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MARTHA'S GARDEN 189 The women fancy, and the fact is COnfirmed, or often so, in practice, That their admirers are most found Where your religious men abound- Love is almost the same emotion: The devotee-such is their notion Thus for the sex feels true devotion, Courts amorous thoughta and mystic dreaming, Is led by priests, and follows women. FAUST. Oh! what a monster must thou be, To see not, or with scoffing see, How this poor girl's affections lead The pious creature thus to plead; The faith, in which she moves and lives That which alone salvation gives- So she believes-may make her fear :!?anger to one whom she holds dear; .L'ear for the issue of a strife Where more, she feels, is risked than life! :MEPIDSTOPHELES. Most sentimental sl"nsualist, -L Philosopher at once and beast, ed by the nose by a young flirt ! FAUST. Abortion-spawn of fire and dirt! :MEPIDSTOPHELES (swrnfully).-On Physiognomy she also lectures Profoundly-feels, when I am present, Sensations strange and most unpleasant: ISuppressed malignity my smile betrays; Wear a mask, forsooth, I will not raise, ~d what it hides she sapiently conjectures, Ornething mvsteriously allied to evil, ~ genius-or; perhaps, the very devil. O·night then. FAUST. What's to.night to thee? :MEPlIISTOPHELES. I've my amusements too-we'll see. ©Biblioteca Nacional de Colombia
190 AT THE WELL MARGARET and LIzzy (with pitchers). LIZZY. Have you not heard of Hannah's pretty doing? MARGARET. No, not a word-I've been but little out. LIZZY. Kate told it me to-day-there 's not a doubt Of its truth. This comes of airs and impudence: I always said her pride would be her ruin. MARGARET. What mean you? LIZZY. What I mean all know but you- Why, when she eats and drinks she's feeding two. MARGARET. Poor thing! LIZZY. Poor thing, indeed! great pity for her; Why, she was always finding some pretence To be in company with this adorer Of hers ;-at every party-e,ery walk How she made out a time for private talk ! Would hang upon his arm, and still be seen For evermore with him, at booth or green. She thought herself so fine, none could come near her; And then their feastings-cakes and wine must cheer her After their rambles: then her vanity About her beauty almost like insanity- And then her meanness-think of her insisting Upon his making handsome presents to her- Then came soft words, when there were none to listeD, Then all a girl can give she gave her wooer! MARGARET. The poor, poor thing! LIZZY. And do you pity her? When we were kept close to our wheels, and when Our mothers would not suffer us to stir Abroad at night, or loiter with the men, Then were they on the seat before the door, Or in the dark walk lingering evermore; ©Biblioteca Nacional de Colombia
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©Biblioteca Nacional de Colombia
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.... - OXFORD: HORAOE HART PRINTER
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Born, Canterbury Died, Deptford . C
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vi INTRODUCTION medium of the Engli
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viii INTRODUCTION of himself and of
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INTRODUCTION of later Jewish litera
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xii INTRODUCTION of its significanc
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xiv INTRODUCTION acoording to his o
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::S:Vl INTRODUCTION his version of
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xviii INTRODUCTION he was not-there
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xx ~TRODUCTIO~ version, exhibit unm
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xxii INTRODUCTION through the world
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xxii INTRODUCTION through the world
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xxiv INTRODUCTION most precious and
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xxvi INTRODUCTION And for a. long t
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xxviii INTRODUCTION ingly nowadays
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xxx INTRODUCTION notes by Dr. Karl
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THE TRAGICAL HISTORY OF DOCTOR FAUS
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THE TRAGICAL HISTORY OF DOCTOR FAUS
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SCENE I And universal body of the l
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SCENE I To pradise magic and concea
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SCENE II. BEFORE FAUSTUS'S HOUSE En
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SCENE III 11 Jehovae I Ignei, aerii
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SCENE III Am not tormented with ten
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SCENE IV 15 WAGNER. Well, do you he
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SCENE V 17 GOOD ANGEL. art. FAUSTUS
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SCENE V lD Be-enter MEPRISTOPRILlS
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SCENE V 21 Wherein thou hast given
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SCENE VI 23 GOOD ANGEL. thee. EVIL
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SCENE VI 25 Re·enter Good Angel an
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SCENE VI 27 FAUSTUS. Away, envious
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SCENE VII Thorough a rock of stone,
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SCENE VII 31 I give you fair warnin
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SCENE VIII 33 nALPH. Why, Robin, "W
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SCENE IX From Constantinople am I h
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SCENE X 37 grace, in that manner th
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SCENE XI 39 BORSE·COURSER. Do you
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SCENE XI 41 MEPIDSTOPHILIS. Be gone
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43 SCENE XIII A ROOM IN THE HOUSE O
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SCENE XlII 45 OLD MAN. I go, sweet
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47 SCENE XIV. THE SAME Enter FAUSTU
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SCE~E XIV Fair Nature's eyE', rise,
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GOETHE'S FAUST PART I TRANSLATED BY
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DEDICATION Again it comes! a long u
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50 FAUST How I delight to see the p
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58 FAUST And he who gives one is a
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60 FAtJST Restore the dissonant to
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62 FAUST Give me, oh! give youth's
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· 64 PROLOGUE IN HEA YEN TilE LORD
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66 FAUST Child though he be of huma
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NIGHT Deep truths, to others unreve
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NIGHT The tumults of my soul are st
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NIGHT Rolled and unrolled. In crims
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NIGHT ';5 [Enter WAGNER in his dres
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NIGHT A lumber-room of dusty docume
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NIGHT 79 We seize what this world g
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NIGHT Old Furniture-cumbrous and me
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NIGHT Pale Fancy hears sad Spirits
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NIGHT Chorus of Angels. The Lord ha
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87 BEFORE THE GATE Persons of all d
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BEFORE THE GATE SECOND CITIZEN. or
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BEFORE THE GATE Look, only look, wi
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BEFORE THE GATE Of the black sickne
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DEFDRE THE GATE What you have from
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BEFORE THE GATE A living stream, th
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99 FAUST'S STUDY Enter FAUST, with
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FAUST'S STUDY But can what I see be
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FAUST'S STUDY 103 If thou be a serf
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FAUST'S STUDY 105 ~y proper element
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FAUST'S STUDY 107 Choose, and the r
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FAUST'S STUDY In breezy air streami
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III FAUST'S STUDY FAUST-IY!EPHISTOP
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FAUST'S STUDY 113 And the old music
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FAUST'S STUDY U5 Cheerfully-from th
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FAUST'S STUDY 117 A?d hail the happ
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FAUST'S STUDY In the impenetrable c
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FAUST'S STUDY 121 .A~d all that his
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FAUST'S STUDY The withered spirit s
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FAUST'S STUDY ~or days and days you
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FAUST'S STUDY 127 STUDENT. This, si
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FAUST'S STUDY -;;:.You are well mad
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131 AUERBACH'S CELLAR IN LEIPZIG SE
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AUERBACH'S CELLAR 133 Gentlemen, I
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AUERBACH'S CELLAR 135 FROSCH. You'r
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AUERBACH'S CELLAR 137 And as he set
Page 172 and 173: AUERBACH'S CELLAR 139 ALTMAYER. No,
Page 174 and 175: AUERBACH'S CELLAR 141 BRANDER. See
Page 176 and 177: WITCH'S KITCHEN 143 Meats, simple,
Page 178 and 179: WITCH'S KITCHEN 145 MEPHISTOPHELES.
Page 180 and 181: WITCH'S KITCHEN 147 Let but your ow
Page 182 and 183: WITCH'S KITCHEN 149 THE WITCH. Sata
Page 184 and 185: WITCH'S KITCHEN Now be The square o
Page 186 and 187: WITCH'S KITCHEN 153 Fair form -too
Page 188 and 189: THE STREET And to your will the sof
Page 190 and 191: A NEAT LITTLE ROOM 157 Receive me,
Page 192 and 193: A NEAT LITTLE ROOM 159 Come-corne-w
Page 194 and 195: 161 PROMENADE FAUST walking up and
Page 196 and 197: PROMENADE 163 ~o~s nothing-knows no
Page 198 and 199: THE NEIGHBOUR'S HOUSE 165 To Martha
Page 200 and 201: THE NEIGHBOUR'S HOUSE 167 The rotti
Page 202 and 203: THE NEIGHBOUR'S HOUSE 169 MEPIDSTOP
Page 204 and 205: THE STREET And that enigma, man's m
Page 206 and 207: THE GARDEN 173 This idle roaming ro
Page 208 and 209: FAUST. MARGARET. THE GARDEN 175 Thi
Page 210 and 211: THE GARDEN 177 FAUST. Angelic creat
Page 212 and 213: FOREST AND CAVERN 179 Thy presence-
Page 214 and 215: FOREST AND CAVERN 181 Wouldst grudg
Page 216 and 217: FOREST AND CAVERN 183 With Bwelling
Page 218 and 219: MARGARET'S OWN ROOM 185 My peace is
Page 220 and 221: MARTHA'S GARDEN 187 FAUST. What do
Page 224 and 225: AT THE WELL 191 Now for the stool a
Page 226 and 227: A LITTLE SHRINE Into my chamber bri
Page 228 and 229: BEFORE MARGARET'S DOOR 195 And will
Page 230 and 231: BEFORE MARGARET'S DOOR 197 PEOPLE.
Page 232 and 233: CATHEDRAL 199 Didst come, and from
Page 234 and 235: W ALPURGIS NIGHT 201 The road is lo
Page 236 and 237: WALPURGIS NIGHT How the song of ech
Page 238 and 239: W ALPURGIS NIGHT 205 Wild work is o
Page 240 and 241: W ALPURGIS NIGHT 207 CHORUS OF WITC
Page 242 and 243: WALPURGIS NIGHT 209 Hopelessly I st
Page 244 and 245: WALPURGIS NIGHT 211 Well now, what
Page 246 and 247: W ALPURGIS NIGHT 213 Poor things! p
Page 248 and 249: W ALPURGIS NIGHT 215 What means the
Page 250 and 251: WALPURGIS NIGHT 217 Who sa.ng so lo
Page 252 and 253: W ALPURGIS NIGHT'S DREAM: 221 INQUI
Page 254 and 255: WALPURGIS NIGHT'S DREAM 225 SHREWD
Page 256 and 257: A GLOOMY DAY 227 have sunk into the
Page 258 and 259: PRISON 229 And is to die because sh
Page 260 and 261: PRL'30N 231 'Tis he, 'tis he-my pan
Page 262 and 263: PRISON What good is it to fly? lily
Page 264 and 265: PRISON 235 MEPHISTOPHELES (to FAUST
Page 266 and 267: The World's Classics (SIZE 6 x 4 IN
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