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PRISON 235 MEPHISTOPHELES (to FAUST). Come, or I leave thee here to share her fate. MARGARET. Father of heaven, have mercy on thy child. Ye angels, holy hosts, keep watch around me. Henry-I am afraid to look at thee. MEPHISTOPHELES. Come-she is judged ! VOICE (from above). Is saved. MEPHISTOPHELES (to FAUST). Hither to me! [Disappears wt"th FAUST. VOICE (from within, dying away). Henry! Henry! THE END ©Biblioteca Nacional de Colombia
OXFORD : HORACE HART PRINTER TO THE =VERSITY ©Biblioteca Nacional de Colombia
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©Biblioteca Nacional de Colombia
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.... - OXFORD: HORAOE HART PRINTER
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Born, Canterbury Died, Deptford . C
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vi INTRODUCTION medium of the Engli
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viii INTRODUCTION of himself and of
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INTRODUCTION of later Jewish litera
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xii INTRODUCTION of its significanc
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xiv INTRODUCTION acoording to his o
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::S:Vl INTRODUCTION his version of
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xviii INTRODUCTION he was not-there
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xx ~TRODUCTIO~ version, exhibit unm
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xxii INTRODUCTION through the world
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xxii INTRODUCTION through the world
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xxiv INTRODUCTION most precious and
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xxvi INTRODUCTION And for a. long t
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xxviii INTRODUCTION ingly nowadays
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xxx INTRODUCTION notes by Dr. Karl
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THE TRAGICAL HISTORY OF DOCTOR FAUS
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THE TRAGICAL HISTORY OF DOCTOR FAUS
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SCENE I And universal body of the l
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SCENE I To pradise magic and concea
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SCENE II. BEFORE FAUSTUS'S HOUSE En
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SCENE III 11 Jehovae I Ignei, aerii
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SCENE III Am not tormented with ten
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SCENE IV 15 WAGNER. Well, do you he
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SCENE V 17 GOOD ANGEL. art. FAUSTUS
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SCENE V lD Be-enter MEPRISTOPRILlS
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SCENE V 21 Wherein thou hast given
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SCENE VI 23 GOOD ANGEL. thee. EVIL
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SCENE VI 25 Re·enter Good Angel an
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SCENE VI 27 FAUSTUS. Away, envious
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SCENE VII Thorough a rock of stone,
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SCENE VII 31 I give you fair warnin
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SCENE VIII 33 nALPH. Why, Robin, "W
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SCENE IX From Constantinople am I h
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SCENE X 37 grace, in that manner th
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SCENE XI 39 BORSE·COURSER. Do you
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SCENE XI 41 MEPIDSTOPHILIS. Be gone
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43 SCENE XIII A ROOM IN THE HOUSE O
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SCENE XlII 45 OLD MAN. I go, sweet
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47 SCENE XIV. THE SAME Enter FAUSTU
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SCE~E XIV Fair Nature's eyE', rise,
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GOETHE'S FAUST PART I TRANSLATED BY
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DEDICATION Again it comes! a long u
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50 FAUST How I delight to see the p
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58 FAUST And he who gives one is a
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60 FAtJST Restore the dissonant to
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62 FAUST Give me, oh! give youth's
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· 64 PROLOGUE IN HEA YEN TilE LORD
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66 FAUST Child though he be of huma
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NIGHT Deep truths, to others unreve
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NIGHT The tumults of my soul are st
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NIGHT Rolled and unrolled. In crims
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NIGHT ';5 [Enter WAGNER in his dres
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NIGHT A lumber-room of dusty docume
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NIGHT 79 We seize what this world g
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NIGHT Old Furniture-cumbrous and me
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NIGHT Pale Fancy hears sad Spirits
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NIGHT Chorus of Angels. The Lord ha
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87 BEFORE THE GATE Persons of all d
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BEFORE THE GATE SECOND CITIZEN. or
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BEFORE THE GATE Look, only look, wi
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BEFORE THE GATE Of the black sickne
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DEFDRE THE GATE What you have from
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BEFORE THE GATE A living stream, th
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99 FAUST'S STUDY Enter FAUST, with
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FAUST'S STUDY But can what I see be
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FAUST'S STUDY 103 If thou be a serf
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FAUST'S STUDY 105 ~y proper element
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FAUST'S STUDY 107 Choose, and the r
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FAUST'S STUDY In breezy air streami
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III FAUST'S STUDY FAUST-IY!EPHISTOP
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FAUST'S STUDY 113 And the old music
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FAUST'S STUDY U5 Cheerfully-from th
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FAUST'S STUDY 117 A?d hail the happ
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FAUST'S STUDY In the impenetrable c
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FAUST'S STUDY 121 .A~d all that his
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FAUST'S STUDY The withered spirit s
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FAUST'S STUDY ~or days and days you
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FAUST'S STUDY 127 STUDENT. This, si
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FAUST'S STUDY -;;:.You are well mad
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131 AUERBACH'S CELLAR IN LEIPZIG SE
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AUERBACH'S CELLAR 133 Gentlemen, I
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AUERBACH'S CELLAR 135 FROSCH. You'r
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AUERBACH'S CELLAR 137 And as he set
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AUERBACH'S CELLAR 139 ALTMAYER. No,
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AUERBACH'S CELLAR 141 BRANDER. See
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WITCH'S KITCHEN 143 Meats, simple,
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WITCH'S KITCHEN 145 MEPHISTOPHELES.
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WITCH'S KITCHEN 147 Let but your ow
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WITCH'S KITCHEN 149 THE WITCH. Sata
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WITCH'S KITCHEN Now be The square o
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WITCH'S KITCHEN 153 Fair form -too
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THE STREET And to your will the sof
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A NEAT LITTLE ROOM 157 Receive me,
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A NEAT LITTLE ROOM 159 Come-corne-w
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161 PROMENADE FAUST walking up and
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PROMENADE 163 ~o~s nothing-knows no
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THE NEIGHBOUR'S HOUSE 165 To Martha
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THE NEIGHBOUR'S HOUSE 167 The rotti
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THE NEIGHBOUR'S HOUSE 169 MEPIDSTOP
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THE STREET And that enigma, man's m
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THE GARDEN 173 This idle roaming ro
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FAUST. MARGARET. THE GARDEN 175 Thi
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THE GARDEN 177 FAUST. Angelic creat
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FOREST AND CAVERN 179 Thy presence-
Page 214 and 215: FOREST AND CAVERN 181 Wouldst grudg
Page 216 and 217: FOREST AND CAVERN 183 With Bwelling
Page 218 and 219: MARGARET'S OWN ROOM 185 My peace is
Page 220 and 221: MARTHA'S GARDEN 187 FAUST. What do
Page 222 and 223: MARTHA'S GARDEN 189 The women fancy
Page 224 and 225: AT THE WELL 191 Now for the stool a
Page 226 and 227: A LITTLE SHRINE Into my chamber bri
Page 228 and 229: BEFORE MARGARET'S DOOR 195 And will
Page 230 and 231: BEFORE MARGARET'S DOOR 197 PEOPLE.
Page 232 and 233: CATHEDRAL 199 Didst come, and from
Page 234 and 235: W ALPURGIS NIGHT 201 The road is lo
Page 236 and 237: WALPURGIS NIGHT How the song of ech
Page 238 and 239: W ALPURGIS NIGHT 205 Wild work is o
Page 240 and 241: W ALPURGIS NIGHT 207 CHORUS OF WITC
Page 242 and 243: WALPURGIS NIGHT 209 Hopelessly I st
Page 244 and 245: WALPURGIS NIGHT 211 Well now, what
Page 246 and 247: W ALPURGIS NIGHT 213 Poor things! p
Page 248 and 249: W ALPURGIS NIGHT 215 What means the
Page 250 and 251: WALPURGIS NIGHT 217 Who sa.ng so lo
Page 252 and 253: W ALPURGIS NIGHT'S DREAM: 221 INQUI
Page 254 and 255: WALPURGIS NIGHT'S DREAM 225 SHREWD
Page 256 and 257: A GLOOMY DAY 227 have sunk into the
Page 258 and 259: PRISON 229 And is to die because sh
Page 260 and 261: PRL'30N 231 'Tis he, 'tis he-my pan
Page 262 and 263: PRISON What good is it to fly? lily
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