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©Biblioteca Nacional de Colombia

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::S:Vl<br />

INTRODUCTION<br />

his version of Hero and Lean<strong>de</strong>r), Drayton, and together<br />

with them the most observant and wi<strong>de</strong>· hearted<br />

'shepherd' in all Arcady. That there was no foundation<br />

for the charges of atheism and blasphemy brought<br />

against him by an embittered controversialist, and<br />

unctuously repeated by others, it would be impossible<br />

to :1ffirm; but the imputation of 'vices sent from<br />

hell' to men of genius (and others) is in itseH often<br />

thc result of thoughtlessness. In any case it would<br />

be idle to bring Marlowe's supposed aberrations into<br />

any sort of connexion with his second play, which<br />

was in all probability completed between four and five<br />

years before his <strong>de</strong>ath.<br />

The external evi<strong>de</strong>nce for the conclusion that The<br />

Tragica1 History of Doctor Faustus was first performed<br />

some time before February, 1589, and very possibly<br />

in 1588, is not absolutely convincing; but it is borne<br />

out by the internal evi<strong>de</strong>nce of certain historical<br />

allusions in the text of the play, and more especially<br />

by the character of its versification. In this respect<br />

Doctor Faustus stands midway between Tamburlaine<br />

and Edward II, neither rigidly adhering to the rule<br />

of terminating each line by a single syllable, nor<br />

admitting the free use of double· endings characteristic<br />

of Marlowe's latest, and maturest, play. The success<br />

of Doctor Fau.stus on the stage, where the title· part<br />

was acted by Alieyn, can hardly have been inferior<br />

to that of Tamburlaine, and Greene, as has been seen,<br />

again acknowledged it by producing an imitation.<br />

That Marlowe's second tragedy holds an enduring place<br />

among the great works of the English drama-a <strong>de</strong>scription<br />

which can hardly be applied to Tamburlaine-was<br />

not only due to the felicitous choice of a theme almost<br />

unique in its human significance and interest. Marlowe's<br />

classical training and the enthusiasm for classical<br />

mythology and poetry no doubt facilitated his won<strong>de</strong>rfully<br />

rapid acquisition of a mastery over a form which<br />

he established as that of English dramatic poetry, and<br />

which in his own hands proved itself capable of a further<br />

progress towards varied perfection. But he was born<br />

<strong>©Biblioteca</strong> <strong>Nacional</strong> <strong>de</strong> <strong>Colombia</strong>

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