ~'Twere better did I dissipate, Long since, my little means, than be Crushed down and cumbered with its weight: ~l that thy fathers leave to thee, C t once ENJOY it-thus alone an man make anything his own; ~ hindrance all that we employ not '" burden all that we enjoy not. ~ knows, who rightly estimates, .uat what the moment can employ, ~hat it requires and can enjoy, ·ue MOMENT for itself creates. What can it be, that thither draws ~~e eye, and holds it there, as though e flask a very magnet were 1 ~~ whence, oh, whence this lavish glow, l? IS lustre of enchanted light, .... ?ur'd down at once, and everywhere .olrth of the moment-like the flood ~f splendour round us, when at night reathes moonlight o.er a wide wood? 1I Oh phial I-happy phial I-here 'rb pe 18,-1 greet thee,-I revere IS .ee as Art's best result-in Thee E;c1ence and Mind triumphant see,- IS S~e.nce of all sweet slumber· dews ! "lfIlt of nll most delicate A. et deadliest powers I-be thou my friend ~ue friend-thou wilt not refuse e own old master this !-I gaze G ©Biblioteca Nacional de Colombia 81
82 FAUST On thee-the pain subsides-the weight That pressed me down less heavy weighs. I grasp thee-faithful friend art thou: Already do I feel the strife That preyed upon my powers of life Calmed into peace; and now-a.nd now The swell, that troubled the clear spring Of my vext spirit, ebbs away; Outspread, like ocean, Life and Day Shine with a glow of welcoming ;- Calm at my feet the glorious mirror lies, And tempts to far-off shores, with smiles from other skies ! And, lo! a car of fire to me Glides softly hither; from within Come winged impulses, to bear The child of earth to freer air: Already do I seem to win My happy course, from bondage free, On paths unknown, to climes unknown Glad spheres of pure activity! Powers yet unfelt-worlds yet untrod And life, poured everywhere abroad, And rapture worthy of a God! -Worm that thou art, and can it be Such joy is thine, is given to thee? Determine only,-'tis thy own; Say thy firm farewell to the sun, The kindly sun-its smiling earth- One moment, one,-and all is done. One pang-then comes the second birth! -Find life where others fear to die; Take measure of thy strength, and burat Burst wide the gate of liberty; -Show, by man's acts man's spirit durst Meet God's own eye, and wax not dim ; Stand fearless, face to face with Him! Shudder not now at that blank cave Where, in sclf-t{)rturing disease, ©Biblioteca Nacional de Colombia
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©Biblioteca Nacional de Colombia
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.... - OXFORD: HORAOE HART PRINTER
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Born, Canterbury Died, Deptford . C
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vi INTRODUCTION medium of the Engli
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viii INTRODUCTION of himself and of
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INTRODUCTION of later Jewish litera
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xii INTRODUCTION of its significanc
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xiv INTRODUCTION acoording to his o
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::S:Vl INTRODUCTION his version of
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xviii INTRODUCTION he was not-there
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xx ~TRODUCTIO~ version, exhibit unm
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xxii INTRODUCTION through the world
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xxii INTRODUCTION through the world
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xxiv INTRODUCTION most precious and
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xxvi INTRODUCTION And for a. long t
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xxviii INTRODUCTION ingly nowadays
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xxx INTRODUCTION notes by Dr. Karl
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THE TRAGICAL HISTORY OF DOCTOR FAUS
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THE TRAGICAL HISTORY OF DOCTOR FAUS
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SCENE I And universal body of the l
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SCENE I To pradise magic and concea
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SCENE II. BEFORE FAUSTUS'S HOUSE En
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SCENE III 11 Jehovae I Ignei, aerii
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SCENE III Am not tormented with ten
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SCENE IV 15 WAGNER. Well, do you he
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SCENE V 17 GOOD ANGEL. art. FAUSTUS
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SCENE V lD Be-enter MEPRISTOPRILlS
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SCENE V 21 Wherein thou hast given
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SCENE VI 23 GOOD ANGEL. thee. EVIL
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SCENE VI 25 Re·enter Good Angel an
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SCENE VI 27 FAUSTUS. Away, envious
Page 63 and 64: SCENE VII Thorough a rock of stone,
Page 65 and 66: SCENE VII 31 I give you fair warnin
Page 67 and 68: SCENE VIII 33 nALPH. Why, Robin, "W
Page 69 and 70: SCENE IX From Constantinople am I h
Page 71 and 72: SCENE X 37 grace, in that manner th
Page 73 and 74: SCENE XI 39 BORSE·COURSER. Do you
Page 75 and 76: SCENE XI 41 MEPIDSTOPHILIS. Be gone
Page 77 and 78: 43 SCENE XIII A ROOM IN THE HOUSE O
Page 79 and 80: SCENE XlII 45 OLD MAN. I go, sweet
Page 81 and 82: 47 SCENE XIV. THE SAME Enter FAUSTU
Page 83 and 84: SCE~E XIV Fair Nature's eyE', rise,
Page 85 and 86: GOETHE'S FAUST PART I TRANSLATED BY
Page 87 and 88: DEDICATION Again it comes! a long u
Page 89 and 90: 50 FAUST How I delight to see the p
Page 91 and 92: 58 FAUST And he who gives one is a
Page 93 and 94: 60 FAtJST Restore the dissonant to
Page 95 and 96: 62 FAUST Give me, oh! give youth's
Page 97 and 98: · 64 PROLOGUE IN HEA YEN TilE LORD
Page 99 and 100: 66 FAUST Child though he be of huma
Page 102 and 103: NIGHT Deep truths, to others unreve
Page 104 and 105: NIGHT The tumults of my soul are st
Page 106 and 107: NIGHT Rolled and unrolled. In crims
Page 108 and 109: NIGHT ';5 [Enter WAGNER in his dres
Page 110 and 111: NIGHT A lumber-room of dusty docume
Page 112 and 113: NIGHT 79 We seize what this world g
Page 116 and 117: NIGHT Pale Fancy hears sad Spirits
Page 118 and 119: NIGHT Chorus of Angels. The Lord ha
Page 120 and 121: 87 BEFORE THE GATE Persons of all d
Page 122 and 123: BEFORE THE GATE SECOND CITIZEN. or
Page 124 and 125: BEFORE THE GATE Look, only look, wi
Page 126 and 127: BEFORE THE GATE Of the black sickne
Page 128 and 129: DEFDRE THE GATE What you have from
Page 130 and 131: BEFORE THE GATE A living stream, th
Page 132 and 133: 99 FAUST'S STUDY Enter FAUST, with
Page 134 and 135: FAUST'S STUDY But can what I see be
Page 136 and 137: FAUST'S STUDY 103 If thou be a serf
Page 138 and 139: FAUST'S STUDY 105 ~y proper element
Page 140 and 141: FAUST'S STUDY 107 Choose, and the r
Page 142 and 143: FAUST'S STUDY In breezy air streami
Page 144 and 145: III FAUST'S STUDY FAUST-IY!EPHISTOP
Page 146 and 147: FAUST'S STUDY 113 And the old music
Page 148 and 149: FAUST'S STUDY U5 Cheerfully-from th
Page 150 and 151: FAUST'S STUDY 117 A?d hail the happ
Page 152 and 153: FAUST'S STUDY In the impenetrable c
Page 154 and 155: FAUST'S STUDY 121 .A~d all that his
Page 156 and 157: FAUST'S STUDY The withered spirit s
Page 158 and 159: FAUST'S STUDY ~or days and days you
Page 160 and 161: FAUST'S STUDY 127 STUDENT. This, si
Page 162 and 163: FAUST'S STUDY -;;:.You are well mad
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131 AUERBACH'S CELLAR IN LEIPZIG SE
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AUERBACH'S CELLAR 133 Gentlemen, I
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AUERBACH'S CELLAR 135 FROSCH. You'r
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AUERBACH'S CELLAR 137 And as he set
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AUERBACH'S CELLAR 139 ALTMAYER. No,
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AUERBACH'S CELLAR 141 BRANDER. See
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WITCH'S KITCHEN 143 Meats, simple,
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WITCH'S KITCHEN 145 MEPHISTOPHELES.
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WITCH'S KITCHEN 147 Let but your ow
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WITCH'S KITCHEN 149 THE WITCH. Sata
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WITCH'S KITCHEN Now be The square o
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WITCH'S KITCHEN 153 Fair form -too
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THE STREET And to your will the sof
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A NEAT LITTLE ROOM 157 Receive me,
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A NEAT LITTLE ROOM 159 Come-corne-w
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161 PROMENADE FAUST walking up and
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PROMENADE 163 ~o~s nothing-knows no
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THE NEIGHBOUR'S HOUSE 165 To Martha
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THE NEIGHBOUR'S HOUSE 167 The rotti
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THE NEIGHBOUR'S HOUSE 169 MEPIDSTOP
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THE STREET And that enigma, man's m
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THE GARDEN 173 This idle roaming ro
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FAUST. MARGARET. THE GARDEN 175 Thi
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THE GARDEN 177 FAUST. Angelic creat
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FOREST AND CAVERN 179 Thy presence-
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FOREST AND CAVERN 181 Wouldst grudg
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FOREST AND CAVERN 183 With Bwelling
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MARGARET'S OWN ROOM 185 My peace is
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MARTHA'S GARDEN 187 FAUST. What do
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MARTHA'S GARDEN 189 The women fancy
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AT THE WELL 191 Now for the stool a
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A LITTLE SHRINE Into my chamber bri
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BEFORE MARGARET'S DOOR 195 And will
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BEFORE MARGARET'S DOOR 197 PEOPLE.
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CATHEDRAL 199 Didst come, and from
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W ALPURGIS NIGHT 201 The road is lo
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WALPURGIS NIGHT How the song of ech
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W ALPURGIS NIGHT 205 Wild work is o
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W ALPURGIS NIGHT 207 CHORUS OF WITC
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WALPURGIS NIGHT 209 Hopelessly I st
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WALPURGIS NIGHT 211 Well now, what
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W ALPURGIS NIGHT 213 Poor things! p
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W ALPURGIS NIGHT 215 What means the
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WALPURGIS NIGHT 217 Who sa.ng so lo
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W ALPURGIS NIGHT'S DREAM: 221 INQUI
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WALPURGIS NIGHT'S DREAM 225 SHREWD
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A GLOOMY DAY 227 have sunk into the
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PRISON 229 And is to die because sh
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PRL'30N 231 'Tis he, 'tis he-my pan
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PRISON What good is it to fly? lily
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PRISON 235 MEPHISTOPHELES (to FAUST
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The World's Classics (SIZE 6 x 4 IN
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The World's Classics List of Titles
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The World's Classics List of Titles
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©Biblioteca Nacional de Colombia

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