©Biblioteca Nacional de Colombia

More documents

Recommendations

Info

PROMENADE 163 ~o~s nothing-knows not what she should- 13 hinks night and day on what she lost, ut dwells on him who gave them most. 13 ~AUST. Poor thing! her grief goes to my heart! • rtng more gems--come--come- no delay- The first, coarse common things were they. MEPHISTOPHELES (in affected vexation). Mere trinkets flung in sport away! ~My toil is nothing, nor the value O f what I give !-- FAUST. Be silent-shall you ~hus mock at me and my affection? ct for my ends, by my direction. ~ourt thou the widow-tax invention C or sweet things-d.raw off her attention UOllle--come-you're dull as water.gruel,- P~Up-away for chain and jewel! MEPHISTOPHELES. My lord, I cheerfully obey. [FAUST exit. S lIow a man fooled with love will fling away A~' stars, earth, heaven, upon the chosen lady ~ cheap as presents to a child on May-day! [Exit. THE NEIGHBOUR'S HOUSE AI MARTHA (alone). God help and pity me, and pardon 11 POOr old man! he treats me badly ;- .i\ us to go off-'tis very hard on .i\mwedded wife,-here pining sadly I I I upon my lonely straw. IIi oVed and doted on him so, ~~ very will to me was law; .A. d f?r no reason thus to go \'~~?ie abroad (wteping)-he must have died Ii r twould be satisfactory Could have it certified. ]II :! ©Biblioteca Nacional de Colombia
164 FAUST Enter MARGARET. MARGARET. Martha. MARTHA.. My little Margery l Sweet child, what can the matter be ? MARGARET. My knees are sinking under me. I've found another casket, one Like that so lately had and gone, Laid in my press-of ebony- The rings and jewels in it are More brilliant than the former far. MARTHA.. Your mother must not hear it, though, Or straightway to the priest they go. MARG.lltET. Look at them, only look at them. MARTHA.. Fortunate girl. MARGARET. Alas, one gem I cannot-can I ?--ever dare P ut on in church or anywhere. MARTHA.. Come here as often as you please, And try them on where no one sees: Before the glass be whole hours spent Adjusting every ornament. We will enjoy their full effect, With none your secret to suspect; Then as occasions come, a ball, A dance, a day of festival, We let them one by one appear A chain, a pearl.drop in the ear And coin some story or another To keep the matter from your mother. MARGARET. Twice to have had such caskets brougb t, There's something in it more than ought! ,. [A knoc'" Good God! my mother! I'll be seen. MARTHA. 'Tis a strange gentleman.-Come in. . MEPHISTOPHELES (enters). I'vecome unceremonioUSl!, But, ladies, you will pardon me. [Retreats respect/lllly belore l\iARGAIt}:1. ©Biblioteca Nacional de Colombia
Page 1 and 2:
©Biblioteca Nacional de Colombia
Page 3 and 4:
.... - OXFORD: HORAOE HART PRINTER
Page 5 and 6:
Born, Canterbury Died, Deptford . C
Page 7 and 8:
vi INTRODUCTION medium of the Engli
Page 9 and 10:
viii INTRODUCTION of himself and of
Page 11 and 12:
INTRODUCTION of later Jewish litera
Page 13 and 14:
xii INTRODUCTION of its significanc
Page 15 and 16:
xiv INTRODUCTION acoording to his o
Page 17 and 18:
::S:Vl INTRODUCTION his version of
Page 19 and 20:
xviii INTRODUCTION he was not-there
Page 21 and 22:
xx ~TRODUCTIO~ version, exhibit unm
Page 23 and 24:
xxii INTRODUCTION through the world
Page 25 and 26:
xxii INTRODUCTION through the world
Page 27 and 28:
xxiv INTRODUCTION most precious and
Page 29 and 30:
xxvi INTRODUCTION And for a. long t
Page 31 and 32:
xxviii INTRODUCTION ingly nowadays
Page 33 and 34:
xxx INTRODUCTION notes by Dr. Karl
Page 35 and 36:
THE TRAGICAL HISTORY OF DOCTOR FAUS
Page 37 and 38:
THE TRAGICAL HISTORY OF DOCTOR FAUS
Page 39 and 40:
SCENE I And universal body of the l
Page 41 and 42:
SCENE I To pradise magic and concea
Page 43 and 44:
SCENE II. BEFORE FAUSTUS'S HOUSE En
Page 45 and 46:
SCENE III 11 Jehovae I Ignei, aerii
Page 47 and 48:
SCENE III Am not tormented with ten
Page 49 and 50:
SCENE IV 15 WAGNER. Well, do you he
Page 51 and 52:
SCENE V 17 GOOD ANGEL. art. FAUSTUS
Page 53 and 54:
SCENE V lD Be-enter MEPRISTOPRILlS
Page 55 and 56:
SCENE V 21 Wherein thou hast given
Page 57 and 58:
SCENE VI 23 GOOD ANGEL. thee. EVIL
Page 59 and 60:
SCENE VI 25 Re·enter Good Angel an
Page 61 and 62:
SCENE VI 27 FAUSTUS. Away, envious
Page 63 and 64:
SCENE VII Thorough a rock of stone,
Page 65 and 66:
SCENE VII 31 I give you fair warnin
Page 67 and 68:
SCENE VIII 33 nALPH. Why, Robin, "W
Page 69 and 70:
SCENE IX From Constantinople am I h
Page 71 and 72:
SCENE X 37 grace, in that manner th
Page 73 and 74:
SCENE XI 39 BORSE·COURSER. Do you
Page 75 and 76:
SCENE XI 41 MEPIDSTOPHILIS. Be gone
Page 77 and 78:
43 SCENE XIII A ROOM IN THE HOUSE O
Page 79 and 80:
SCENE XlII 45 OLD MAN. I go, sweet
Page 81 and 82:
47 SCENE XIV. THE SAME Enter FAUSTU
Page 83 and 84:
SCE~E XIV Fair Nature's eyE', rise,
Page 85 and 86:
GOETHE'S FAUST PART I TRANSLATED BY
Page 87 and 88:
DEDICATION Again it comes! a long u
Page 89 and 90:
50 FAUST How I delight to see the p
Page 91 and 92:
58 FAUST And he who gives one is a
Page 93 and 94:
60 FAtJST Restore the dissonant to
Page 95 and 96:
62 FAUST Give me, oh! give youth's
Page 97 and 98:
· 64 PROLOGUE IN HEA YEN TilE LORD
Page 99 and 100:
66 FAUST Child though he be of huma
Page 102 and 103:
NIGHT Deep truths, to others unreve
Page 104 and 105:
NIGHT The tumults of my soul are st
Page 106 and 107:
NIGHT Rolled and unrolled. In crims
Page 108 and 109:
NIGHT ';5 [Enter WAGNER in his dres
Page 110 and 111:
NIGHT A lumber-room of dusty docume
Page 112 and 113:
NIGHT 79 We seize what this world g
Page 114 and 115:
NIGHT Old Furniture-cumbrous and me
Page 116 and 117:
NIGHT Pale Fancy hears sad Spirits
Page 118 and 119:
NIGHT Chorus of Angels. The Lord ha
Page 120 and 121:
87 BEFORE THE GATE Persons of all d
Page 122 and 123:
BEFORE THE GATE SECOND CITIZEN. or
Page 124 and 125:
BEFORE THE GATE Look, only look, wi
Page 126 and 127:
BEFORE THE GATE Of the black sickne
Page 128 and 129:
DEFDRE THE GATE What you have from
Page 130 and 131:
BEFORE THE GATE A living stream, th
Page 132 and 133:
99 FAUST'S STUDY Enter FAUST, with
Page 134 and 135:
FAUST'S STUDY But can what I see be
Page 136 and 137:
FAUST'S STUDY 103 If thou be a serf
Page 138 and 139:
FAUST'S STUDY 105 ~y proper element
Page 140 and 141:
FAUST'S STUDY 107 Choose, and the r
Page 142 and 143:
FAUST'S STUDY In breezy air streami
Page 144 and 145:
III FAUST'S STUDY FAUST-IY!EPHISTOP
Page 146 and 147: FAUST'S STUDY 113 And the old music
Page 148 and 149: FAUST'S STUDY U5 Cheerfully-from th
Page 150 and 151: FAUST'S STUDY 117 A?d hail the happ
Page 152 and 153: FAUST'S STUDY In the impenetrable c
Page 154 and 155: FAUST'S STUDY 121 .A~d all that his
Page 156 and 157: FAUST'S STUDY The withered spirit s
Page 158 and 159: FAUST'S STUDY ~or days and days you
Page 160 and 161: FAUST'S STUDY 127 STUDENT. This, si
Page 162 and 163: FAUST'S STUDY -;;:.You are well mad
Page 164 and 165: 131 AUERBACH'S CELLAR IN LEIPZIG SE
Page 166 and 167: AUERBACH'S CELLAR 133 Gentlemen, I
Page 168 and 169: AUERBACH'S CELLAR 135 FROSCH. You'r
Page 170 and 171: AUERBACH'S CELLAR 137 And as he set
Page 172 and 173: AUERBACH'S CELLAR 139 ALTMAYER. No,
Page 174 and 175: AUERBACH'S CELLAR 141 BRANDER. See
Page 176 and 177: WITCH'S KITCHEN 143 Meats, simple,
Page 178 and 179: WITCH'S KITCHEN 145 MEPHISTOPHELES.
Page 180 and 181: WITCH'S KITCHEN 147 Let but your ow
Page 182 and 183: WITCH'S KITCHEN 149 THE WITCH. Sata
Page 184 and 185: WITCH'S KITCHEN Now be The square o
Page 186 and 187: WITCH'S KITCHEN 153 Fair form -too
Page 188 and 189: THE STREET And to your will the sof
Page 190 and 191: A NEAT LITTLE ROOM 157 Receive me,
Page 192 and 193: A NEAT LITTLE ROOM 159 Come-corne-w
Page 194 and 195: 161 PROMENADE FAUST walking up and
Page 198 and 199: THE NEIGHBOUR'S HOUSE 165 To Martha
Page 200 and 201: THE NEIGHBOUR'S HOUSE 167 The rotti
Page 202 and 203: THE NEIGHBOUR'S HOUSE 169 MEPIDSTOP
Page 204 and 205: THE STREET And that enigma, man's m
Page 206 and 207: THE GARDEN 173 This idle roaming ro
Page 208 and 209: FAUST. MARGARET. THE GARDEN 175 Thi
Page 210 and 211: THE GARDEN 177 FAUST. Angelic creat
Page 212 and 213: FOREST AND CAVERN 179 Thy presence-
Page 214 and 215: FOREST AND CAVERN 181 Wouldst grudg
Page 216 and 217: FOREST AND CAVERN 183 With Bwelling
Page 218 and 219: MARGARET'S OWN ROOM 185 My peace is
Page 220 and 221: MARTHA'S GARDEN 187 FAUST. What do
Page 222 and 223: MARTHA'S GARDEN 189 The women fancy
Page 224 and 225: AT THE WELL 191 Now for the stool a
Page 226 and 227: A LITTLE SHRINE Into my chamber bri
Page 228 and 229: BEFORE MARGARET'S DOOR 195 And will
Page 230 and 231: BEFORE MARGARET'S DOOR 197 PEOPLE.
Page 232 and 233: CATHEDRAL 199 Didst come, and from
Page 234 and 235: W ALPURGIS NIGHT 201 The road is lo
Page 236 and 237: WALPURGIS NIGHT How the song of ech
Page 238 and 239: W ALPURGIS NIGHT 205 Wild work is o
Page 240 and 241: W ALPURGIS NIGHT 207 CHORUS OF WITC
Page 242 and 243: WALPURGIS NIGHT 209 Hopelessly I st
Page 244 and 245: WALPURGIS NIGHT 211 Well now, what
Page 246 and 247:
W ALPURGIS NIGHT 213 Poor things! p
Page 248 and 249:
W ALPURGIS NIGHT 215 What means the
Page 250 and 251:
WALPURGIS NIGHT 217 Who sa.ng so lo
Page 252 and 253:
W ALPURGIS NIGHT'S DREAM: 221 INQUI
Page 254 and 255:
WALPURGIS NIGHT'S DREAM 225 SHREWD
Page 256 and 257:
A GLOOMY DAY 227 have sunk into the
Page 258 and 259:
PRISON 229 And is to die because sh
Page 260 and 261:
PRL'30N 231 'Tis he, 'tis he-my pan
Page 262 and 263:
PRISON What good is it to fly? lily
Page 264 and 265:
PRISON 235 MEPHISTOPHELES (to FAUST
Page 266 and 267:
The World's Classics (SIZE 6 x 4 IN
Page 268 and 269:
The World's Classics List of Titles
Page 270 and 271:
The World's Classics List of Titles
show all

©Biblioteca Nacional de Colombia

Create successful ePaper yourself

Delete template?

Save as template?