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A GLOOMY DAY 227 have sunk into the depths of this distress-that the first should not have suffered enough in her agonizing tortures to secure the atonement of ali the rest before the eyes of the All·merciful! I feel marrow and life harrowed up by the misery of this one-only this one! thou art grinning calmJy over the fate of thousands ! MEPHISTOPHELES. At our wits' end we are again, it would seem, already-just where you mortals find the overstrained faculties snap. Why seek our society, if you cannot go through with it? Think of flying, and yet art not proof against dizziness! Did we force ourselves upon thee? or thou thyself upon us ? FAUST. Show not thy thirsty teeth thus defyingly - I loathe thee. Great, glorious Spirit! thou who didst deign to appear to me, thou who knowest my very heart and soul, why hast thou chained me with this companion who feeds on mischief, and battens on destruction ? MEPHISTOPHELES. Are you done? FAUST. Save her, or woe to thee! The most horrible curse on thee for thousands of years. MEPHISTOPHELES. I cannot loosen the avenger's fetters-I cannot open his bolts. Save her! Who was it that threw her into ruin-lor thou? [FA.UST looks wildly around. Art thou grasping for the thunder? Weli, that it has not been given to you wretched mortals! To dash to pieces one who stands in your way, however innocent -that is just the tyrant's way of rescuing himself in every perplexity. FAUST. Take me thither-she shall be free! MEPHISTOPHELES. 'l'he danger to which you expose yourself-have you thought of that? The guilt of blood shed by your hand still lies on the town. Over the place where the murder was committed avenging spirits are hovering and watching for the returning murderer. FAUST. That, too, and from thee? Murder and death of a world upon thee, monster! Take me thither, I say, and set her at liberty. Q2 ©Biblioteca Nacional de Colombia
228 FAUST MEPHISTOPHELES. I will,-and all I can do I will. What that all is, listen till I tell you. Have I all power in heaven and on earth? I will cloud the gaoler's senses. Do you possess yourself of the keys, and carry her off with human hand. Meanwhile I watch; the magic horses are ready, and I take you away. Tbis much I can do. FAUST. Up and away! NIGHT.-OPEN PLAIN FAUST and MEPHISTOPHELES rushing along on black horses. FAUST. What are the figures near the gibbet doing? Weaving, 'twould seem! MEPHISTOPHELES. No-rather boiling, brewing Some filthy broth-mumbling some incantation. FAUST. East they move, and ",est they move-noW kneel, now bend down in prostration. MEPHISTOPHELES. Witches worshipping their master. FAUST. They scatter something on the earth, and now seem pouring a libation- They sprinkle something in the air. MEPHISTOPHELES. Forward! forward! - faster! faster! PRISON FAUST (with a bunch 0/ keys and a lamp, be/ore an ir(jl~ wicket). 'Tis many a day since I have trembled thus. Misery on misery heaped-a beary burden, More than man can endure, has "'eigbed me down. And bere within these damp walls doth she live, ©Biblioteca Nacional de Colombia
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©Biblioteca Nacional de Colombia
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.... - OXFORD: HORAOE HART PRINTER
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Born, Canterbury Died, Deptford . C
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vi INTRODUCTION medium of the Engli
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viii INTRODUCTION of himself and of
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INTRODUCTION of later Jewish litera
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xii INTRODUCTION of its significanc
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xiv INTRODUCTION acoording to his o
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::S:Vl INTRODUCTION his version of
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xviii INTRODUCTION he was not-there
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xx ~TRODUCTIO~ version, exhibit unm
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xxii INTRODUCTION through the world
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xxii INTRODUCTION through the world
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xxiv INTRODUCTION most precious and
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xxvi INTRODUCTION And for a. long t
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xxviii INTRODUCTION ingly nowadays
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xxx INTRODUCTION notes by Dr. Karl
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THE TRAGICAL HISTORY OF DOCTOR FAUS
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THE TRAGICAL HISTORY OF DOCTOR FAUS
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SCENE I And universal body of the l
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SCENE I To pradise magic and concea
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SCENE II. BEFORE FAUSTUS'S HOUSE En
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SCENE III 11 Jehovae I Ignei, aerii
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SCENE III Am not tormented with ten
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SCENE IV 15 WAGNER. Well, do you he
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SCENE V 17 GOOD ANGEL. art. FAUSTUS
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SCENE V lD Be-enter MEPRISTOPRILlS
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SCENE V 21 Wherein thou hast given
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SCENE VI 23 GOOD ANGEL. thee. EVIL
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SCENE VI 25 Re·enter Good Angel an
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SCENE VI 27 FAUSTUS. Away, envious
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SCENE VII Thorough a rock of stone,
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SCENE VII 31 I give you fair warnin
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SCENE VIII 33 nALPH. Why, Robin, "W
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SCENE IX From Constantinople am I h
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SCENE X 37 grace, in that manner th
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SCENE XI 39 BORSE·COURSER. Do you
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SCENE XI 41 MEPIDSTOPHILIS. Be gone
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43 SCENE XIII A ROOM IN THE HOUSE O
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SCENE XlII 45 OLD MAN. I go, sweet
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47 SCENE XIV. THE SAME Enter FAUSTU
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SCE~E XIV Fair Nature's eyE', rise,
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GOETHE'S FAUST PART I TRANSLATED BY
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DEDICATION Again it comes! a long u
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50 FAUST How I delight to see the p
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58 FAUST And he who gives one is a
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60 FAtJST Restore the dissonant to
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62 FAUST Give me, oh! give youth's
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· 64 PROLOGUE IN HEA YEN TilE LORD
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66 FAUST Child though he be of huma
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NIGHT Deep truths, to others unreve
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NIGHT The tumults of my soul are st
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NIGHT Rolled and unrolled. In crims
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NIGHT ';5 [Enter WAGNER in his dres
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NIGHT A lumber-room of dusty docume
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NIGHT 79 We seize what this world g
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NIGHT Old Furniture-cumbrous and me
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NIGHT Pale Fancy hears sad Spirits
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NIGHT Chorus of Angels. The Lord ha
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87 BEFORE THE GATE Persons of all d
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BEFORE THE GATE SECOND CITIZEN. or
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BEFORE THE GATE Look, only look, wi
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BEFORE THE GATE Of the black sickne
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DEFDRE THE GATE What you have from
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BEFORE THE GATE A living stream, th
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99 FAUST'S STUDY Enter FAUST, with
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FAUST'S STUDY But can what I see be
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FAUST'S STUDY 103 If thou be a serf
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FAUST'S STUDY 105 ~y proper element
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FAUST'S STUDY 107 Choose, and the r
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FAUST'S STUDY In breezy air streami
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III FAUST'S STUDY FAUST-IY!EPHISTOP
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FAUST'S STUDY 113 And the old music
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FAUST'S STUDY U5 Cheerfully-from th
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FAUST'S STUDY 117 A?d hail the happ
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FAUST'S STUDY In the impenetrable c
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FAUST'S STUDY 121 .A~d all that his
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FAUST'S STUDY The withered spirit s
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FAUST'S STUDY ~or days and days you
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FAUST'S STUDY 127 STUDENT. This, si
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FAUST'S STUDY -;;:.You are well mad
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131 AUERBACH'S CELLAR IN LEIPZIG SE
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AUERBACH'S CELLAR 133 Gentlemen, I
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AUERBACH'S CELLAR 135 FROSCH. You'r
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AUERBACH'S CELLAR 137 And as he set
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AUERBACH'S CELLAR 139 ALTMAYER. No,
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AUERBACH'S CELLAR 141 BRANDER. See
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WITCH'S KITCHEN 143 Meats, simple,
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WITCH'S KITCHEN 145 MEPHISTOPHELES.
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WITCH'S KITCHEN 147 Let but your ow
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WITCH'S KITCHEN 149 THE WITCH. Sata
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WITCH'S KITCHEN Now be The square o
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WITCH'S KITCHEN 153 Fair form -too
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THE STREET And to your will the sof
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A NEAT LITTLE ROOM 157 Receive me,
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A NEAT LITTLE ROOM 159 Come-corne-w
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161 PROMENADE FAUST walking up and
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PROMENADE 163 ~o~s nothing-knows no
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THE NEIGHBOUR'S HOUSE 165 To Martha
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THE NEIGHBOUR'S HOUSE 167 The rotti
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THE NEIGHBOUR'S HOUSE 169 MEPIDSTOP
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THE STREET And that enigma, man's m
Page 206 and 207: THE GARDEN 173 This idle roaming ro
Page 208 and 209: FAUST. MARGARET. THE GARDEN 175 Thi
Page 210 and 211: THE GARDEN 177 FAUST. Angelic creat
Page 212 and 213: FOREST AND CAVERN 179 Thy presence-
Page 214 and 215: FOREST AND CAVERN 181 Wouldst grudg
Page 216 and 217: FOREST AND CAVERN 183 With Bwelling
Page 218 and 219: MARGARET'S OWN ROOM 185 My peace is
Page 220 and 221: MARTHA'S GARDEN 187 FAUST. What do
Page 222 and 223: MARTHA'S GARDEN 189 The women fancy
Page 224 and 225: AT THE WELL 191 Now for the stool a
Page 226 and 227: A LITTLE SHRINE Into my chamber bri
Page 228 and 229: BEFORE MARGARET'S DOOR 195 And will
Page 230 and 231: BEFORE MARGARET'S DOOR 197 PEOPLE.
Page 232 and 233: CATHEDRAL 199 Didst come, and from
Page 234 and 235: W ALPURGIS NIGHT 201 The road is lo
Page 236 and 237: WALPURGIS NIGHT How the song of ech
Page 238 and 239: W ALPURGIS NIGHT 205 Wild work is o
Page 240 and 241: W ALPURGIS NIGHT 207 CHORUS OF WITC
Page 242 and 243: WALPURGIS NIGHT 209 Hopelessly I st
Page 244 and 245: WALPURGIS NIGHT 211 Well now, what
Page 246 and 247: W ALPURGIS NIGHT 213 Poor things! p
Page 248 and 249: W ALPURGIS NIGHT 215 What means the
Page 250 and 251: WALPURGIS NIGHT 217 Who sa.ng so lo
Page 252 and 253: W ALPURGIS NIGHT'S DREAM: 221 INQUI
Page 254 and 255: WALPURGIS NIGHT'S DREAM 225 SHREWD
Page 258 and 259: PRISON 229 And is to die because sh
Page 260 and 261: PRL'30N 231 'Tis he, 'tis he-my pan
Page 262 and 263: PRISON What good is it to fly? lily
Page 264 and 265: PRISON 235 MEPHISTOPHELES (to FAUST
Page 266 and 267: The World's Classics (SIZE 6 x 4 IN
Page 268 and 269: The World's Classics List of Titles
Page 270 and 271: The World's Classics List of Titles
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